The rich tradition of printmaking in Mexico—from the eighteenth century to the mid-twentieth century—is explored in this exhibition of works drawn mainly from The Met collection. Among the early works presented are those by Mexico’s best-known printmaker, José Guadalupe Posada, whose depictions of skeletons engaged in different activities helped establish a global identity for Mexican art. Following the Mexican Revolution (1910–1920), printmaking proved to be the ideal medium for artists wanting to address social and political concerns and voice resistance to the rise of fascism around the world. Artists also turned to printmaking to reproduce Mexican murals from the 1920s and to create exhibition posters, prints for the popular press, and portfolios celebrating Mexican dress and customs.
Featuring over 130 works, including woodcuts, lithographs, and screen prints, by artists such as Posada, Diego Rivera, José Clemente Orozco, and Leopoldo Méndez, the exhibition explores how prints were central to the artistic identity and practice in Mexico and highlights their effectiveness in addressing social and political issues, a role of the graphic arts that continues today. The bulk of The Met’s expansive collection came through the French-born artist Jean Charlot, whose association with the Museum began in the late 1920s. Charlot donated many of his own prints and works by other artists to The Met, and in the mid-1940s acted on behalf of the Museum to acquire prints in Mexico. The collection demonstrates The Met’s early interest in Mexican art and culture at a time when there was growing international interest in the subject.
This exhibition is accompanied by an issue of The Metropolitan Museum of Art Bulletin.
The exhibition is made possible by Jessie and Charles Price.
The Bulletin is made possible in part by Allston Chapman.
The Metropolitan's quarterly Bulletin program is supported in part by the Lila Acheson Wallace Fund for The Metropolitan Museum of Art, established by the cofounder of Reader’s Digest.
