Dance in a Subterranean Roundhouse at Clear Lake, California

Jules Tavernier American, born France

On view at The Met Fifth Avenue in Gallery 760


Tavernier’s most important commission came from Tiburcio Parrott, San Francisco’s leading banker. During an 1876 visit from his Parisian business partner Baron Edmond de Rothschild and the baron’s traveling companion Count Gabriel Louis de Turenne, Parrott was able to obtain entry to a ceremonial dance of the Elem Pomo, known as the mfom Xe, or "people dance," in an underground roundhouse at Clear Lake. Tavernier spent two years working on this tour de force, a composition with nearly one hundred figures, including Elem Pomo dancers and musicians as well as non-Native onlookers, notably Parrott, Rothschild, and Turenne. He rendered the dimly lit interior—its circular shape symbolic of the life-sustaining form of a basket—with brilliant technical finesse by means of tonal variation and flashes of color. While the painting suggests the rich vitality of Elem Pomo culture, it also exposes the threat posed by White settlers, including Parrott, who was then operating a toxic mercury mine on the Elem Pomo’s ancestral homelands.

Dance in a Subterranean Roundhouse at Clear Lake, California, Jules Tavernier (American (born France), Paris 1844–1889 Honolulu, Hawaii), Oil on canvas, American

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.