This Annunciation is exceptional for its bird’s-eye view and outdoor setting. Sheltered in the doorway of a church and greeted by Gabriel, Mary is presented not only as the Annunciate, but also as the personification of the church (ecclesia). The architecture, which is part Romanesque (right) and part Gothic (left), refers to the coming of Christ by marking the transition from Judaism to Christianity. Technical evidence, the lack of a horizon, and the oblique angle of the architecture all suggest that the panel is a fragment from a larger composition. Formerly ascribed to Van Eyck, it is probably by Petrus Christus.