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  • Opening of New Classical Galleries in Metropolitan Museum's American Wing Represents First Phase in Multi-Year Construction Project

    Monday, January 22, 2007, 5:00 a.m.

    (New York, January 23, 2007)—A suite of galleries devoted to American art created between 1810 and 1840 was formally opened on the first floor of the American Wing at The Metropolitan Museum of Art today. The opening of the new galleries marks the completion of the first phase of a project to reconfigure, renovate, or upgrade nearly every section of the American Wing by 2010. A major goal of the plan is to improve public access to, and visitor flow within, the American Wing galleries.

  • Architectural Elements from Medieval Monastery Installed at The Cloisters

    Monday, January 22, 2007, 5:00 a.m.

    A dozen architectural elements from the medieval monastery of Saint-Michel-de-Cuxa, which is located in the northeast Pyrenees, have gone on public display at The Cloisters – the branch of The Metropolitan Museum of Art dedicated to the art and architecture of the Middle Ages. Part of the collection of The Cloisters since 1925, the pieces of carved stone have been in storage for nearly 70 years. The carvings, which include decorative elements from three nearly complete arches, and blocks carved with images of a musician, the Lamb of God, and other figures, have recently been embedded in the east wall of the Cuxa Cloister. Although the walls surrounding the Cloister are modern, the series of marble columns, boldly carved capitals, and arches forming the Cuxa Cloister date from the 12th century and also originated from Saint-Michel-de-Cuxa. All are carved from the beautiful pinkish stone of the Pyrenees known as "Languedoc marble." The installation also will incorporate new lighting and a new sound system.

  • Martin Luther King Jr. Day and Presidents' Day – January 15 and February 19 – Head List of Metropolitan Museum's 2007 Schedule of "Met Holiday Mondays"

    Thursday, January 11, 2007, 5:00 a.m.

    (New York, January 10, 2007) – The Metropolitan Museum of Art will be open to the public on two upcoming holiday Mondays – January 15 (Martin Luther King Jr. Day) and February 19 (Presidents' Day) – as the latest in its popular "Holiday Monday" programs. The Museum will also open the doors of its main building on May 28 (Memorial Day), July 2 (Independence Day Holiday), September 3 (Labor Day), and October 8 (Columbus Day).

  • Photographs of the Discovery of Tutankhamun's Tomb on Display at Metropolitan Museum

    Thursday, December 14, 2006, 5:00 a.m.

    An exhibition of vintage photographs celebrating one of the most memorable episodes in the history of archaeology – the discovery and exploration of the tomb of the ancient Egyptian pharaoh Tutankhamun (Dynasty 18; ruled ca. 1336-1327 B.C.) – will be on view at The Metropolitan Museum of Art beginning December 19. The photographs, documenting every stage in the process of the excavation, were taken by the renowned archaeological photographer Harry Burton, who was a staff member of the Metropolitan Museum Egyptian Expedition when he was "lent" to Howard Carter, the famed excavator of Tutankhamun's tomb. Discovering Tutankhamun: The Photographs of Harry Burton features his spectacular black-and-white images of the entrance passage to the tomb, the opening of the sealed chambers inside, the first view of the contents and removal of the objects, and the beautifully made and decorated treasures that were found. The four chambers of the tomb were crammed with objects such as gold-covered chariots; elaborately inlaid furniture and chests; a vast array of the king's personal belongings, including jewelry; a series of shrines and coffins that protected the king; and the famous solid-gold mask that adorned his mummy – the last, among the most iconic examples of ancient Egyptian art ever to have come to light.

  • Venice and the Islamic World, 828 – 1797

    Thursday, December 14, 2006, 5:00 a.m.

    With nearly 200 works of art from more than 60 public and private collections around the world, Venice and the Islamic World, 828 – 1797 is the first major exhibition to explore one of the most important and distinctive facets of Venetian art history: the exchange of art objects and interchange of artistic ideas between the great Italian maritime city and her Islamic neighbors in the eastern Mediterranean. Glass, textiles, carpets, arms and armor, ceramics, sculpture, metalwork, furniture, paintings, drawings, prints, printed books, book bindings, and manuscripts tell the fascinating story of the Islamic contribution to the arts of Venice during her heyday, from the medieval to the Baroque eras. 828, the year two Venetian merchants stole Saint Mark's hallowed body from Muslim-controlled Alexandria and brought it to their native city, and 1797, when the Venetian Republic fell to the French conqueror Napoleon Bonaparte, form the chronological parameters of the exhibition that opens at The Metropolitan Museum of Art on March 27, 2007.

  • Сады музея The Met Cloisters

    Saturday, December 2, 2006, 6:45 p.m.

  • Музей The Met Cloisters. Краткий обзор

    Saturday, December 2, 2006, 4:49 p.m.

  • Metropolitan Museum Participates in 18th Annual "Day Without Art" Observance of World AIDS Day

    Thursday, November 30, 2006, 5:00 a.m.

    The Metropolitan Museum of Art will participate in World AIDS Day for the 18th consecutive year by observing Day Without Art on Friday, December 1, 2006. In recognition of the devastating losses suffered by the cultural community as a result of AIDS, the Metropolitan will remove from view or shroud 16 objects around the Museum. Black ribbons will be tied around the flowers in the Great Hall. In addition, the Museum will lower the flags on its plaza to half-mast to symbolize the losses due to AIDS-related deaths in the art community.

  • WELLINGTON Z. CHEN ELECTED A TRUSTEE AT METROPOLITAN MUSEUM

    Sunday, November 26, 2006, 5:00 a.m.

    (New York, November 14, 2006)--Wellington Z. Chen has been elected to the Board of Trustees of The Metropolitan Museum of Art representing the borough of Queens, it was announced today by James R. Houghton, the Museum's Chairman. The election took place at the November 14 meeting of the Board.

  • Mother-of-Pearl: A Tradition in Asian Lacquer

    Sunday, November 19, 2006, 5:00 a.m.

    An exhibition of exquisite Asian lacquer decorated with mother-of-pearl will open at The Metropolitan Museum of Art on December 2. Featuring some 50 works dating from the eighth to the 19th century, Mother-of-Pearl: A Tradition in Asian Lacquer will illustrate the remarkable variety of effects found in the use of minute pieces of mother-of-pearl to create mosaic-like patterns and dazzling scenes. It will also explore the importance of lacquer decorated with mother-of-pearl in interregional trade from the 12th to the 19th century and in the development of maritime global trade – particularly works made in India and Japan – in the late 16th and early 17th centuries. Drawn largely from the Museum's permanent collection, the exhibition will include recent acquisitions as well as several important loans from public and private collections in the United States.

  • Schedule of Exhibitions Through July 2017

    Wednesday, November 15, 2006, 9:00 p.m.

  • Frank Stella: Painting into Architecture & Frank Stella on the Roof

    Monday, November 13, 2006, 5:00 a.m.

    The Metropolitan Museum of Art will present two concurrent exhibitions featuring recent work by the renowned American artist Frank Stella (born 1936) in spring 2007.

  • Medieval Treasury Reopens at The Cloisters

    Monday, November 13, 2006, 5:00 a.m.

    The Treasury – an intimate gallery displaying some of the most precious small-scale works at The Cloisters, the branch of The Metropolitan Museum of Art dedicated to the art and architecture of the Middle Ages – has reopened to the public after two years of renovation. Originally constructed in 1988 in celebration of the 50th anniversary of the opening of The Cloisters, the Treasury houses small luxury objects acquired in the years subsequent to the branch museum's 1938 founding.

  • 圖示和言傳:說故事的中國畫

    Thursday, November 2, 2006, 3:45 p.m.

  • 图示和言传:说故事的中国画

    Thursday, November 2, 2006, 3:43 p.m.

  • The Met Cloistersの庭園

    Wednesday, November 1, 2006, 8:20 p.m.

  • "Holidays at the Met" to Include First-Ever Extended Hours in December and Special Seasonal Programming

    Wednesday, October 25, 2006, 4:00 a.m.

    The Metropolitan Museum of Art will offer an unprecedented roster of Holidays at the Metprograms and activities this season, including extended evening hours during the final weekend of 2006, family programs, and additional holiday offerings in the galleries, restaurants, and shops, from Thanksgiving through New Year's Day. At the centerpiece of this holiday celebration, the Museum will continue its traditional Christmas tree and Neapolitan Baroque crèche display, this year adding to its schedule of spectacular tree lightings, with additional lightings daily and during the Museum's popular Friday and Saturday evening hours. Special holiday decorations and programming will also be offered at The Cloisters, the Metropolitan Museum's branch for medieval art in upper Manhattan.

  • 메트로폴리탄 박물관에서 선보이는 국립중앙박물관 소장 대작들

    Tuesday, October 17, 2006, 5:12 p.m.

  • Nan Kempner's Chic, Iconic Styles to be Focus of Winter Exhibition at Metropolitan Museum's Costume Institute

    Tuesday, October 17, 2006, 4:00 a.m.

    Nan Kempner – the late New York style icon, connoisseur of the couture, and member of The Best Dressed List's Hall of Fame – will be the subject of the winter exhibition in The Metropolitan Museum of Art's Costume Institute, from December 12, 2006, through March 4, 2007. Known for a seemingly effortless style that nonetheless displayed a meticulous attention to detail, she was a passionate client and collector of such designers as Yves Saint Laurent, Valentino, and Oscar de la Renta from the 1960s onward.

  • Jardins do The Met Cloisters

    Saturday, October 14, 2006, 7:08 p.m.

  • Die Gärten der Met Cloisters

    Saturday, October 14, 2006, 7:01 p.m.

  • Splendor of Islamic Art to be Theme of October 8 Sunday at the Met Program

    Sunday, October 1, 2006, 4:00 a.m.

    The Metropolitan Museum of Art, the Aga Khan Trust for Culture, and His Highness Prince Aga Khan Shia Imami Ismaili Council for the United States of America will present a special program at The Metropolitan Museum of Art on Sunday, October 8, 2006. The theme of this Sunday at the Met program will be Islamic art and culture, and it will include a film, a lecture, and a musical performance, as follows:

  • Présentation du musée The Met Cloisters
    (Cloîtres du Met)

    Friday, September 29, 2006, 3:37 p.m.

  • Chinese 'Art of Writing' Is Explored in New Metropolitan Museum Exhibition

    Thursday, September 28, 2006, 4:00 a.m.

    Bringing together masterpieces from The Metropolitan Museum of Art's permanent collection with important loans from private collections, Brush and Ink: The Chinese Art of Writing explores the 1,600-year history of calligraphy from its genesis as a fine art in the fourth century A.D. The exhibition presents some 70 works of calligraphy executed by renowned traditional masters – Huang Tingjian (1045-1105), Zhao Mengfu (1254-1322), Ni Zan (1306-1374), and Dong Qichang (1555-1636) – as well as by five contemporary artists. Early inscribed ritual bronzes, dynamic scholars' rocks, and objects made for the artist's study complement the calligraphy.

  • Sean Scully: Wall of Light – Celebrated Artist's First Major Solo Museum Exhibition in New York – Features His Most Important Series to Date

    Thursday, September 14, 2006, 4:00 a.m.

    The Wall of Light series by celebrated artist Sean Scully (born 1945) will be the focus of an exhibition at The Metropolitan Museum of Art from September 26, 2006, through January 15, 2007. Sean Scully: Wall of Light will showcase the artist's most important series to date and highlight his mastery of color, light, gesture, and range of emotional and narrative themes. Scully works and exhibits throughout the world, yet this is his first major solo museum exhibition in New York. Featured are 60 works in the Wall of Light series — some 20 of which are large-scale oil paintings — that Scully has created in recent years, first inspired by his travels to Mexico.

  • Metropolitan Museum Announces Fall 2006 Schedule of Programs for Children and Families

    Thursday, September 14, 2006, 4:00 a.m.

    (New York, September 12, 2006)—The Metropolitan Museum of Art today announced its schedule of weekday and weekend programs for children, including special family activities, for the period September 30, 2006, through February 2, 2007. These drop-in programs are free with Museum admission. Reservations are not required unless otherwise noted, and all materials are provided.

  • Robert Joffe Elected a Trustee at Metropolitan Museum

    Thursday, September 14, 2006, 4:00 a.m.

    (New York, September 12, 2006)—Robert D. Joffe has been elected to the Board of Trustees of The Metropolitan Museum of Art, it was announced today by James R. Houghton, the Museum's Chairman. The election took place at the September 12 meeting of the Board.

  • Mrs. Russell B. Aitken Elected Honorary Trustee at Metropolitan Museum

    Monday, September 11, 2006, 4:00 a.m.

    Irene Roosevelt Aitken has been elected an Honorary Trustee of The Metropolitan Museum of Art, it was announced today by James R. Houghton, the Museum's Chairman. The election took place at the September 12 meeting of the Board of Trustees.

  • Metropolitan Museum of Art Announces the 2006-07 Season of Concerts

    Thursday, September 7, 2006, 4:00 a.m.

    The 53rd Season Features the Piano Forte Series with András Schiff, Ivo Pogorelich, and Ivan Moravec; Jordi Savall in Two Concerts; Bach's Mass in B Minor and Handel's Acis and Galatea; Anoushka Shankar, Richie Havens, and Patti Smith; and a Season Opening Concert by Orpheus in the Great Hall

  • Olena Paslawsky Named Senior Vice President and Chief Financial Officer At Metropolitan Museum

    Wednesday, September 6, 2006, 4:00 a.m.

    (New York, September 12, 2006)—Olena Paslawsky has been named Senior Vice President and Chief Financial Officer of The Metropolitan Museum of Art, it was announced by Emily K. Rafferty, President of the Museum. She joined the Museum in August, and will oversee initiatives in finance, technology, purchasing, office services, and internal audit. Prior to coming to the Metropolitan, she was Controller of the Worldwide Securities Division of JP Morgan Chase & Company.

  • New Orleans after the Flood: Photographs by Robert Polidori

    Monday, September 4, 2006, 4:00 a.m.

    To mark the first anniversary of Hurricane Katrina and the subsequent floods that devastated New Orleans, The Metropolitan Museum of Art will present New Orleans after the Flood: Photographs by Robert Polidori. On view from September 19 through December 10 in The Howard Gilman Gallery, the exhibition will feature approximately 20 large-scale color photographs made by Robert Polidori on four extended visits to New Orleans between September 2005 and April 2006. The quietly expressive photographs present a candid and intimate look at widespread urban ruin — an incomprehensible, topsy-turvy landscape of felled oak trees, houses washed off their foundations, and tumbled furniture that leaves the viewer with more questions than answers.

  • SCHEDULE OF EXHIBITIONS SEPTEMBER — DECEMBER 2006

    Tuesday, August 22, 2006, 4:00 a.m.

    EDITORS PLEASE NOTE: Information provided below is subject to change. To confirm scheduling and dates, call the Communications Department at (212) 570-3951. CONTACT NUMBER FOR USE IN TEXT IS (212) 535-7710.

  • Glitter and Doom: German Portraits from the 1920s

    Monday, August 14, 2006, 4:00 a.m.

    Political, economic, and social turmoil shaped Germany's short-lived Weimar Republic (1919–1933). These pivotal years also became a most creative period of 20th-century German culture, generating innovation in literature, music, film, theater, and architecture. In painting, a trend of matter-of-fact realism took hold in Germany like nowhere else in Europe. Disillusioned by the cataclysm of World War I, the most vital German artists moved towards a Neue Sachlichkeit (New Objectivity), in particular its branch known as Verism. These artists looked soberly, cynically, and even ferociously at their fellow citizens and found their true métier in portraiture, as seen in the 40 paintings and 60 works on paper featured in Glitter and Doom: German Portraits from the 1920s. The presentation, which opens at The Metropolitan Museum of Art on November 14, 2006, features gripping portraits by ten renowned artists: Max Beckmann, Heinrich Maria Davringhausen, Otto Dix, George Grosz, Karl Hubbuch, Ludwig Meidner, Christian Schad, Rudolf Schlichter, Georg Scholz, and Gert H. Wollheim.

  • Metropolitan Museum's Fall 2006 Lecture Series Features Director Philippe de Montebello Speaking on the Collecting of Antiquities

    Sunday, August 13, 2006, 4:00 a.m.

    Seventy lectures comprise the Fall 2006 schedule of The Metropolitan Museum of Art's stellar series, now in its 53rd season. Metropolitan Museum curators and educators, as well as guest speakers, will present talks on a broad range of exhibition- and arts-related topics.

  • Art Traditions of Papuan Gulf Explored through Rare Objects and Photographs in Metropolitan Museum Exhibition

    Monday, July 31, 2006, 4:00 a.m.

    An exhibition of some 60 powerful and graphically elaborate sculptures and 30 rare historical photographs from the Papuan Gulf area of the island of New Guinea will go on view at The Metropolitan Museum of Art, beginning October 24. Featuring sacred objects as well as photographs, Coaxing the Spirits to Dance: Art of the Papuan Gulf will demonstrate how deeply embedded art was in the region's social life in the late 19th and early 20th centuries. The exhibition is the first in-depth investigation of these art traditions in 45 years. Drawn from public and private collections, as well as the Museum's own holdings, many of the works will be exhibited for the first time.

  • Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde

    Wednesday, July 26, 2006, 4:00 a.m.

    The first comprehensive exhibition devoted to Ambroise Vollard (1866-1939) – the pioneer dealer, patron, and publisher who played a key role in promoting and shaping the careers of many of the leading artists during the late 19th and early 20th centuries – will open at The Metropolitan Museum of Art on September 14. One hundred paintings as well as dozens of ceramics, sculpture, prints, and livres d'artistes commissioned and published by Vollard, from his appearance on the Paris art scene in the mid-1890s to his death in 1939, will comprise the exhibition Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde, which will feature works by Bonnard, Cézanne, Degas, Derain, Gauguin, Van Gogh, Maillol, Matisse, Picasso, Redon, Renoir, Rouault, Rousseau, Vlaminck, Vuillard, and others. Highlights will include six paintings from Vollard's landmark 1895 Cézanne exhibition; a never-before-reassembled triptych from his 1896-97 Van Gogh retrospective; the masterpiece Where Do We Come From? What Are We? Where Are We Going? from his 1898 Gauguin exhibition; paintings from Picasso's first French exhibition (1901) and Matisse's first solo exhibition (1904); and three pictures from Derain's London series, painted in 1906-1907 at Vollard's suggestion. Also on view will be numerous portraits of Vollard by leading artists, among them Cézanne, Bonnard, Renoir, and Picasso.

  • Sean Scully: Wall of Light – Celebrated Artist's First Major Solo Museum Exhibition in New York – Features His Most Important Series to Date

    Wednesday, July 19, 2006, 4:00 a.m.

    The Wall of Light series by celebrated artist Sean Scully (born 1945) will be the focus of an exhibition at The Metropolitan Museum of Art from September 26, 2006, through January 14, 2007. Sean Scully: Wall of Light will showcase the artist's most important series to date and highlight his mastery of color, light, gesture, and range of emotional and narrative themes. Scully works and exhibits throughout the world, yet this is his first major solo museum exhibition in New York. Featured are more than 50 works in the Wall of Light series — some 20 of which are large-scale oil paintings — that Scully has created in recent years, first inspired by his travels to Mexico.

  • Impact of Paris on 19th-Century American Art Shown in Landmark Fall Exhibition at Metropolitan Museum

    Wednesday, July 12, 2006, 4:00 a.m.

    In the late 19th century, American artists by the hundreds – including such luminaries as James McNeill Whistler, John Singer Sargent, Mary Cassatt, Thomas Eakins, and Winslow Homer – were drawn irresistibly to Paris, the world's new art capital, to learn to paint and to establish their reputations. By studying with leading masters and showing their work in Paris, these artists aimed to attract patronage from American collectors who had begun to buy contemporary French art in earnest soon after the end of the Civil War. Paris inspired decisive changes in American painters' styles and subjects, and stimulated the creation of more sophisticated art schools and higher professional standards back in the United States.

  • Exhibition on the Face in Medieval Sculpture Opens at Metropolitan Museum in September

    Wednesday, July 12, 2006, 4:00 a.m.

    More than 80 medieval sculpted heads – half from the collection of The Metropolitan Museum of Art and half selected loans from American and European collections – are the focus of the upcoming exhibition Set in Stone: The Face in Medieval Sculpture, opening on September 26. The exhibition, which includes heads from the third century A.D. through the early 1500s, will consider such artistic and thematic issues as: iconoclasm and the legacy of violence, sculpting identity and the evolving notions of the "portrait," sculpture without context and the search for provenance, head reliquaries as power objects, and Gothic Italy and the antique. Created from materials as diverse as marble, limestone, polychromed wood, and silver gilt, the works represent mostly French, but also German, Italian, Spanish, Byzantine, English, and other sculptural traditions. By examining the works in different ways, the exhibition will draw together science and connoisseurship, archaeology and history. On view will be a recently acquired 13th-century limestone Head of an Angel, related to the sculpture from the Cathedral of Notre Dame in Paris. The exhibition is made possible by The Florence Gould Foundation.

  • SCHEDULE OF EXHIBITIONS MAY - AUGUST 2006

    Wednesday, July 12, 2006, 4:00 a.m.

    EDITORS PLEASE NOTE: Information provided below is subject to change. To confirm scheduling and dates, call the Communications Department at (212) 570-3951. CONTACT NUMBER FOR USE IN TEXT IS (212) 535-7710.

  • RICHARD L. CHILTON, JR. ELECTED TRUSTEE AT METROPOLITAN MUSEUM

    Saturday, June 3, 2006, 4:00 a.m.

    The election of Richard L. Chilton, Jr. to the Board of Trustees of The Metropolitan Museum of Art was announced today by James R. Houghton, the Museum's Chairman. Mr. Chilton's election took place at the May 9 meeting of the Board.

  • Raphael at the Metropolitan: The Colonna Altarpiece

    Thursday, May 25, 2006, 4:00 a.m.

    Raphael at the Metropolitan: The Colonna Altarpiece will highlight the Colonna Altarpiece, the only one by Raphael in America and, since 1916, a treasure of The Metropolitan Museum of Art's collection. This exhibition will reunite the altarpiece's two main panels with the scenes from its predella, which were separated from the altarpiece in 1663. A select group of drawings and paintings by Raphael produced close in time to the Colonna Altarpiece, including a preparatory study for the Metropolitan's predella panel, will also be included. The exhibition will be on view at the Metropolitan from June 20 through September 3, 2006.

  • On Photography: A Tribute to Susan Sontag

    Thursday, May 25, 2006, 4:00 a.m.

    A major force in New York intellectual life for more than 40 years, the novelist, essayist, and critic Susan Sontag (1933-2004) was renowned for her brilliant and impassioned writing on photography. From June 6 through September 3, 2006, The Metropolitan Museum of Art will present an exhibition of some 40 photographs that celebrate Sontag's contribution to the history of the medium, featuring works from the Metropolitan's collection by a wide range of artists, including Julia Margaret Cameron, Edward Steichen, Eugène Atget, Walker Evans, Edward Weston, Robert Frank, Andy Warhol, and Peter Hujar.

  • Laurelton Hall, Country Estate of Louis Comfort Tiffany, to be Featured in Major Fall 2006 Metropolitan Museum Exhibition

    Thursday, May 25, 2006, 4:00 a.m.

    Between 1902 and 1905, on more than 600 acres overlooking Long Island Sound, the noted American artist and designer Louis Comfort Tiffany (1848-1933) built his dream home, an extraordinary country estate called Laurelton Hall. Every aspect of the project was designed by Tiffany himself, from the exotic 84-room, eight-level house surrounded by fountains, pools, and terraced gardens to the stables, tennis courts, greenhouses, chapel, studio, and art gallery also located on the property. Often cited as Tiffany's most important work, Laurelton Hall was destroyed by fire in 1957. Surviving architectural elements and windows salvaged by Hugh F. and Jeannette G. McKean are now part of the collections of the museum Mrs. McKean founded, The Charles Hosmer Morse Museum of American Art in Winter Park, Florida. The monumental four-column loggia with its colorful glass and pottery floral capitals was saved from Laurelton Hall and has graced the American Wing's Charles Engelhard Court since 1980, a gift of Mr. and Mrs. McKean.

  • Americans in Paris, 1860–1900

    Thursday, May 25, 2006, 4:00 a.m.

    In the late 19th century, American artists by the hundreds – including such luminaries as James Abbott McNeill Whistler, John Singer Sargent, Mary Cassatt, Thomas Eakins, and Winslow Homer – were drawn irresistibly to Paris to learn to paint and to establish their reputations. The world's artistic epicenter, Paris inspired decisive changes in American painters' styles and subjects, and stimulated the creation of newly sophisticated art schools and professional standards back in the United States.

  • Rembrandt Drawings and Prints, A Selection in Honor of the Artist's 400th Birthday

    Thursday, May 25, 2006, 4:00 a.m.

    The Metropolitan Museum of Art celebrates the 400th birthday of Rembrandt Harmensz van Rijn with the display of a selection of 58 drawings and prints from its extensive collection of works by the great 17th-century Dutch master and artists of his school. Forty-four of the works on view are by Rembrandt himself. The exhibition has been drawn primarily from the holdings of the Museum's Department of Drawings and Prints and the Robert Lehman Collection. One sheet, a charcoal sketch of a lioness, has been borrowed from a New York private collection.

  • Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde

    Thursday, May 25, 2006, 4:00 a.m.

    The first comprehensive exhibition devoted to Ambroise Vollard (1867-1939) – the pioneer dealer, patron, and publisher who played a key role in promoting and shaping the careers of many of the leading artists during the late 19th and early 20th centuries – will open at The Metropolitan Museum of Art on September 14. One hundred paintings as well as dozens of ceramics, sculpture, prints, and livres d'artistes commissioned and published by Vollard, from his appearance on the Paris art scene in the mid-1890s to his accidental death in 1939, will comprise the exhibition Cézanne to Picasso: Ambroise Vollard, Patron of the Avant-Garde, which will feature works by Bonnard, Cézanne, Degas, Derain, Gauguin, Van Gogh, Maillol, Matisse, Picasso, Redon, Renoir, Rouault, Rousseau, Vlaminck, Vuillard, and others. Highlights will include seven paintings from Vollard's landmark 1895 Cézanne exhibition; a never-before-reassembled triptych from his 1896 Van Gogh retrospective; the masterpiece Where Do We Come From? What Are We? Where Are We Going? from his 1898 Gauguin exhibition; paintings from Picasso's first French exhibition (1901) and Matisse's first solo exhibition (1904); and three pictures from Derain's London series, painted in 1906-1907 at Vollard's suggestion. Also on view will be numerous portraits of Vollard by leading artists, among them Cézanne, Renoir, Bonnard, and Picasso.

  • Set in Stone: The Face in Medieval Sculpture

    Thursday, May 25, 2006, 4:00 a.m.

    More than 80 medieval sculpted heads – half from the collection of The Metropolitan Museum of Art and half selected loans from American and European collections – are the focus of the upcoming exhibition Set in Stone: The Face in Medieval Sculpture, opening this fall. The exhibition, which includes heads from the third century A.D. through the early 1500s, will consider such artistic and thematic issues as: iconoclasm and the legacy of furor, sculpting identity and the evolving notions of the "portrait," sculpture without context and the search for provenance, head reliquaries as power objects, and Gothic Italy and the antique. Created from materials as diverse as polychromed wood, silver, silver gilt, marble, and limestone, the works represent mostly French, but also German, Italian, Byzantine, and English sculptural traditions. By examining the works in different ways, the exhibition will draw together science and connoisseurship, archaeology and history. On view will be a recently acquired 13th-century limestone Head of an Angel, newly identified as having come from the Cathedral of Notre Dame in Paris.

  • Major Maya Exhibition at Metropolitan in June Explores Fascinating Ancient American Civilization

    Thursday, May 25, 2006, 4:00 a.m.

    Treasures of Sacred Maya Kings – opening at The Metropolitan Museum of Art on June 13, 2006 – will explore the growth of the concept of divine kingship among ancient Maya peoples. Featuring some 150 objects – from large-scale relief sculpture in stone to small precious pieces of worked jade – the exhibition will display the grandiose ambitions of earthly rulers when they transformed themselves into gods. Dating principally from 200 B.C. to 600 A.D., the works in the exhibition are lent primarily from public collections in Mexico, Guatemala, and Honduras, as well as from collections in Europe and the United States. Emphasis will be placed on recently excavated objects that will be on view for the first time in the United States. Notable among them are pieces from the renowned Maya sites of Calakmul in Mexico, Tikal in Guatemala, and Copan in Honduras. Maya jade objects discovered in tombs in the famous Pyramid of the Moon at Teotihuacan – the contemporary but distant central Mexican city – will also be included.

  • Café and Audio Guides Available at The Cloisters

    Thursday, May 25, 2006, 4:00 a.m.

    An Audio Guide and a café are among the visitor amenities now available at The Cloisters, the branch of The Metropolitan Museum of Art located in northern Manhattan and dedicated to the art and architecture of the Middle Ages.

  • Metropolitan Museum Announces Appointment of Christina Alphonso as Associate Manager for Administration at The Cloisters

    Thursday, May 25, 2006, 4:00 a.m.

    The Metropolitan Museum of Art has appointed Christina Alphonso to the position of Associate Manager for Administration at The Cloisters, effective December 19. (A branch of the Metropolitan, The Cloisters is America's only museum dedicated exclusively to the art of the Middle Ages.)

  • The Cloisters: A History

    Thursday, May 25, 2006, 4:00 a.m.

    The Cloisters, a branch of The Metropolitan Museum of Art, is America's only museum dedicated exclusively to the art of the Middle Ages. Picturesquely overlooking the Hudson River in Fort Tryon Park in northern Manhattan, the Museum derives its name from the portions of five medieval cloisters incorporated into a modern museum structure. Not replicating any one particular medieval building type or setting, but rather designed to evoke the architecture of the later Middle Ages, The Cloisters creates an integrated and harmonious context in which visitors can experience the rich tradition of medieval artistic production, including metalwork, painting, sculpture, and textiles. By definition, a cloister consists of a covered walkway surrounding a large open courtyard providing access to other monastic buildings. Similarly, the museum's cloisters act as passageways to galleries; and they provide as inviting a place for rest and contemplation for visitors as they often did in their original monastic settings.

  • The Gardens of The Cloisters

    Thursday, May 25, 2006, 4:00 a.m.

    In formal terms a cloister is a quadrangle enclosed by a roofed or vaulted passageway. It is the heart of the monastery, usually placed in the sunniest location and providing the connection, physical and psychological, between the church and the more domestic areas such as the refectory and chapter house.

  • Metropolitan Museum Publishes New Guidebook to its Holdings of Medieval Art at The Cloisters

    Thursday, May 25, 2006, 4:00 a.m.

    A new, lavishly illustrated guidebook called The Cloisters: Medieval Art and Architecture – co-authored by the head of the department of medieval art and a museum educator at The Metropolitan Museum of Art – provides in-depth information on highlights of the collection of The Cloisters, which is the only museum in North America devoted to the art and architecture of medieval Europe. (The Cloisters is a branch museum of the Metropolitan Museum.)

  • Metropolitan Museum Announces New Schedule of "Met Holiday Mondays"

    Thursday, May 25, 2006, 4:00 a.m.

    (New York, May 15, 2006) – The Metropolitan Museum of Art has announced the new schedule of "Met Holiday Mondays" for the one-year period beginning Memorial Day 2006. This popular program, which opens the Museum to the public on selected Monday holidays throughout the year, began in fall 2003; prior to that, the Museum had been closed to the public on Mondays for some 30 years.

  • Gallery of Early Gothic Art and Architecture

    Thursday, May 25, 2006, 4:00 a.m.

    The Early Gothic Hall at The Cloisters will reopen this summer after a five-year renovation. Completely refurbished 13th-century limestone windows and two dozen panels of newly conserved and reinstalled stained glass, primarily from the 13th and 14th centuries, are among the objects on view. Four recently acquired and exceptional examples of German stained glass from the late-13th-century glazing program for the convent church in Altenberg-an-der-Lahn will be reunited in this new installation. The renovation of the Early Gothic Hall also features construction of two new limestone apertures in an interior wall (for the display of grisaille glass windows) and new lighting.

  • AngloMania: Tradition and Transgression in British Fashion

    Tuesday, April 25, 2006, 4:00 a.m.

    AngloMania: Tradition and Transgression in British Fashion, opening on May 3, 2006, will present a wide range of works by British designers in The Metropolitan Museum's English Period Rooms – The Annie Laurie Aitken Galleries. A pendant to the acclaimed 2004 Costume Institute exhibition Dangerous Liaisons: Fashion and Furniture in the 18th Century, AngloMania will examine ideals, stereotypes, and representations of Englishness by juxtaposing historical costume with late 20th- and early 21st-century fashions.

  • Rehabilitating Historic Cairo to be Theme of April 23 Lecture at Metropolitan Museum

    Sunday, March 26, 2006, 5:00 a.m.

    The historic development of Cairo and its growing, shifting, and transforming urban fabric will be the focus of a lecture by Swiss architect/urban designer Dr. Stefano Bianca at 2:00 p.m. on April 23 in the Grace Rainey Rogers Auditorium of The Metropolitan Museum of Art. It is free with Museum admission.

  • Renowned Chinese-born Artist Cai Guo-Qiang to Create 2006 Installation for Metropolitan Museum's Roof Garden

    Thursday, March 23, 2006, 5:00 a.m.

    Cai Guo-Qiang, the acclaimed Chinese-born artist known internationally for his elaborate sculpture installations and gunpowder projects, has been invited to create a site-specific exhibition for the 2006 season of The Iris and B. Gerald Cantor Roof Garden at The Metropolitan Museum of Art. The four works comprising Cai Guo-Qiang on the Roof: Transparent Monument were inspired by the dramatic setting of the Roof Garden, an open-air space atop the Lila Acheson Wallace Wing that offers spectacular views of Central Park and the Manhattan skyline, and by the artist's reactions to issues of present-day concern.

  • Metropolitan Museum Establishes International Office in Geneva

    Tuesday, March 21, 2006, 5:00 a.m.

    (New York, March 22, 2006)—The Metropolitan Museum of Art announced today the establishment of its first full-time representative office overseas, located in Geneva, Switzerland. The Metropolitan further announced that Mahrukh Tarapor, who has served for 11 years as the Museum's Associate Director for Exhibitions, has been named to the additional post of Director for International Affairs, Geneva Office.

  • Survey Shows Van Gogh Drawings Exhibition at Metropolitan Museum Generated $251 Million Economic Impact for New York

    Monday, March 20, 2006, 5:00 a.m.

    (New York, March 21, 2006)—The acclaimed and widely attended fall/winter special exhibition Vincent van Gogh: The Drawings generated $251 million in spending by regional, national, and foreign tourists to New York, according to a Metropolitan Museum of Art visitor survey released today. Using the standard ratio for calculating tax revenue impact, the study found that the direct tax benefit to the City and State from visitors who declared that seeing the exhibition was a deciding factor in their decision to visit New York totaled some $25 million.

  • Kara Walker Exhibition at Metropolitan – Inspired by Hurricane Katrina - Explores Theme of "After the Deluge" through Works by Artists through the Ages

    Sunday, March 19, 2006, 5:00 a.m.

    In the wake of Hurricane Katrina, contemporary American artist Kara Walker (b. 1969) – widely recognized for her explorations of issues of race, gender, and sexuality through the 18th-century medium of cut-paper silhouettes – has selected a variety of objects from the Museum's collection and from her own work in order to explore, in her words, "the banality of everyday life, water, and its impact." The exhibition, entitled Kara Walker at the Met: After the Deluge, will be on view from March 21 through July 30.

  • Sight Unseen: Photographs from the Gilman Collection

    Tuesday, March 7, 2006, 5:00 a.m.

    The Metropolitan Museum of Art is now presenting Sight Unseen: Photographs from the Gilman Collection as part of its continuing series of installations of works from its recent landmark acquisition of 8,500 photographs spanning the first hundred years of the medium. The photographs in the exhibition have never been shown publicly at the Metropolitan and will remain on view through May 21, 2006.

  • Metropolitan Museum Formally Unveils Glittering, Restored Fifth Avenue Façade

    Sunday, March 5, 2006, 5:00 a.m.

    (NEW YORK, March 6, 2006)—The Metropolitan Museum of Art today officially unveiled and dedicated its newly renovated and freshly cleaned landmark Indiana limestone façade – the historic, century-old "face of the Museum" that fronts Fifth Avenue from 80th to 84th streets. Its restoration – marking the first comprehensive cleaning in its history – comes more 100 years after the iconic central façade was completed in 1902.

  • 大都会艺术博物馆接受唐骝千先生捐赠
    十世纪中国绘画钜迹《溪岸图》

    Thursday, March 2, 2006, 5:30 p.m.

  • STATEMENT BY THE METROPOLITAN MUSEUM OF ART ON ITS AGREEMENT WITH ITALIAN MINISTRY OF CULTURE

    Monday, February 20, 2006, 5:00 a.m.

    (NEW YORK, FEBRUARY 21, 2006)—The Metropolitan Museum of Art today signed an agreement in Rome that formalizes the transfer of title to six antiquities—including a group of 16 Hellenistic silver pieces—to Italy.

  • A Taste for Opulence: Sèvres Porcelain from the Collection

    Thursday, February 16, 2006, 5:00 a.m.

    A Taste for Opulence: Sèvres Porcelain from the Collection presents a selection of objects such as vases, dinner and tea services, furniture decorated with porcelain plaques, and other luxurious wares produced in the 18th century by the Sèvres porcelain factory. Established in the Château of Vincennes just outside Paris in 1740, the factory quickly became the preeminent producer of porcelain in Europe. Supported in its early years by the patronage of Louis XV, the factory was named the manufacture du roi in 1753 and was purchased by the king in 1759. Catering in large part to the tastes of the court, the factory strove for constant innovation and originality throughout the 18th century, frequently employing the leading artists and designers of the day to provide models and inspiration for the factory's artisans. A Taste for Opulence, which focuses on the diversity of the factory's production, will include approximately 90 objects drawn entirely from the Museum's superb holdings of Sèvres porcelain and from its unparalleled collection of 18th-century French furniture decorated with Sèvres plaques. The exhibition will be on view from February 21 through August 13, 2006.

  • Works by French Romantic Painter Displayed in Girodet: Romantic Rebel at Metropolitan Museum

    Thursday, February 16, 2006, 5:00 a.m.

    Girodet: Romantic Rebel is the first retrospective in the United States devoted to this celebrated French artist, Anne-Louis Girodet-Trioson, a favored but rebellious student of Jacques-Louis David. Girodet's idiosyncratic style fuses David's Neoclassical ideal with his own prescient Romantic vision. The exhibition brings together approximately 110 paintings and works on paper that reflect the artist's originality and the diversity of his works, from mythological subjects to portraits and representations of Napoleon's military triumphs.Girodet will be on view at The Metropolitan Museum of Art from May 24 through August 27, 2006.

  • Los jardines en el Met Cloisters

    Friday, February 3, 2006, 8:38 p.m.

  • El Met Cloisters: Reseña

    Friday, February 3, 2006, 8:25 p.m.

  • The Fabric of Life: Ikat Textiles of Indonesia

    Thursday, February 2, 2006, 5:00 a.m.

    The first exhibition to examine ikat textile traditions across the breadth of Indonesia will open at The Metropolitan Museum of Art on February 28, 2006. Featuring more than 25 outstanding ikat textiles, most never before exhibited, The Fabric of Life: Ikat Textiles of Indonesia explores the imagery, forms, and roles of what is perhaps the single most important, widespread, and technically sophisticated of all Indonesian textile traditions. They are drawn primarily from the Metropolitan's extensive collection of Indonesian textiles.

  • The Art of Betty Woodman

    Thursday, February 2, 2006, 5:00 a.m.

    The Metropolitan Museum of Art will present the first U.S. retrospective of the work of noted artist Betty Woodman (American, b. 1930) from April 25 through July 30, 2006. The Art of Betty Woodman will span the artist's career, from her early works of the 1950s and 1960s through her most recent mixed-media pieces of 2005-2006, and will assess her contributions to contemporary ceramic art and her importance among post-World War II artists.

  • Warriors of the Himalayas: Rediscovering the Arms and Armor of Tibet

    Thursday, February 2, 2006, 5:00 a.m.

    Warriors of the Himalayas: Rediscovering the Arms and Armor of Tibet is the first comprehensive study of armor, weapons, and equestrian equipment from Tibet, a subject that has remained virtually unexplored until now. Many rare or previously unknown objects will be exhibited and published for the first time. Presenting more than 130 works, the exhibition will examine various types of unique arms and armor used in Tibet, the world's highest plateau, between the 13th and the 20th century. The objects are drawn mostly from the permanent collection of The Metropolitan Museum of Art and include many key loans from the Royal Armouries Museum, Victoria and Albert Museum, Royal Museum of Scotland, the National Museums Liverpool, Pitt Rivers Museum, British Museum, University of Aberdeen, Smithsonian Institution, Yale University, and Newark Museum. The accompanying catalogue will include the first Tibetan-English arms and armor glossary of terms and a selection of excerpts from some of the few surviving Tibetan texts relating to the subject.

  • Barcelona and Modernity: Gaudí to Dalí

    Wednesday, February 1, 2006, 5:00 a.m.

    Barcelona and Modernity: Gaudí to Dalí — the first comprehensive exhibition of its type ever mounted in America — explores the diverse and innovative work of Barcelona's artists, architects, and designers in the years between the Barcelona Universal Exposition of 1888 and the imposition of the Fascist regime of Francisco Franco in 1939. Barcelona and Modernity offers new insights into the art movements that advanced the city's quest for modernity and confirmed it as the primary center of radical intellectual, political, and cultural activities in Spain. Pablo Picasso, Joan Miró, Salvador Dalí, and Antoni Gaudí are among the internationally renowned artists who contributed to the creative vitality of Barcelona and the flourishing of Catalan culture. On view at the Metropolitan Museum from March 7 through June 3, 2007, the exhibition will feature some 300 remarkable works in a range of media: painting, sculpture, drawings, prints, posters, decorative objects, furniture, architectural models, and design. La Vie and Blindman's Meal, two of the greatest paintings from Picasso's Blue Period; portraits by Ramon Casas; Isidre Nonell's depictions of gypsies; Miró's The Farm; Dalí's surrealist paintings, as well as furniture designed by Gaudí and an original BKF ("butterfly") chair are among the masterworks gathered from museums and private collections around the world for this major exhibition.

  • Pearls of the Parrot of India: The Emperor Akbar's Illustrated "Khamsa," 1597-98

    Thursday, January 12, 2006, 5:00 a.m.

    In India in the late 16th century, the Mughal emperor Akbar – a great patron of the arts – amassed an extensive library of some 20,000 beautifully illustrated and illuminated manuscripts. One of them, a lavishly ornamented copy of the Khamsa (Quintet of Tales) by Amir Khusrau Dihlavi (1253-1325), will be on view at the Metropolitan Museum beginning October 14, 2005, in the exhibition Pearls of the Parrot of India: The Emperor Akbar's Illustrated "Khamsa," 1597-98.

  • Hatshepsut: From Queen to Pharaoh

    Thursday, January 12, 2006, 5:00 a.m.

    Hatshepsut, often considered the first important female head of state known to history, ruled Egypt for two decades (ca. 1479-1458 B.C.) during Egypt's 18th Dynasty. Although less familiar to modern audiences than her much later successor, the notorious Cleopatra (51-30 B.C.), Hatshepsut's achievements were comparable to those of England's Elizabeth I. Ruling first as regent for, then as co-ruler with her nephew Thutmose III (who ruled for another 33 years after her death), Hatshepsut enjoyed a relatively peaceful reign, at the beginning of the New Kingdom. She stabilized the country and restored monuments destroyed during the disruptive Second Intermediate Period, when northern Egypt was controlled by a dynasty of Asian princes and southern Egypt by a dynasty of Egyptians based in Thebes. She renewed trade with western Asia to the east, the far-off land of Punt to the south, and the Aegean Islands in the north. The resulting economic prosperity was reflected in the art of the time, which is characterized by remarkable innovations in sculpture and decorative arts and produced such architectural marvels as Hatshepsut's mortuary temple at Deir el-Bahri.

  • SCHEDULE OF EXHIBITIONS JANUARY - APRIL 2006

    Thursday, January 12, 2006, 5:00 a.m.

    EDITORS PLEASE NOTE: Information provided below is subject to change. To confirm scheduling and dates, call the Communications Department at (212) 570-3951. CONTACT NUMBER FOR USE IN TEXT IS (212) 535-7710.

  • The Art of Medicine in Ancient Egypt

    Thursday, January 12, 2006, 5:00 a.m.

    A long-neglected area of Egyptian art – works associated with protection and healing – will be explored in the exhibition The Art of Medicine in Ancient Egypt, opening at The Metropolitan Museum of Art in fall 2005. By focusing on this fundamen-tal, yet little-known aspect of Egyptian art, the exhibition will provide a new perspective on some 65 of the most beautiful and intriguing works from the Museum's renowned collection. The centerpiece will be the Edwin Smith Surgical Papyrus – the sole bor-rowed work in the exhibition – which is on loan from the New York Academy of Medicine. This manuscript, dating from the Second Intermediate Period (ca. 1650-1550 B.C.), is one of only two complete medical texts from ancient Egypt. Rarely seen even by Egyptologists, the manuscript's presentation at the Metropolitan represents its first public display in more than half a century.

  • METROPOLITAN MUSEUM ANNOUNCES SPRING 2006 SEASON OF PROGRAMS FOR CHILDREN AND FAMILIES

    Thursday, January 12, 2006, 5:00 a.m.

    (New York, December 29, 2005) – The Metropolitan Museum of Art today announced its schedule of weekday and weekend activities for children up to age 12 and their adult companions, including a weekly program for Spanish-speaking families, for the period February 1-May 30, 2006 – along with a calendar of special family programs during the mid-winter school recess and on selected weekends and "Holiday Mondays." These drop-in programs are free with Museum admission, and all materials are provided.

  • James J. Ross Elected Trustee at Metropolitan Museum

    Thursday, January 12, 2006, 5:00 a.m.

    James J. Ross has been elected to the Board of Trustees of The Metropolitan Museum of Art, it was announced today by James R. Houghton, the Museum's Chairman. Mr. Ross's election took place at the January 10 meeting of the Board.

  • Metropolitan Museum to Unveil Spectacular New Greek and Roman Galleries

    Sunday, January 8, 2006, 5:00 a.m.

    A spectacular "museum-within-the-museum" for the display of its extraordinary collection of Hellenistic, Etruscan, South Italian, and Roman art – much of it unseen in New York for generations – will open at The Metropolitan Museum of Art this April in its New Greek and Roman Galleries. After more than five years of construction, the long-awaited opening will conclude a 15-year project for the complete redesign and reinstallation of the Museum's superb collection of classical art. Returning to public view in the new space are thousands of long-stored works from the Metropolitan's collection, which is considered one of the finest in the world. The centerpiece of the New Greek and Roman Galleries is the majestic Leon Levy and Shelby White Court – a monumental, peristyle court for the display of Hellenistic and Roman art, with a soaring two-story atrium.

  • Robert Rauschenberg's Combines Focus of New Exhibition at Metropolitan

    Tuesday, December 20, 2005, 5:00 a.m.

    Some of the most daring and influential works by one of America's great modern artists – Robert Rauschenberg – will go on view at The Metropolitan Museum of Art on December 20. Robert Rauschenberg: Combines, takes a rare and comprehensive look at the objects that Robert Rauschenberg (b. 1925) terms Combines. The exhibition, which will include 67 works created between 1954 and 1964, is the first to focus exclusively on this significant material. Robert Rauschenberg: Combines remains on view through April 2, 2006, before continuing on an international tour through 2007.

  • AngloMania

    Sunday, December 11, 2005, 5:00 a.m.

    AngloMania, opening on May 4, 2006, will present an unprecedented selection of works by British designers in The Metropolitan Museum of Art's English Period Rooms – The Annie Laurie Aitken Galleries. A pendant to the acclaimed 2004 Costume Institute exhibition Dangerous Liaisons: Fashion and Furniture in the 18th Century, AngloMania will focus on British fashion from 1976 to 2006, a period of astounding creativity and experimentation.

  • Special Family Activities at Metropolitan Museum in December and January

    Sunday, December 4, 2005, 5:00 a.m.

    In addition to its regularly scheduled weekend and weekday programs for children and families in December and January, The Metropolitan Museum of Art has announced a variety of special activities beginning December 3 and extending throughout the holiday season and beyond, including the Christmas/New Year's school break and "Holiday Mondays" on December 26, 2005, and January 16, 2006. Among the highlights are drawing and gallery workshops, a screening of holiday films, the world-famous Christmas tree and Nativity scene that are on display each year in the Museum's Medieval Sculpture Hall, and programs at The Cloisters, the Museum's branch for medieval art located in upper Manhattan.

  • Schedule of Exhibitions Through July 2016

    Wednesday, November 16, 2005, 2:00 p.m.

  • Treasures of Sacred Maya Kings

    Tuesday, November 15, 2005, 5:00 a.m.

    Treasures of Sacred Maya Kings – opening at The Metropolitan Museum of Art on June 13, 2006 – will explore the growth of the concept of divine kingship among ancient Maya peoples. Featuring some 150 objects – from large-scale relief sculpture in stone to small precious pieces of worked jade – the exhibition will display the grandiose ambitions of earthly rulers when they transformed themselves into gods. Dating from 900 B.C. to 550 A.D., the works in the exhibition are lent primarily from public collections in Mexico, Guatemala, and Honduras, as well as from collections in Europe and the United States. Emphasis will be placed on recently excavated objects that will be on view for the first time in the United States. Notable among them are pieces from the renowned Maya sites of Calakmul in Mexico and Copan in Honduras. Maya jade objects discovered in tombs in the famous Pyramid of the Moon at Teotihuacan – the contemporary but distant central Mexican city – will also be included.

  • Girodet: Romantic Rebel

    Tuesday, November 15, 2005, 5:00 a.m.

    Girodet: Romantic Rebel is the first retrospective in the United States devoted to this celebrated French artist, Anne-Louis Girodet-Trioson, a favored but rebellious student of Jacques-Louis David. Girodet's idiosyncratic style fuses David's Neoclassical ideal with his own prescient Romantic vision. The exhibition brings together approximately 110 paintings and works on paper that reflect the artist's originality and the diversity of his works, from mythological subjects to portraits and representations of Napoleon's military triumphs. Girodet will be on view at The Metropolitan Museum of Art from May 24 through August 27, 2006.

  • Samuel Palmer (1805–1881): Vision and Landscape

    Monday, November 14, 2005, 5:00 a.m.

    Samuel Palmer ranks among the most important British landscape painters of the Romantic era. Marking the 200th anniversary of the artist's birth, Samuel Palmer (1805–1881): Vision and Landscape is the first major retrospective of his work in nearly 80 years, uniting some 100 of his finest watercolors, drawings, etchings, and oils from public and private collections in the United Kingdom, Canada, Australia, the Netherlands, and the United States. The exhibition highlights the artist's celebrated early work, executed in a visionary style inspired by William Blake, and re-examines Palmer's vibrant middle-period Italian studies and masterful late watercolors and etchings. It also includes a selection of works by artists in Palmer's circle. Samuel Palmer will be on view at The Metropolitan Museum of Art from March 7 through May 29.

  • Metropolitan Museum Celebrates the Holidays by Opening on "Holiday Monday" December 26

    Monday, November 14, 2005, 5:00 a.m.

    (New York, November 14, 2005) – The Metropolitan Museum of Art will be open to the public on Monday, December 26 (the Monday between Christmas and New Year's Day), as part of the Museum's popular "Holiday Mondays" program. The Museum, which has been closed to the public on Mondays for some 30 years, will open the doors of its main building this winter and spring on three additional major Monday holidays: January 16 (Martin Luther King Jr. Day), February 20 (Presidents' Day), and May 29 (Memorial Day).

  • Antonello da Messina: Sicily's Renaissance Master

    Tuesday, November 8, 2005, 5:00 a.m.

    Three masterpieces by Sicily's greatest Renaissance painter, Antonello da Messina, will be on view at The Metropolitan Museum of Art from December 13, 2005, through March 5, 2006, in the exhibition Antonello da Messina: Sicily's Renaissance Master. This will be the first time any of these works will be on public view in the United States.

  • In Line with Van Gogh

    Thursday, November 3, 2005, 5:00 a.m.

    The Metropolitan Museum of Art presents the exhibition In Line with Van Gogh in conjunction with the landmark exhibition Vincent van Gogh: The Drawings. The ancillary exhibition, also curated by Colta Ives and Susan Stein, demonstrates that Van Gogh's achievement, neither solely intuitive nor accidental, was remarkably well informed. The 59 drawings and prints selected from the collections of the Metropolitan Museum will include works by Rembrandt, Daumier, Millet, Degas, Hokusai, Hiroshige, and other artists whose work influenced Van Gogh, as well as works by his contemporaries and followers such as Gauguin, Signac, Seurat, Matisse, and Munch. In Line with Van Gogh will be on view from October 4, 2005 to January 8, 2006.

  • Santiago Calatrava's Art and Architecture in New Exhibition at Metropolitan Museum

    Thursday, November 3, 2005, 5:00 a.m.

    Santiago Calatrava, the world-renowned architect who has designed some of the most beautiful structures of our epoch, is the subject of a new exhibition, Santiago Calatrava: Sculpture into Architecture, opening at The Metropolitan Museum of Art on October 18, 2005. This exhibition, on view through March 5, 2006, will demonstrate that many of the forms of his celebrated buildings originated in his independent works of art.

  • Fra Angelico, Leading Artist of Italian Renaissance, at Metropolitan Museum in First American Retrospective

    Thursday, November 3, 2005, 5:00 a.m.

    The first American retrospective devoted to the work of the great Italian Renaissance artist known as Fra Angelico (1390/5-1455) – and the first comprehensive presentation of his work assembled anywhere in the world in half a century – will open at The Metropolitan Museum of Art on October 26. More than 50 public institutions and private collections in Europe and America will participate in the landmark exhibition, which commemorates the 550th anniversary of the artist's death. Fra Angelico will feature nearly 75 paintings, drawings, and manuscript illuminations from throughout his career, supplemented by 45 additional works by his assistants and closest followers. Highlights of the exhibition include recently discovered paintings and new attributions, paintings never before displayed publicly, and reconstructed groupings of works, some of them reunited for the first time.

  • Rara Avis: Selections from the Iris Barrel Apfel Collection

    Thursday, November 3, 2005, 5:00 a.m.

    The Costume Institute will celebrate one of America's quintessential stylemakers this fall with an exhibition of accessories and fashion from Iris Apfel. On view at The Metropolitan Museum of Art from September 13, 2005, to January 22, 2006, Rara Avis: Selections from the Iris Barrel Apfel Collection will spotlight 60 objects, exploring the affinity between fashion and accessory designs and examining the power of dress and accessories to assert style above fashion, the individual above the collective.

  • David Milne Watercolors "Painting Toward the Light"

    Thursday, November 3, 2005, 5:00 a.m.

    David Milne Watercolors: "Painting Toward the Light," on view at The Metropolitan Museum of Art from November 8, 2005 to January 29, 2006, will reintroduce the work of one of Canada's finest painters to American audiences. Milne (1882-1953), whose career spanned the first half of the 20th century, lived and worked in the United States (1903-29) during the heyday of American modernism before returning to Ontario (1929-53), where he had a quiet career out of the spotlight. This exhibition of 45 works from Canadian and American collections follows Milne's experimentation with modernism in New York City, his years as a Canadian War Memorials artist in Europe after World War I, his subsequent retreat into the landscape of upstate New York, and his final years in Canada, which inspired a dramatic departure from his depictions of the natural world to the realm of the spiritual.

  • Vincent van Gogh: The Drawings

    Thursday, November 3, 2005, 5:00 a.m.

    The first major exhibition in the United States ever to focus on Vincent van Gogh's extraordinary drawings will open at The Metropolitan Museum of Art on October 18. Vincent van Gogh: The Drawings — comprising 113 works selected from public and private collections worldwide, including an exceptional number of loans from the Van Gogh Museum in Amsterdam — will reveal the range and brilliance of the artist's draftsmanship as it evolved over the course of his decade-long career. Generally over-shadowed by the fame and familiarity of his paintings, Van Gogh's more than 1,100 drawings remain comparatively unknown although they are among his most ingenious and striking creations. Van Gogh engaged drawing and painting in a rich dialogue, which enabled him to fully realize the creative potential of both means of expression. A group of paintings will be exhibited alongside the related drawings. The exhibition will remain on view through December 31.

  • Clouet to Seurat: French Drawings from The British Museum

    Thursday, November 3, 2005, 5:00 a.m.

    Four centuries of French draftsmanship will be on view in Clouet to Seurat: French Drawings from The British Museum, opening November 8, 2005, at The Metropolitan Museum of Art. The exhibition features nearly 100 masterpieces, ranging from rare Renaissance portraits by Jean and François Clouet to selections from The British Museum's incomparable holdings of Claude Lorrain and Antoine Watteau, through stellar works of the 19th century, from Ingres and Delacroix to Degas, Cézanne, and Seurat. A majority of these works have never before been exhibited in the United States. Clouet to Seurat will remain on view at the Metropolitan through January 29, 2006.

  • Prague, The Crown of Bohemia, 1347-1437

    Thursday, November 3, 2005, 5:00 a.m.

    Crowned King of Bohemia in 1347, Charles IV (1316-1378) sought to make his capital city – Prague – the cultural rival of Paris and Rome. The remarkable flowering of art that transformed the city into Bohemia's Gothic jewel will be celebrated at The Metropolitan Museum of Art, beginning September 20, in the exhibition Prague, The Crown of Bohemia, 1347-1437 – a landmark presentation of some 160 stunning examples of panel paintings, goldsmiths' work, illuminated manuscripts, sculpture, silk embroideries, stained glass, and more. These little-known masterpieces attest to the wide-ranging achievements of the hundreds of artists affiliated with Prague and the Bohemian crown during the reign of Charles IV and his two sons, Wenceslas IV (1361-1419) and Sigismund (1368-1437). The exhibition draws on numerous collections in the Czech Republic as well as other European and American collections, and will include many works that have never been publicly shown.

  • Metropolitan Museum's Restaurants to Offer Van Gogh-Inspired Dining and Afternoon Tea

    Wednesday, October 19, 2005, 4:00 a.m.

    Inspired by the exhibition Vincent van Gogh: The Drawings– which will be on view at The Metropolitan Museum of Art from October 18 through December 31, 2005 – the Museum's restaurants will offer visitors a variety of special dining experiences, including afternoon tea, guest chefs from around New York City, and prix-fixe dinner options.

  • Asian Art

    Wednesday, September 21, 2005, 4:00 a.m.

    The Asian collection at the Metropolitan Museum is the largest and most comprehensive in the West. Each of the many civilizations of Asia is represented by outstanding works that provide – in both quality and breadth – an unrivaled experience of the artistic traditions of nearly half the world. The collection, which ranges in date from the second millennium B.C. to the early 20th century, includes paintings, woodblock prints, sculptures, metalwork, ceramics, lacquers, decorative arts, and textiles from China, Korea, and Japan, as well as the countries of South and Southeast Asia. Since the Museum's centennial in 1970, the department has been engaged in expanding its staff, collections, and display space. This process culminated in 1998 with the completion of an entire wing, occupying 64,500 square feet, devoted to Asian art – a "museum within a museum."