Close up of painting of a lady's shoulder and dress stadning in the front of a tan background.
Exhibition

Sargent and Paris

Listen to fresh perspectives on Sargent’s early years in Paris.
This tour runs approximately 40 minutes.



Cover Image for 670. Introduction

670. Introduction

Welcome to Sargent and Paris

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STEPHANIE HERDRICH: It’s not just about the time he spends in Paris. It’s really about how Paris forms him.

NARRATOR: Stephanie Herdrich is Alice Pratt Brown Curator of American Painting and Drawing at The Met.

HERDRICH: Many people know Sargent as the great portraitist of the late-nineteenth and early-twentieth century, and of course he is that, but his work in this period, this formative decade from 1874 to 1884, is remarkably diverse and bold.

NARRATOR: Welcome to Sargent and Paris. In this exhibition, you’ll encounter travel paintings, genre paintings, landscapes, and seascapes—as well as portraits. You’ll see Sargent draw inspiration and confidence from his adopted city. And you’ll hear much more from curator Stephanie Herdrich, along with other art historians and artists—such as costume designer Kasia Walicka Maimone. Sargent was a huge inspiration for her work on the HBO show The Gilded Age.

KASIA WALICKA MAIMONE: For me, the discovery of Sargent was how he managed to combine his incredible knowledge of the classics and traditional painting—and at the same time, gave himself license to acknowledge his eye and his interpretation of the period.

NARRATOR: Throughout his Paris years, Sargent blended academic tradition with modern sensibilities—growing as a painter and image-maker, and culminating in his infamous portrait of Virginie Gautreau, known today as Madame X.

HERDRICH: It’s a remarkable decade, one in which he becomes an artist, builds a career, learns how to make his way in the art world, to build relationships with circles of artists and friends and patrons, and really present a distinct, bold artistic vision to the world.

NARRATOR: Let’s begin.

This audio guide is sponsored by Bloomberg Philanthropies.

    Playlist

  1. 670. Introduction
  2. 671. The Dancing Faun, after the Antique, 1873–74
  3. 672. Portrait of Frances Sherborne Ridley Watts, 1877
  4. 673. In the Luxembourg Gardens, 1879
  5. 674. Atlantic Storm, 1876
  6. 675. En route pour la pêche (Setting Out to Fish), 1878
  7. 676. Fumée d'Ambre Gris (Smoke of Ambergris), 1880
  8. 677. Venetian Interior, ca. 1880–82
  9. 678. Edouard and Marie-Louise Pailleron (Portraits de M.E.P....et de Mlle L.P.), 1880
  10. 679. Dr. Pozzi at Home, 1881
  11. 680. Painting Lady with the Rose (Charlotte Louise Burckhardt) 1882
  12. 681. The Daughters of Edward Darley Boit, 1882
  13. 682. Vernon Lee, 1881
  14. 683. Margaret Stuyvesant Rutherfurd White (Mrs. Henry White), 1883
  15. 684. Carolus-Duran, La Dame au Gant (Madame Carolus-Duran, née Pauline Croizette), 1869
  16. 685. Madame X (Virginie Amélie Avegno Gautreau), 1883–84
  17. 686. Drawing Madame X
  18. 687. Salon Study Room
  19. 688. Claude Monet, painting, by the edge of a wood, 1885
  20. 689. Self Portrait, 1886
  21. 690. La Carmencita (Carmen Dauset Moreno), ca. 1890
Supported By
Contributors

Stephanie L. Herdrich

Stephanie Herdrich focuses on late 19th-century American paintings and drawings. She was co-curator of the exhibition Winslow Homer: Crosscurrents (2022) and has contributed to Met exhibitions and publications about American Impressionism, American drawings, and artists Childe Hassam, George Caleb Bingham, Thomas Hart Benton, among others. An expert on the work of John Singer Sargent, she is author of Sargent: The Masterworks (2018), and other publications, and was co-curator of The Met’s presentation of Sargent: Portraits of Artists and Friends (2015). She has a BA in art history from Washington University in St. Louis and received a PhD and a certificate in curatorial studies from the Institute of Fine Arts, New York University.

Headshot of Caroline Corbeau-Parsons

Caroline Corbeau-Parsons

Caroline Corbeau-Parsons is curator of drawings and paintings at Musée d’Orsay in Paris. She is co-curator of Sargent and Paris, alongside curator Stephanie L. Herdrich and Paul Perrin, head of curatorial and director of collections at the Musée d’Orsay.

Artist Elizabeth Colomba posing with one of her paintings.

Elizabeth Colomba

Elizabeth Colomba is a French painter of Martinician origin. In her art, Colomba centers stories of Black women, drawing on her extensive knowledge and academic training of art history to both subvert and redefine Western notions of beauty, power, and prestige.

Headshot of Kasia Walicka Maimone

Kasia Walicka Maimone

Kasia Walicka Maimone is a costume designer. Recent work includes The Gilded Age (2022–present) and the upcoming Bruce Springsteen biopic Deliver Me from Nowhere (2025). She is well-known for The Wonderful Story of Henry Sugar (2023), Moonrise Kingdom (2012), Capote (2005), Moneyball (2011), Ready Player One (2018), Bridge of Spies (2015), and Phillip Glass’s Les Enfants Terribles.