The captions referring to contrasting moral conditions on either side of this sheet form a linguistic bond. As with many of Goya’s captions, however, they relate to the images obliquely, generating questions rather than describing. The haughty man at right here has been identified as Napoleon Bonaparte. He approaches a group of figures who adopt various attitudes: obsequiousness, humiliation, fear, and curiosity. The other drawing on the other side of the sheet (35.103.12) depicts what appears to be a pawn shop. In the foreground, a woman opens her mantle to reveal her elegant dress, while a young man secures a bundle. To whom the generosity and greed of the caption apply is not clear.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title:Humility versus Pride; a young man imploring an older man with other figures in front of them; folio 75 (recto) from the Madrid Album "B"
Artist:Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date:1796–98 (possibly later)
Medium:Brush and point of brush, carbon black washes, on laid paper
Dimensions:Sheet: 9-1/4 x 5-3/4 in. (23.5 x 14.61cm)
Classification:Drawings
Credit Line:Harris Brisbane Dick Fund, 1935
Accession Number:35.103.13
Inscription: Inscribed in brush and wash below the image: Humilidad contra soberbia. Numbered at the upper right in brush and grey wash: 75, next to which in pen and brown ink: 13. [pertaining to Fortuny Album I, no. 13]
Javier Goya y Bayeu, (from 1828); Mariano Goya y Goicoechea (Spanish), (from 1854); Federico de Madrazo y Kuntz (Spanish), (from ca. 1855–1863); Mariano Fortuny y Madrazo, (by gift in 1894)
New York. The Metropolitan Museum of Art. "Goya in The Metropolitan Museum of Art," September 12–December 31, 1995.
Museo Nacional del Prado. "Drawings by Goya," November 19, 2019–February 16, 2020.
New York. The Metropolitan Museum of Art. "Goya’s Graphic Imagination," February 8–May 2, 2021.
Gassier and Wilson 1971, no. 433; Gassier 1973, no. B75 [78]
An Exhibition of the Work of Goya Exh. cat., Paris, Bibliothèque Nationale. Paris, 1935, Bibliothèque Nationale, Paris, Goya Exhibition, 1935, also Metropolitan Museum of Art, 1936 cat. no. 22.
Francisco Goya : his paintings, drawings and prints. Exh. cat.: MMA January 27 - March 8. The Metropolitan Museum of Art, New York, 1936, Metropolitan Museum of Art, An Exhibition of the Work of Goya, 1936, also Bibliothèque Nationale, Paris, 1935.
Harry B. Wehle "An Album of Goya's Drawings" in The Metropolitan Museum of Art Bulletin. vol. 31, New York, February 1936, (incl. bibliography), pp. 23-28.
Harry B. Wehle "Fifty Drawings by Francisco Goya." MMA Papers no. 7. New York, 1938, fig. no. pl. 11, ill.
Goya: Drawings and Prints. Exh. cat. The Metropolitan Museum of Art, New York, 1955, Metropolitan Museum of Art catalogue supplement, no. 203.
Goya and His Times. Exh. cat., December 7, 1963 - March 1, 1964. Royal Academy of Arts, London, 1963, London, Royal Academy of Arts, 1963-64, p. 86, Cat. no 165 (gives ex colls., exhibitions and references)., cat. no. Cat. no. 165, p. 86.
Pierre Gassier, Juliet Wilson Bareau Goya His Life and Work. London, 1971, (ill. and listed); p. 162 (mentioned), fig. no. fig. 433, part II, p. 175.
Pierre Gassier Francisco Goya Drawings, The Complete Albums. New York, 1973, ill. plate B. 75, p. 105, fig. no. no. 78, p. 133, ill.
A. Hyatt Mayor Goya: 67 Drawings. Exh. cat. The Metropolitan Museum of Art, New York, 1974, Metropolitan Museum of Art, 1974, no. 15, repr.
Colta Ives, Susan Alyson Stein Goya in the Metropolitan Museum of Art. Exh. cat., September 12 - December 31. The Metropolitan Museum of Art, New York, 1995.
Mark McDonald Goya's Graphic Imagination. New York, 2021, (entry by Mark McDonald), cat. no. 13A, pp. 90–91.
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Met's collection of drawings and prints—one of the most comprehensive and distinguished of its kind in the world—began with a gift of 670 works from Cornelius Vanderbilt, a Museum trustee, in 1880.
