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Two men and one woman in period clothing gather around a table, with the men attentively looking at the woman. The setting appears to be indoors, with ornate furnishings and a delicately drawn background.
Exhibition

Paris through the Eyes of Saint-Aubin

Elevation of the Amphitheatre and Entrance Gate of the Collège des Chirugies, Paris, Jacques François Blondel  French, Pen and gray ink, brush and gray and pink wash, over graphite. Verso rubbed with red chalk. Lightly incised. Framing line in pen and black ink.
Jacques François Blondel
Gabriel de Saint-Aubin
ca. 1752
Fountain Design, Jacques François Blondel  French, Etching and engraving
Jacques François Blondel
A. Le Canu
Gabriel de Saint-Aubin  French, Etching, before first state
Gabriel de Saint-Aubin
1767
Design for the Headpiece of the "Gazette de France", Hubert François Gravelot  French, Red and black chalk
Hubert François Gravelot
Two spandrels with winged figures, François Boucher  French, Black and white chalk on blue paper
François Boucher
18th century
Lot and His Daughters, Joseph Marie Vien  French, Etching
Joseph Marie Vien
1748
Lot and His Daughters; Study of a man and two feet (verso), Gabriel de Saint-Aubin  French, Pen and black ink, brush and gray wash, over black and red chalk, heightened with watercolor and gouache, on blue paper (recto); black and white chalk with stumping (verso)
Gabriel de Saint-Aubin
ca. 1750–55
Laban Searching for his Household Gods, Gabriel de Saint-Aubin  French, Etching
Gabriel de Saint-Aubin
ca. 1753
Death of Antiochus After His Fall, Noël Hallé  French, Etching
Noël Hallé
1738
The Marriage of Mérope and Polyphonte, Gabriel de Saint-Aubin  French, Black chalk with stumping, red and white chalks on beige paper
Gabriel de Saint-Aubin
ca. 1750
View of the Salon in the Year 1753, Gabriel de Saint-Aubin  French, Etching
Gabriel de Saint-Aubin
1753
A Chateau with a Garden, Gabriel de Saint-Aubin  French, Pen and black ink, black chalk, brush and gray wash, watercolor and gouache
Gabriel de Saint-Aubin
1779
Allegory of Louis XV as Patron of the Arts with Paintings and Sculpture from the Salon of 1769, Gabriel de Saint-Aubin  French, Oil paint over black chalk underdrawing, areas of paper reserve, on off-white laid paper, mounted on pasteboard, varnished
Gabriel de Saint-Aubin
ca. 1769
The Curving Stair, Gabriel de Saint-Aubin  French, Black chalk, pen and black and brown ink, watercolor, and touches of gouache, on off-white laid paper
Gabriel de Saint-Aubin
1778–79
A Conference of Lawyers, Gabriel de Saint-Aubin  French, Etching, second state of two
Gabriel de Saint-Aubin
1776
The Hôtel-Dieu in Flames (recto); The Ruins of the Nun’s Building of the Hôtel-Dieu (verso), Gabriel de Saint-Aubin  French, Pen and black ink over black chalk, with watercolor, pastel, and gouache (recto); black chalk (verso)
Gabriel de Saint-Aubin
1772
Scene in the Tuileries: The Chairs, Gabriel de Saint-Aubin  French, Etching, second state
Gabriel de Saint-Aubin
1760
Scene in the Tuileries: The Watering Cart, Gabriel de Saint-Aubin  French, Etching, second state
Gabriel de Saint-Aubin
1760
The Nighttime Fair, Gabriel de Saint-Aubin  French, Pen and brown ink, brush and brown wash, blue watercolor, heightened in white gouache, over traces of red chalk
Gabriel de Saint-Aubin
1762
The Chestnut Seller (La Marchande de Chataignes), Chevalier de Parlington, Etching; third state of three (Bocher)
Chevalier de Parlington
Augustin de Saint-Aubin
1762
Gabriel de Saint-Aubin  French, Etching, between second and third states
Gabriel de Saint-Aubin
1750
The Fair at Bezons (Vue de la Foire de Bezons), Gabriel de Saint-Aubin  French, Etching, after second state
Gabriel de Saint-Aubin
1750
Revelers at a Table in the Countryside, Gabriel de Saint-Aubin  French, Pen and black ink with bister wash over black chalk
Gabriel de Saint-Aubin
1760s
Study of Two Women, Etienne Jeaurat  French, Black chalk, heightened with white, on gray paper
Etienne Jeaurat
ca. 1755
The Interior of a Large Market, Nicolas Bernard Lépicié  French, Pen and black and gray inks, brush and gray wash, heightened with white gouache, over black chalk
Nicolas Bernard Lépicié
ca. 1775–78
Studies for “The Country Dance”, Gabriel de Saint-Aubin  French, Black and red chalk with touches of brush and gray wash
Gabriel de Saint-Aubin
ca. 1760–62
Studies of women and children, Gabriel de Saint-Aubin  French, Black chalk
Gabriel de Saint-Aubin
ca. 1760
Studies for a Street Show in Paris (La  parade sur les boulevards), Gabriel de Saint-Aubin  French, Black and white chalk on brown paper
Gabriel de Saint-Aubin
1760
Country Fair, Pierre Charles Lévesque  French, Etching
Pierre Charles Lévesque
François Boucher
1762
The Fortune Teller, François Boucher  French, Pen and black ink, brush and gray wash, watercolor, and gouache, over black chalk underdrawing
François Boucher
ca. 1725–28
Elegant Repast, Anne Claude Philippe de Tubières, comte de Caylus  French, Etching
Anne Claude Philippe de Tubières, comte de Caylus
Claude Gillot
1770
Village Marketplace (Le Marché de village), Jean-Baptiste Marie Pierre  French, Etching
Jean-Baptiste Marie Pierre
ca.1735–40
The Village Festival (Fête de village dans la campagne romaine), Jean-Baptiste Marie Pierre  French, Etching; proof state
Jean-Baptiste Marie Pierre
ca. 1735–40
Studies of a Couple Seated on the Ground, Looking at a Songbook, Nicolas Lancret  French, Red, black, and white chalk on light gray-brown paper
Nicolas Lancret
ca. 1740
The Carnival of Parnassus (Le Carnaval du Parnasse), Gabriel de Saint-Aubin  French, Etching
Gabriel de Saint-Aubin
Pierre François Basan
1761–62
Dorimel Bidding Farewell to His Wife and Her Parents before His Execution: An Illustration for Le Déserteur by Louis-Sébastien Mercier, Gabriel de Saint-Aubin  French, Black chalk and oil on paper laid down on panel
Gabriel de Saint-Aubin
1770
Sheet of Studies, Gabriel de Saint-Aubin  French, Black chalk, pen and black ink, touches of colored washes
Gabriel de Saint-Aubin
1776
The Italian Theater, Gabriel de Saint-Aubin  French, Etching, before first state
Gabriel de Saint-Aubin
1724–1780
Four Actors in Heroic Costume, with a Study of a Helmeted Head, Claude Gillot  French, Watercolor, pen and black ink, red chalk, and traces of black chalk
Claude Gillot
ca. 1711–22
Les fêtes vénitiennes, Gabriel de Saint-Aubin  French, Watercolor and gouache over pen and brown ink
Gabriel de Saint-Aubin
after 1759
Theatrical Divertissement at an Evening Party, Anonymous, French  French, Pen and brown ink, watercolor and gouache
Anonymous, French
18th century
The Draftsman, Jean Jacques Flipart  French, Etching and engraving; third state of three
Jean Jacques Flipart
Jean Siméon Chardin
1757
The School Mistress, Bernard Lepicié  French, Engraving; first state of three
Multiple artists/makers
1747
Décrotteur (Shoe Shiner), from Mes gens, ou Les commissionnaires ultramontains au service de qui veut le payer (Servants for Public Hire), Jean-Baptiste Tillard  French, Etching and engraving; second state of two (Bocher)
Multiple artists/makers
1766–70
Title page from Essay on Butterflies Masquerading as Humans (Essai de Papilloneries Humaines), Charles Germain de Saint-Aubin  French, Etching; first state of two
Charles Germain de Saint-Aubin
ca. 1756–60
The Duel (Le Duel), from Essay on Butterflies Masquerading as Humans (Essai de Papilloneries Humaines), Charles Germain de Saint-Aubin  French, Etching; first state of two
Charles Germain de Saint-Aubin
ca. 1756–60
Self Portrait in a Medallion, Gabriel de Saint-Aubin  French, Black chalk with stumping, graphite, pen and gray ink
Gabriel de Saint-Aubin
ca. 1764
Artist Sketching a Young Girl, Hubert Robert  French, Red chalk
Hubert Robert
ca. 1773
Germain-Augustin and Rose de Saint-Aubin, Drawn by Their Uncle, Gabriel de Saint-Aubin  French, Gray wash over black chalk and graphite.
Gabriel de Saint-Aubin
1766
The Child and the Bulldog, Marguerite Gérard  French, Etching; second state of three
Marguerite Gérard
Jean Honoré Fragonard
1778
Fanfan, Jean Honoré Fragonard  French, Etching, third state of three
Jean Honoré Fragonard
1778
Trade Card for Périer, Ironmonger, Gabriel de Saint-Aubin  French, Etching and drypoint, reworked with pen and brown ink
Gabriel de Saint-Aubin
1767
Trade Card for Périer, Ironmonger, Gabriel de Saint-Aubin  French, Black chalk, pen and black and brown inks, brush and gray and brown wash
Gabriel de Saint-Aubin
1767
Trade Card for Périer, Ironmonger, Gabriel de Saint-Aubin  French, Etching and drypoint, third state of three
Gabriel de Saint-Aubin
1767
The Maker of Scales, Jean Michel Moreau le Jeune  French, Pen and black ink, brush and brown and gray wash, and graphite
Jean Michel Moreau le Jeune
ca. 1763
The Newsmongers, Gabriel de Saint-Aubin  French, Etching, early state
Gabriel de Saint-Aubin
1752
The Newsmongers, Gabriel de Saint-Aubin  French, Etching, early state
Gabriel de Saint-Aubin
1752
Design for a trade card for an ornamental sculptor, Gabriel de Saint-Aubin  French, Red chalk and sanguine wash over black chalk underdrawing
Gabriel de Saint-Aubin
1762
Trade Card for a Textile Merchant, Gabriel de Saint-Aubin  French, Etching, second state
Gabriel de Saint-Aubin
1752
A la pagode (At the pagode), Trade card of Edme Gersaint, Anne Claude Philippe de Tubières, comte de Caylus  French, Etching and engraving
Anne Claude Philippe de Tubières, comte de Caylus
François Boucher
1740
Caricature of a Printer, Jean Charles Delafosse  French, Pen and black ink, brush and gray and colored wash, over traces of black chalk
Jean Charles Delafosse
Ennemond Alexandre Petitot
Caricature of a Print seller, Jean Charles Delafosse  French, Pen and black ink, brush and gray and colored wash over traces of black chalk
Jean Charles Delafosse
Ennemond Alexandre Petitot
Two Designs for Vases (recto); Variant Design for a Vase (verso), Ennemond Alexandre Petitot  French, Pen and brown ink, brush and brown wash, over black chalk underdrawing (recto); pen and brown ink (verso)
Ennemond Alexandre Petitot
The Four Vases, Gabriel de Saint-Aubin  French, Etching
Gabriel de Saint-Aubin
1754
Placing of the first stone for the church of Saint Genevieve, Gabriel de Saint-Aubin  French, Etching
Gabriel de Saint-Aubin
Pierre Chenu
1766
Figures in the portico of the church of Saint Genevieve, Paris, Gabriel de Saint-Aubin  French, Pen and brown ink, brush and gray and brown wash, over black chalk
Gabriel de Saint-Aubin
1776–79
Study for a sculpture for the square of the church of Saint Genevieve, Paris, Gabriel de Saint-Aubin  French, Pen and black and gray ink, brush and gray wash, over black chalk
Gabriel de Saint-Aubin
1776
The Marquis de Vandières, Abbé Jean-Bernard Le Blanc, Germain Soufflot, and Charles-Nicolas Cochin, the Younger, Pier Leone Ghezzi  Italian, Pen and brown ink, over traces of black chalk
Pier Leone Ghezzi
ca. 1750
Virgin and Child with Saints Dominique and Thérèse, with vignettes featuring scenes from the life of Christ (recto); Sketches of religious scenes (verso), Gabriel de Saint-Aubin  French, Black chalk, pen and black ink, brush and gray wash, partial squaring in black chalk (recto); black chalk (verso)
Gabriel de Saint-Aubin
1776
Coronation Regalia Carried in Procession at Saint-Denis, Gabriel de Saint-Aubin  French, Pen and black ink, brush and gray wash, over black chalk.
Gabriel de Saint-Aubin
1775
The Expulsion of the Jesuits, Gabriel de Saint-Aubin  French, Etching, first state
Gabriel de Saint-Aubin
1761
The Statue of Louis XV Seen through the Arcade of the Garde-Meuble, Gabriel de Saint-Aubin  French, Pen and black and brown and ink, brush and gray wash, over black chalk with stumping and graphite underdrawing
Gabriel de Saint-Aubin
1763
The Inauguration of the Statue of Louis XV, Vignette on page 1, from Description des Travaux qui ont précédé. accompagné et suivi la fonte en bronze d'un seul jet de la Statue Equèstre de Louis XV le bien-aimé dressée sur les mémoires de M. Lempereur ancien Echevin.  Par M. Mariette, Honoraire amateur de l'Académie Royale de Peinture et Sculpture, A Paris de l'Imprimerie de P.G. Le Mercier, Augustin de Saint-Aubin  French, Etching and engraving; second state of two (Bocher)
Multiple artists/makers
1766
The Inauguration of the Statue of Louis XV, Gabriel de Saint-Aubin  French, Etching, third state
Gabriel de Saint-Aubin
Pierre Chenu
1766
The Triumph of Pompey, Gabriel de Saint-Aubin  French, Watercolor and gouache, pen and black ink, graphite, over black chalk
Gabriel de Saint-Aubin
1765
Arrival of the comte d’Estaing at the Island of Grenada, July 3, 1779, Gabriel de Saint-Aubin  French, Pen and black ink, brush and gray wash, over black chalk with stumping, over black chalk with stumping, touches of white gouache
Gabriel de Saint-Aubin
1779
Macartney, governor of the Island of Grenada surrendering his sword to the comte d’Estaing, Gabriel de Saint-Aubin  French, Pen and black ink, brush and gray wash over black chalk with stumping, touches of blue wash
Gabriel de Saint-Aubin
1779
Allegory of the Birth of the Duc de Bourgogne, Gabriel de Saint-Aubin  French, Pen and brown ink over black chalk with brush and pink wash
Gabriel de Saint-Aubin
1751
Allegory of the Marriages Performed by the City of Paris in Honor of the Birth of the Duc de Bourgogne in 1751, Gabriel de Saint-Aubin  French, Etching, between second and third states
Gabriel de Saint-Aubin
1752
Allegory of the Marriages Performed by the City of Paris in Honor of the Birth of the Duc de Bourgogne in 1751, Gabriel de Saint-Aubin  French, Black chalk, pen and brown ink, brush and gray wash, with white gouache and touches of blue and red chalk
Gabriel de Saint-Aubin
1751
The Return of the Parliament (Le Retour du Parlement), Jean Bernard Restout  French, Etching
Jean Bernard Restout
ca. 1774
Allegory of the Marriage of the Dauphin and Marie-Antoinette in 1770, Gabriel de Saint-Aubin  French, Brush and gray wash, accents in pen and brown ink, over black chalk; framing lines in pen and brown ink; margins tinted with brush and blue-green wash
Gabriel de Saint-Aubin
1770
Abel-François Poisson de Vandières, the marquis de Marigny (1727-1781) gesturing toward the courtyard of the Palais du Louvre, Gabriel de Saint-Aubin  French, Pen and brown ink, brush and brown wash, over black chalk, framing lines in pen and brown ink
Gabriel de Saint-Aubin
ca.1755
Allegory in Honor of the Arts, Gabriel de Saint-Aubin  French, Pen and brown ink, brush and brown and gray wash, with touches of violet wash and white gouache
Gabriel de Saint-Aubin
1760
Allegory of the Convalescence of the Dauphin, Gabriel de Saint-Aubin  French, Etching, first state
Gabriel de Saint-Aubin
1752
Catalogue d'une riche collection de tableaux des maîtres les plus célebres des trois écoles : qui composent le cabinet de feu son Altesse Sérenissime Monseigneur le Prince de Conti, prince du sang, & grand prieur de France, Pierre Rémy
Pierre Rémy
1777
Catalogue Raisonné des Curiosités qui composoient le Cabinet de feu Mme. Dubois-Jourdain, Mme. Dubois-Jourdain 's collection French
Multiple artists/makers
1766–67
Catalogue raisonné des tableaux, estampes, coquilles, & autres curiosités : après le décès de feu Monsieur Dezalier d'Argenville, maître des comptes, & membre des Sociétés royale de Londres & de Monpellier, Augustin de Saint-Aubin  French
Multiple artists/makers
1766
Portrait of Two Men, Gabriel de Saint-Aubin  French, Black and red chalk, with stumping
Gabriel de Saint-Aubin
ca. 1760–70
Sheet of Studies: Paintings and Drawings from the Collection of the Prince de Conti, Gabriel de Saint-Aubin  French, Pen and black ink, brush and gray wash, over black chalk
Gabriel de Saint-Aubin
1777
Catalogue raisonné des diverses curiosités du cabinet de feu M. Quentin de Lorangère, March 2, 1744, Quentin de Lorangère  French, Illustrations: etching
Quentin de Lorangère
1744
L'Art du brodeur, Charles Germain de Saint-Aubin  French
Charles Germain de Saint-Aubin
1770
Cours d'Architecture ou Traité de la Décoration, Distribution & Construction des Bâtiments (Volume 9), Jacques François Blondel  French, Printed books with engraved illustrations
Jacques François Blondel
La Veuve Desaint
1771–77
Abrégé de l'histoire Romaine, Abbé Claude Francois Xavier Millot  French, plates: etchings
Multiple artists/makers
1789
L'Histoire naturelle éclaircie dans une de ses parties principales, la Conchyliologie, qui traite des coquillages de mer, de rivière et de terre, Antoine Joseph Dézallier d'Argenville  French, Two volumes in one, quarto; engraved frontispiece and 40 engraved plates with contemporary watercolor, sections with engraved headpieces, text ruled in red throughout
Multiple artists/makers
1757