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Sebastián Martínez y Pérez (1747–1800)
Goya (Francisco de Goya y Lucientes)
1792

Plate 19 from "Los Caprichos": All will fall (Todos Caerán)
Goya (Francisco de Goya y Lucientes)
1799

Margaret of Austria on horseback, after Velázquez
Goya (Francisco de Goya y Lucientes)
1778

Plate1 from "The Disasters of War" (Los Desastres de la Guerra): 'Sad foreboding of what is going to happen' (Tristes presentimientos de lo que ha de acontecer)
Goya (Francisco de Goya y Lucientes)
ca. 1815 (published 1863)

Plate 20 from "La Tauromaquia": The agility and audacity of Juanito Apiñani in [the ring] at Madrid
Goya (Francisco de Goya y Lucientes)
1816

Plate 2 from "La Tauromaquia": Another way of hunting on foot
Goya (Francisco de Goya y Lucientes)
1816

'A Way of Flying' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–16 (published 1864)

A picador caught by a bull, from the "Bulls of Bordeaux"
Goya (Francisco de Goya y Lucientes)
1825

Humility versus Pride; a young man imploring an older man with other figures in front of them; folio 75 (recto) from the Madrid Album "B"
Goya (Francisco de Goya y Lucientes)
1796–98 (possibly later)

'The custody is as barbarous as the crime' (Tan bárbara la seguridad como el delito)

Goya (Francisco de Goya y Lucientes)

ca. 1815 (published 1867)

Plate 48 from "Los Caprichos": Tale-Bearers--Blasts of Wind (Soplones)
Goya (Francisco de Goya y Lucientes)
1799

Plate 5 from "The Disasters of War" (Los Desastres de la Guerra): 'And they are like wild beasts' (Y son fieras)
Goya (Francisco de Goya y Lucientes)
1810 (published 1863)

'Loyalty' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864)

Plate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid
Goya (Francisco de Goya y Lucientes)
1816

Not [in this case] either (Tampoco), plate 36 from "The Disasters of War" (Los Desastres de La Guerra)
Goya (Francisco de Goya y Lucientes)
1810

Plate 72 from "The Disasters of War" (Los Desastres de la Guerra): 'The Consequences' (Las resultas)
Goya (Francisco de Goya y Lucientes)
1814–15 (published 1863)

Plate 53 from "Los Caprichos": What a golden beak! (Que pico de Oro!)
Goya (Francisco de Goya y Lucientes)
1799

Women and children near a cross; folio 78 from the "Images of Spain" Album (F)
Goya (Francisco de Goya y Lucientes)
ca. 1812–20

Plate 1 from "Los Caprichos": Self-portrait
Goya (Francisco de Goya y Lucientes)
1799 (published 1881–86)

Plate 64 from "Los Caprichos": Bon Voyage (Buen Viage)
Goya (Francisco de Goya y Lucientes)
1799

For wagging his tongue (Album C)
Goya (Francisco de Goya y Lucientes)
ca. 1808–14

The Sleep of Reason
Goya (Francisco de Goya y Lucientes)
1797

'Folly of Fear' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published ca. 1848)

Plate 48 from "The Disasters of War" (Los Desastres de la Guerra): Cruel tale of woe! (Cruel Lástima!)
Goya (Francisco de Goya y Lucientes)
1811–12 (published 1863)

Landscape
Goya (Francisco de Goya y Lucientes)
ca. 1807–10

Plate 23 from "Los Caprichos": These specks of dust (Aquellos polbos)
Goya (Francisco de Goya y Lucientes)
1799

Narcisa Barañana de Goicoechea
Goya (Francisco de Goya y Lucientes)

Plate 48 from "The Disasters of War" (Los Desastres de la Guerra): 'Cruel tale of woe!' (Cruel Lástima!)
Goya (Francisco de Goya y Lucientes)
1811–12 (published 1863)

Don Baltasar Carlos on horseback, after Velázquez
Goya (Francisco de Goya y Lucientes)
1778

Plate 29 of "La Tauromaquia": Pepe Illo making the pass of the 'recorte'
Goya (Francisco de Goya y Lucientes)
1816

Plate 52 from "Los Caprichos": What a tailor can do! (Lo que puede un Sastre!)
Goya (Francisco de Goya y Lucientes)
1799

Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)
Goya (Francisco de Goya y Lucientes)
1804

Plate 58 from 'The Disasters of War' (Los Desastres de la Guerra): 'It's no use crying out.' (No hay que dar voces.)
Goya (Francisco de Goya y Lucientes)
1811–12

Plate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.)
Goya (Francisco de Goya y Lucientes)
1799

Plate 50 from "Los Caprichos": The Chinchillas (Los Chinchillas)
Goya (Francisco de Goya y Lucientes)
1799

'Poor Folly' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864)

Plate 75 from "The Disasters of War" (Los Desastres de la Guerra): 'Charlatan's show' (Farándula de charlatanes)
Goya (Francisco de Goya y Lucientes)
1814–15 (published 1863)

Plate C: The dogs let loose on the bull, from "Tauromaquia"
Goya (Francisco de Goya y Lucientes)
ca. 1816

The garroted man (El agarrotado)
Goya (Francisco de Goya y Lucientes)
ca. 1775–78 (published 1868)

'Carnival Folly' from the 'Disparates' (Follies / Irrationalities)
Goya (Francisco de Goya y Lucientes)
ca. 1815–19 (published 1864)