THE METROPOLITAN MUSEUM OF ART BULLETIN | VOLUME 56 | NUMBER 4

"Inventing a New Art: Early Photographs from the Rubel Collection in The Metropolitan Museum of Art"

Daniel, Malcolm

1999

56 pages

This title is out of print.

Download PDF (21.85 MB)

About the authors

Malcolm Daniel

Malcolm Daniel was formerly a senior curator in the Department of Photographs.

Met Art in Publication

[The Oriel Window, South Gallery, Lacock Abbey], William Henry Fox Talbot British, Paper negative — [The Oriel Window, South Gallery, Lacock Abbey]
probably 1835

[Chicken Feathers], Nevil Story Maskelyne British, Salted paper print — [Chicken Feathers]
ca. 1840

[Botanical Specimens], Robert Hunt British, Salted paper and fabric prints — [Botanical Specimens]
ca. 1841

Top of Sharington's Tower, Lacock Abbey, Taken from the Roof above the South Gallery, William Henry Fox Talbot British, Salted paper print from paper negative — Top of Sharington's Tower, Lacock Abbey, Taken from the Roof above the South Gallery
October 14, 1840

Basso Relievo--of Wingless Victory--lately found, George Wilson Bridges British, Paper negative — Basso Relievo--of Wingless Victory--lately found
1848

The Seine at Rouen, William Henry Fox Talbot British, Salted paper print from paper negative — The Seine at Rouen
May 1843

The Tomb of Sir Walter Scott, in Dryburgh Abbey, William Henry Fox Talbot British, Salted paper print from paper negative — The Tomb of Sir Walter Scott, in Dryburgh Abbey
1844

At the Minnow Pool: Arthur, John Hope, and Sophia Finlay

Multiple artists/makers

ca. 1845

The First General Assembly of the Free Church of Scotland - Signing the Act of Separation and the Deed of Demission at Tanfield, Edinburgh, May 1843.

1866

Rev. Dr. John Bruce, Rev. John Sym, and Rev. Dr. David Welsh

Multiple artists/makers

ca. 1843

John Henning and Alexander Handyside Ritchie, Sculptors

Multiple artists/makers

ca. 1845

George Meikle Kemp, Architect of the Scott Monument

Multiple artists/makers

ca. 1843

[Newhaven Fishwives], Hill and Adamson British, Scottish, Salted paper print from paper negative — [Newhaven Fishwives]
Multiple artists/makers
ca. 1845

Lady Ruthven, Hill and Adamson British, Scottish, Salted paper print from paper negative — Lady Ruthven
Multiple artists/makers
ca. 1845

The Abbey Wall, St. Andrews

Multiple artists/makers

ca. 1844

The Fairy Tree at Colinton, Hill and Adamson British, Scottish, Salted paper print from paper negative — The Fairy Tree at Colinton
Multiple artists/makers
1846

[Officer of the 92nd Gordon Highlanders Reading to the Troops, Edinburgh Castle], Hill and Adamson British, Scottish, Salted paper print from paper negative — [Officer of the 92nd Gordon Highlanders Reading to the Troops, Edinburgh Castle]
Multiple artists/makers
April 9, 1846

Masons at Work

Multiple artists/makers

ca. 1844

Valley of the Ribble and Pendle Hill, Roger Fenton British, Albumen silver print from glass negative — Valley of the Ribble and Pendle Hill
1859

[Reclining Odalisque], Roger Fenton British, Salted paper print from glass negative — [Reclining Odalisque]
1858

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"Inventing a New Art: Early Photographs from the Rubel Collection in The Metropolitan Museum of Art"

Malcolm Daniel

Met Art in Publication

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Visiting Sleeping Beauties: Reawakening Fashion? You must join the virtual exhibition queue when you arrive. If capacity has been reached for the day, the queue will close early.

"Inventing a New Art: Early Photographs from the Rubel Collection in The Metropolitan Museum of Art"

Malcolm Daniel

Met Art in Publication

You May Also Like

"Photographs in the Metropolitan"

"The Art of Seeing: Photographs from the Alfred Stieglitz Collection": The Metropolitan Museum of Art Bulletin, v. 35, no. 4 (Spring, 1978)

Counterparts: Form and Emotion in Photographs

The Photographs of Édouard Baldus

All the Mighty World: The Photographs of Roger Fenton, 1852–1860

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