着汉服的耶稣会士金尼阁

Peter Paul Rubens Flemish

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这件华丽的服装试作也是金尼阁的动人肖像，他是佛兰德斯耶稣会派往中国的一位传教士。鲁本斯与安特卫普的耶稣会学院关系密切，金尼阁到安特卫普募集资金并招募新传教士时，鲁本斯就创作了这幅素描作品。这件服装结合了一顶朝鲜无边帽和汉人学者的长袍，表达出耶稣会士既希望融入汉人文化，同时又承认并保持自己与这种文化之间存在的一定距离。鲁本斯出色地捕捉了长袍的剪裁、质地和重量感，同时在拉丁文的铭文中详细注明了长袍上的各种颜色。

Portrait of Nicolas Trigault in Chinese Costume, Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), Black, red, and white chalk, blue pastel, and pen and brown and black ink on light brown laid paper

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Portrait of Nicolas Trigault in Chinese Costume, Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), Black, red, and white chalk, blue pastel, and pen and brown and black ink on light brown laid paper
Portrait of Nicolas Trigault in Chinese Costume, Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), Black, red, and white chalk, blue pastel, and pen and brown and black ink on light brown laid paper
Portrait of Nicolas Trigault in Chinese Costume, Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), Black, red, and white chalk, blue pastel, and pen and brown and black ink on light brown laid paper
Portrait of Nicolas Trigault in Chinese Costume, Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), Black, red, and white chalk, blue pastel, and pen and brown and black ink on light brown laid paper
Portrait of Nicolas Trigault in Chinese Costume, Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), Black, red, and white chalk, blue pastel, and pen and brown and black ink on light brown laid paper

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