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Counterparts: Form and Emotion in Photographs
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Counterparts: Form and Emotion in Photographs

Naef, Weston J.
1982
171 pages
64 illustrations
9 x 11 in
This title is out of print.
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Foreword
Philippe de Montebello

Acknowledgments
Weston J. Naef

Preface

Text and Plates

Notes

Bibliography

Chronologies
Joan Morgan

Index of Photographers

Met Art in Publication

Margaret Prosser Sorting Blueberries, Lake George
Alfred Stieglitz
ca. 1936
Eleanor, Harry Callahan American, Gelatin silver print
Eleanor
Harry Callahan
1947, printed 1980
Sunday on the Banks of the Marne, Henri Cartier-Bresson French, Gelatin silver print
Sunday on the Banks of the Marne
Henri Cartier-Bresson
1936–38, printed 1950s
Meudon
André Kertész
1928, printed 1970s
Coney Island
Weegee
1940
Right of Assembly
Arthur S. Siegel
1939
Nazi Rally, Czechoslovakia
Margaret Bourke-White
1937
Saturday Night, Fort Peck, Montana
Margaret Bourke-White
1936
[Butterflies], Man Ray American, Gelatin silver print
[Butterflies]
Man Ray
ca. 1930
[Mary Wigman's Dance School], Albert Renger-Patzsch German, Gelatin silver print
[Mary Wigman's Dance School]
Albert Renger-Patzsch
ca. 1935
The Magician
Ludwig Schorer
ca. 1928
The Designer
Kate Steinitz
ca. 1945
Reflection, Old St. Louis County Courthouse, St. Louis, Missouri
William Clift
1976
Untitled, Jerry N. Uelsmann American, Gelatin silver print
Untitled
Jerry N. Uelsmann
1976, printed 1980
[Boston from a Hot-Air Balloon], James Wallace Black American, Albumen silver print from glass negative
[Boston from a Hot-Air Balloon]
James Wallace Black
1860s
[Trees on Hill with Shadows, near Paso Robles, California]
William A. Garnett
1979
Comet
Lotte Jacobi
1946–55
Fête Forain
André Kertész
1931
Un Regard Oblique
Robert Doisneau
1948, printed 1981
Nubie. Ibsamboul. Colosse médial (enfoui) du Spéos de Phrè
Maxime Du Camp
Imprimerie photographique de Blanquart-Évrard, à Lille
1850
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