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The main building of The Metropolitan Museum of Art – located at Fifth Avenue and 82nd Street in Manhattan – will be open to the public from 9:30 a.m. to 5:30 p.m. on the following Met Holiday Mondays in 2007:
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The Metropolitan Museum of Art, the Aga Khan Trust for Culture, and His Highness Prince Aga Khan Shia Imami Ismaili Council for the United States of America will present a special program at The Metropolitan Museum of Art on Sunday, October 8, 2006. The theme of this Sunday at the Met program will be Islamic art and culture, and it will include a film, a lecture, and a musical performance, as follows:
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A new, lavishly illustrated guidebook called The Cloisters: Medieval Art and Architecture – co-authored by the head of the department of medieval art and a museum educator at The Metropolitan Museum of Art – provides in-depth information on highlights of the collection of The Cloisters, which is the only museum in North America devoted to the art and architecture of medieval Europe. (The Cloisters is a branch museum of the Metropolitan Museum.)
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The historic development of Cairo and its growing, shifting, and transforming urban fabric will be the focus of a lecture by Swiss architect/urban designer Dr. Stefano Bianca at 2:00 p.m. on April 23 in the Grace Rainey Rogers Auditorium of The Metropolitan Museum of Art. It is free with Museum admission.
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(New York, March 21, 2006)—The acclaimed and widely attended fall/winter special exhibition Vincent van Gogh: The Drawings generated $251 million in spending by regional, national, and foreign tourists to New York, according to a Metropolitan Museum of Art visitor survey released today. Using the standard ratio for calculating tax revenue impact, the study found that the direct tax benefit to the City and State from visitors who declared that seeing the exhibition was a deciding factor in their decision to visit New York totaled some $25 million.
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(New York, November 14, 2005) – The Metropolitan Museum of Art will be open to the public on Monday, December 26 (the Monday between Christmas and New Year's Day), as part of the Museum's popular "Holiday Mondays" program. The Museum, which has been closed to the public on Mondays for some 30 years, will open the doors of its main building this winter and spring on three additional major Monday holidays: January 16 (Martin Luther King Jr. Day), February 20 (Presidents' Day), and May 29 (Memorial Day).
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Inspired by the exhibition Vincent van Gogh: The Drawings– which will be on view at The Metropolitan Museum of Art from October 18 through December 31, 2005 – the Museum's restaurants will offer visitors a variety of special dining experiences, including afternoon tea, guest chefs from around New York City, and prix-fixe dinner options.
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A rotating selection of pivotal, iconic works from The Metropolitan Museum of Art's recent landmark acquisition of the Gilman Paper Company Collection, entitled Master Photographs from the Gilman Collection: A Landmark Acquisition, will be on view this summer in The Howard Gilman Gallery and, in two installments through April 2006, in the Robert Wood Johnson, Jr. Gallery.
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(New York, February 16, 2005) – The catalogue for Byzantium: Faith and Power (1261-1557), The Metropolitan Museum of Art's landmark exhibition of spring 2004, received the College Art Association's (CAA) prestigious Alfred H. Barr, Jr., Award, it was announced today. The award was accepted in Atlanta, Georgia, at the annual meeting of the CAA by the Museum's curator of Byzantine art, Dr. Helen C. Evans, who edited the book and organized the exhibition.
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(New York, January 18, 2005)–The Metropolitan Museum of Art today announced two special programs in its weekly series for Spanish-speaking families, El Primer Contacto con el Arte. Classes in the series – which focuses on a different theme and area of the Museum each month – meet on Saturdays, 11:30 a.m. to 1:00 p.m., and feature discussion and sketching activities for ages six through 12.
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(New York, November 9, 2004)—The Metropolitan Museum of Art announced today the promotion of two new officers: Nina Diefenbach to the post of Vice President for Development and Membership, and Jeffrey Russian as Vice President for Finance and Planning. They were both elected at today's meeting of the Museum's Board of Trustees.
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From November 5, 2004, through March 6, 2005, The Metropolitan Museum of Art will present Few Are Chosen: Street Photography and the Book, 1936-1966. Drawn from the collections of the Metropolitan and the Gilman Paper Company, the exhibition spotlights 35 photographs related to six influential 20th-century publications by the photographers Bill Brandt, Henri Cartier-Bresson, Walker Evans, Robert Frank, William Klein, and Helen Levitt. Few Are Chosen also includes copies of each book, sometimes represented in multiple editions to show how the meaning of images changed with their presentation.
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(New York, October 1, 2004) – Visitors to The Metropolitan Museum of Art during its next "Holiday Monday" – Columbus Day, October 11 – will enjoy a special opportunity to view the landmark exhibition China: Dawn of A Golden Age, 200-750 AD on the day before it officially opens to the public. The exhibition brings together more than 300 works of extreme rarity and cultural importance, most of them recently excavated, and many never seen outside China.
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(New York, August 3, 2004) -- The Metropolitan Museum of Art announced today that, in response to enthusiastic public support of the "Holiday Mondays" program inaugurated in 2003, it will continue to offer these special viewing days – which take place on the Mondays of major holiday weekends – for a second year. The Metropolitan Museum's main building will be open to the public on the following Monday holidays: September 6 (Labor Day), October 11 (Columbus Day), December 27, 2004 (the Monday between Christmas and New Year's Day), January 17 (Martin Luther King Jr. Day), February 21 (Presidents' Day), and May 30, 2005 (Memorial Day). The Museum had previously been closed to the public on Mondays for some 30 years.
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The Metropolitan Museum of Art launches its second half-century of presenting concerts in the 2004-2005 season with a diverse selection of world-renowned artists and young talent, upholding the Concerts & Lectures 50-year tradition.
"The success of the Museum's 50th anniversary concert season has renewed our dedication to excellence, continuity, and innovation in programming," said the Metropolitan's Director, Philippe de Montebello. "That these qualities are carried forward is evidenced by the dynamic combination of hand-picked artists and programs in our 51st season. The year's pianists, following the 50th anniversary's impressive piano roster, range from a festival of young competition winners to The Art of André Watts, while notable early-music events are complemented by a series devoted to contemporary composer Steve Reich."
Highlights of the 62 concerts comprising the 2004-2005 season, the 36th programmed by Hilde Limondjian, Concerts & Lectures General Manager since 1969, include two spring festivals – Celebrating Jordi Savall, three concerts in April presenting the viola da gamba artist and early music leader with his three acclaimed ensembles, and A Festival of International Competition Winners, also in April, of six young pianists, first-prize winners of major competitions, many in their U.S. debuts. The U.S. premiere of Steve Reich's 2003 work Dance Patterns highlights The Music of Steve Reich, a three-concert series performed by Steve Reich and Musicians. Continuing an initiative from the 50th anniversary season celebrating the multifaceted artistry of one musician, The Art of André Watts showcases the pianist in a recital, a chamber program, and an illustrated talk. Three major ensembles – Orpheus, New York Collegium, and Chanticleer – offer early-music programs in gallery spaces, and two singers make their Metropolitan Museum debuts at The Temple of Dendur in The Sackler Wing: soprano Olga Borodina and tenor Rolando Villazón, whose performance will also be his U.S. recital debut.
The Beaux Arts Trio, which celebrates its own 50th anniversary in 2004-2005, will begin a three-year Beethoven project that will present all of the composer's piano trios, sonatas for violin and piano, and sonatas for cello and piano. Complementing this is a series of six concerts, Surrounding Beethoven, of music that anticipated, mirrored, or followed this core repertoire, performed by a diverse roster of artists: Frederic Chiu and Windscape, Jonathan Biss and Miriam Fried, the Juilliard String Quartet with Heinz Holliger, the Prague Symphony Orchestra with Navah Perlman, the Borromeo String Quartet, and the Salzburger Kammerphilharmonie with Kate Dillingham. The chamber music of Dvorák is the anchor for the Guarneri String Quartet's five concerts, which feature eminent guest artists including Peter Serkin, Ida Kavafian, Anton Kuerti, and former member David Soyer. Paula Robison continues her exploration of The Great Vivaldi with two programs. And the artist roster of the season's Musicians from Marlboro series includes Kim Kashkashian and Samuel Rhodes.
In addition to the Festival of International Competition Winners, two series showcase some of today's finest young talent. The Accolades young artist series features four violinists: Stefan Jackiw, Giora Schmidt, Corey Cerovsek, and Jennifer Koh. Also, in its second season, the newest of the Museum's resident ensembles and the first to bear its name, Metropolitan Museum Artists in Concert, presents three programs of classic repertoire mirroring the new, which will be broadcast live on 96.3 FM WQXR.
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(NEW YORK, JUNE 15, 2004)—The Metropolitan Museum of Art today announced a major restructuring and redefinition of curatorial responsibilities at the Museum with the creation of a new and expanded department: Nineteenth-Century, Modern, and Contemporary Art, embracing European paintings from 1800 to the present, as well as international 20th-century sculpture, drawings, prints, decorative arts, and design. The integrated and broadened new department will enjoy the mandate—and, within several years, additional new gallery space as well—to bring to the public the full and dynamic story of modern art, in all media, from its beginnings to the present day.
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(New York-June 4, 2004)—Due to the exceptional public response to The Metropolitan Museum of Art's acclaimed international loan exhibition Byzantium: Faith and Power (1261-1557), the Museum announced today that it will extend the run of the show through Monday, July 5, which is a special "Holiday Monday" viewing day at the Museum. The exhibition was originally scheduled to close on Sunday, July 4.
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His All Holiness Ecumenical Patriarch Bartholomew, spiritual head of the worldwide Orthodox Christian Church, will deliver the lecture "Byzantine Icons: A Legacy for Humanism" at The Metropolitan Museum of Art on Thursday, March 18. Presented in conjunction with the upcoming international loan exhibition Byzantium: Faith and Power (1261-1557), the lecture will take place at 2 p.m. in the Museum's Grace Rainey Rogers Auditorium. Reservations, which are required, may be obtained on a first-come, first-served basis by calling (212) 570-3792. The event is free to the public with Museum admission.
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(New York, September 9, 2003) – Tourists visiting The Metropolitan Museum of Art's acclaimed Spring 2003 exhibition, Manet/Velázquez: The French Taste for Spanish Painting, spent a combined $368 million during their visits to New York City, according to a Museum audience survey released today.
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(New York, September 10, 2003) -- Philippe de Montebello, Director of The Metropolitan Museum of Art, announced today that, for the first time in three decades, the Museum will open its doors to the public this fall, winter, and spring on major Monday holidays: October 13 (Columbus Day), December 29 (the Monday between Christmas and New Year's Day), January 19 (Martin Luther King Jr. Day), February 16 (Presidents' Day), and May 31 (Memorial Day). The Museum has been closed to the public on Mondays for some 30 years.