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Met Exhibition to Present the Harlem Renaissance as the First African American–led Movement of International Modern Art
February 25–July 28, 2024
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An exhibition of vintage photographs celebrating one of the most memorable episodes in the history of archaeology – the discovery and exploration of the tomb of the ancient Egyptian pharaoh Tutankhamun (Dynasty 18; ruled ca. 1336-1327 B.C.) – will be on view at The Metropolitan Museum of Art beginning December 19. The photographs, documenting every stage in the process of the excavation, were taken by the renowned archaeological photographer Harry Burton, who was a staff member of the Metropolitan Museum Egyptian Expedition when he was "lent" to Howard Carter, the famed excavator of Tutankhamun's tomb. Discovering Tutankhamun: The Photographs of Harry Burton features his spectacular black-and-white images of the entrance passage to the tomb, the opening of the sealed chambers inside, the first view of the contents and removal of the objects, and the beautifully made and decorated treasures that were found. The four chambers of the tomb were crammed with objects such as gold-covered chariots; elaborately inlaid furniture and chests; a vast array of the king's personal belongings, including jewelry; a series of shrines and coffins that protected the king; and the famous solid-gold mask that adorned his mummy – the last, among the most iconic examples of ancient Egyptian art ever to have come to light.
With nearly 200 works of art from more than 60 public and private collections around the world, Venice and the Islamic World, 828 – 1797 is the first major exhibition to explore one of the most important and distinctive facets of Venetian art history: the exchange of art objects and interchange of artistic ideas between the great Italian maritime city and her Islamic neighbors in the eastern Mediterranean. Glass, textiles, carpets, arms and armor, ceramics, sculpture, metalwork, furniture, paintings, drawings, prints, printed books, book bindings, and manuscripts tell the fascinating story of the Islamic contribution to the arts of Venice during her heyday, from the medieval to the Baroque eras. 828, the year two Venetian merchants stole Saint Mark's hallowed body from Muslim-controlled Alexandria and brought it to their native city, and 1797, when the Venetian Republic fell to the French conqueror Napoleon Bonaparte, form the chronological parameters of the exhibition that opens at The Metropolitan Museum of Art on March 27, 2007.
An exhibition of exquisite Asian lacquer decorated with mother-of-pearl will open at The Metropolitan Museum of Art on December 2. Featuring some 50 works dating from the eighth to the 19th century, Mother-of-Pearl: A Tradition in Asian Lacquer will illustrate the remarkable variety of effects found in the use of minute pieces of mother-of-pearl to create mosaic-like patterns and dazzling scenes. It will also explore the importance of lacquer decorated with mother-of-pearl in interregional trade from the 12th to the 19th century and in the development of maritime global trade – particularly works made in India and Japan – in the late 16th and early 17th centuries. Drawn largely from the Museum's permanent collection, the exhibition will include recent acquisitions as well as several important loans from public and private collections in the United States.
The Metropolitan Museum of Art will present two concurrent exhibitions featuring recent work by the renowned American artist Frank Stella (born 1936) in spring 2007.
The Treasury – an intimate gallery displaying some of the most precious small-scale works at The Cloisters, the branch of The Metropolitan Museum of Art dedicated to the art and architecture of the Middle Ages – has reopened to the public after two years of renovation. Originally constructed in 1988 in celebration of the 50th anniversary of the opening of The Cloisters, the Treasury houses small luxury objects acquired in the years subsequent to the branch museum's 1938 founding.
Nan Kempner – the late New York style icon, connoisseur of the couture, and member of The Best Dressed List's Hall of Fame – will be the subject of the winter exhibition in The Metropolitan Museum of Art's Costume Institute, from December 12, 2006, through March 4, 2007. Known for a seemingly effortless style that nonetheless displayed a meticulous attention to detail, she was a passionate client and collector of such designers as Yves Saint Laurent, Valentino, and Oscar de la Renta from the 1960s onward.