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20,036 results for wild animals of the world series

Image for Animals in Ancient Near Eastern Art
Essay

Animals in Ancient Near Eastern Art

February 1, 2014

By Department of Ancient Near Eastern Art

Control of the natural world, as expressed by fierce animals, was a key aspect of the iconography of kingship.
Image for Animals in Medieval Art
Essay

Animals in Medieval Art

October 1, 2001, revised January 1, 2012

By Melanie Holcomb and Barbara Drake Boehm

In addition to providing intriguing interpretations of animals, bestiaries offered tales about the existence of bizarre and loathsome creatures, many of which appeared in medieval art.
Image for Wild: Fashion Untamed
Wild: Fashion Untamed examines the practical, spiritual, psychosexual, and socioeconomic underpinnings of fashion's fascination with animals and birds. Skins, furs, feathers, and animals prints have played a major role in the history of fashion. In this volume's five chapters, deer, tigers, zebras, leopards, spiders, serpents, crocodiles, and the plumage of a variety of birds are referenced in examples that vividly convey how artists and designers have found inspiration from sources in prehistory, ancient mythology, and native cultures and have quoted the physical and sexual characteristics of the animal kingdom to evoke ideals of femininity. Examples from the history of art portraying the fashions and symbolisms of their time are discussed in concert with creations by contemporary designers. A prehistoric cave painting, for example, finds a striking corollary in an image showing a 1999–2000 Jean Paul Gaultier ensemble. A Minoan Snake Goddess proves a suitable companion to John Galliano's reptilian-patterned leather gown from his 2002–2003 Dior collection. A vintage photograph of Sitting Bull wearing the Native American feathered war bonnet appears alongside a similar-looking headdress of 1987 by Bob Mackie. The uses of fur to announce not only the wearer's wealth and power but also that of a nation are revealed in an early eighteenth-century portrait of Louis XIV in an ermine robe. Sean "P. Diddy" Combs and supermodel Kate Moss wear sumptuous furs in a striking present-day manifestation of such economic exhibitionism. The animal rights activists and animal welfare organizations that have emerged since the 1970s are discussed, accompanied by a potent example of a Lynx advertising campaign depicting a woman in a fur hat with a skinned dog around her neck. Thierry Mugler's black leather and insect-like silhouettes convey a deadly fetishized femininity, while Dolce & Gabbana's leopard prints display a softer femininity reminiscent of the 1950s Hollywood siren, as exemplified by a publicity still for MGM Studios of Ava Gardner in a leopard patterned bathing costume. A striking image of a group of women wearing black-and-white zebra patterns in a room filled with tellingly matching accoutrements represents the signature animal prints of Roberto Cavalli, who has widely celebrated the power and beauty of the wild kingdom. WILD: Fashion Untamed continues the ongoing objective of the Metropolitan Museum's Costume Institute to document and interpret the diverse aspects of historical and contemporary fashion. This generously illustrated volume effectively highlights humanity's ongoing obsession with animals in clothing from prehistoric times to the present. Faunal apparel has always represented and will continue to represent one of our more primal instincts, even as it also addresses issues of changing social attitudes about the relationships of human to animal and human to human. In the Introduction to this fascinating publication, Andrew Bolton, Associate Curator, The Costume Institute, writes: "Straddling the ideologies of nature and artifice, designers have sought to shape ideals of femininity that evoke and invoke the physical and symbolic characteristics of animals, ideals that have resonance in both the past and the present."
Image for Roman Games: Playing with Animals
Essay

Roman Games: Playing with Animals

September 1, 2010

By Jacob Coley

Since the acquisition of exotic creatures was very expensive, they would often be sent to menageries or zoological gardens around Rome to be tamed and trained for public entertainment before they reached the games, where death was inevitable.
Image for Wild Dogs Under My Skirt
audio

Wild Dogs Under My Skirt

June 12, 2023

By Tusiata Avia

Pacific poet Tusiata Avia reflects on desire and female empowerment through Samoan tattooing practices
Image for Al Thani Lecture Series on the Mughal World—Mughal Jewelry: A Global Art at the Age of Discoveries
In this lecture, Nuno Vassalo e Silva presents the 2018 Al Thani Lecture on the Mughal World. His lecture explores the history and global nature of Mughal jewelry.
Image for Visual Culture of the Atlantic World
Essay

Visual Culture of the Atlantic World

April 1, 2018

By Emily Casey

For Europeans, access to newly discovered parts of the world produced a culture that marked the unfamiliar and foreign as signifiers of wealth and status.
Image for Half the World and All of Time: Asian Art at the Met
video

Half the World and All of Time: Asian Art at the Met

October 1, 2015

By Maxwell K. Hearn and John Guy

Discover Asia through the eyes of the Met's incomparable curatorial staff. This series delves into the remarkable diversity and richness of the continent's cultural traditions as reflected in one of the finest and most comprehensive art collections in the world.
Image for Half the World and All of Time: Asian Art at the Met
video

Half the World and All of Time: Asian Art at the Met

December 3, 2015

By John T. Carpenter and Joseph Scheier-Dolberg

Discover Asia through the eyes of the Met's incomparable curatorial staff. This series delves into the remarkable diversity and richness of the continent's cultural traditions as reflected in one of the finest and most comprehensive art collections in the world.
Image for [Group of 107 Stereograph Views of Animals]

Keystone View Company

Date: 1850s–1910s
Accession Number: 1982.1182.97–.204

Image for American Wild Cat, from the Wild Animals of the World series (N25) for Allen & Ginter Cigarettes

Allen & Ginter (American, Richmond, Virginia)

Date: 1888
Accession Number: 63.350.201.25.3

Image for Wild Boar, from the Wild Animals of the World series (N25) for Allen & Ginter Cigarettes

Allen & Ginter (American, Richmond, Virginia)

Date: 1888
Accession Number: 63.350.201.25.47

Image for Giant Kangaroo, from the Wild Animals of the World series (N25) for Allen & Ginter Cigarettes

Allen & Ginter (American, Richmond, Virginia)

Date: 1888
Accession Number: 63.350.201.25.14

Image for Raccoon, from the Wild Animals of the World series (N25) for Allen & Ginter Cigarettes

Allen & Ginter (American, Richmond, Virginia)

Date: 1888
Accession Number: 63.350.201.25.34

Image for Beaver, from the Wild Animals of the World series (N25) for Allen & Ginter Cigarettes

Allen & Ginter (American, Richmond, Virginia)

Date: 1888
Accession Number: 63.350.201.25.5

Image for Painted Ocelot, from the Wild Animals of the World series (N25) for Allen & Ginter Cigarettes

Allen & Ginter (American, Richmond, Virginia)

Date: 1888
Accession Number: 63.350.201.25.29

Image for Musk Ox, from the Wild Animals of the World series (N25) for Allen & Ginter Cigarettes

Allen & Ginter (American, Richmond, Virginia)

Date: 1888
Accession Number: 63.350.201.25.26