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1,787 results for stereograph

Image for The Industrialization of French Photography after 1860
Essay

The Industrialization of French Photography after 1860

October 1, 2004

By Malcolm Daniel

Within a quarter-century of its birth, photography had established a ubiquitous presence in society.
Image for The Daguerreian Era and Early American Photography on Paper, 1839–60
Essay

The Daguerreian Era and Early American Photography on Paper, 1839–60

October 1, 2004

By Department of Photographs

The daguerreotype process, employing a polished silver-plated sheet of copper, was the dominant form of photography for the first twenty years of picture making in the United States.
Press Release

CARLETON WATKINS: THE ART OF PERCEPTION EXPLORES WORK OF VISIONARY 19th-CENTURY PHOTOGRAPHER

Image for Exhibition at The Met Illuminates the Early History of American Photography
Press Release

Exhibition at The Met Illuminates the Early History of American Photography

The New Art: American Photography, 1839–1910 will feature more than 250 photographs drawn from the Museum’s William L. Schaeffer Collection
Image for How Did You Build This Museum? And More #MetKids Questions!
editorial

How Did You Build This Museum? And More #MetKids Questions!

December 28, 2016

By Alexandria Ethridge

Alexandria Ethridge, MuSe intern for in Creative Practice and Public Programming in the Education Department, shares some fun facts about the history of The Met!
Press Release

Central Park: A Sesquicentennial Celebration

Press Release

James Nares’ Video Street to be Centerpiece of Exhibition Opening March 5 at Metropolitan Museum
March 5—May 27, 2013

Image for The New Art: American Photography, 1839–1910
Exhibition

The New Art: American Photography, 1839–1910

Through July 20
This exhibition presents a bold new history of American photography from the medium’s birth in 1839 to the first decade of the 20th century. Drawn from The Met’s William L. Schaeffer Collection, major works by lauded artists such as Josiah Johnson …
Image for How Thomas Cole's Landscapes Opened the Path to National Parks
editorial

How Thomas Cole's Landscapes Opened the Path to National Parks

March 12, 2018

By Tyler Green

Art critic and host of the Modern Art Notes Podcast Tyler Green tells the history of how Thomas Cole and Ralph Waldo Emerson set the stage for national parks in the United States.
Press Release

Landmark Metropolitan Museum Exhibition Considers Evolving Role of Photography during American Civil War
April 2–September 2, 2013

Image for Stereograph
Art

Stereograph

Unknown

Date: 1860s–80s
Accession Number: 63.350.651.861

Image for Three Stereographs
Art

Three Stereographs

Thomas Moran (American (born England), Bolton, Lancashire 1837–1926 Santa Barbara, California)

Date: 1873
Accession Number: 2010.308.3a-c

Image for Stereograph
Art

Stereograph

H. C. White Company (American)

Date: 1905
Accession Number: 63.350.651.416

Image for [29 Glass Stereographs]
Art

[29 Glass Stereographs]

Various

Date: 1850s–00s
Accession Number: 2015.400.659–.687

Image for The Moon
Art

The Moon

Warren de la Rue (British, Guernsey Island 1815–1889 London)

Date: ca. 1858
Accession Number: SL.11.2019.8.1

Image for 601 The Land of Cotton Stereopticon Card (H445)
Art

601 The Land of Cotton Stereopticon Card (H445)

Date: 1896
Accession Number: Burdick 5, H445.1

Image for 256 Post Office, N.Y. Stereopticon Card (H445)
Art

256 Post Office, N.Y. Stereopticon Card (H445)

Date: 1896
Accession Number: Burdick 5, H445.4

Image for [Post Office N.Y.] Stereopticon Card (H445)
Art

[Post Office N.Y.] Stereopticon Card (H445)

Date: 1896
Accession Number: Burdick 5, H445.3

Image for 274 Treasury Building, Washington, D. C. Stereopticon Card (H445)
Art

274 Treasury Building, Washington, D. C. Stereopticon Card (H445)

Date: 1896
Accession Number: Burdick 5, H445.5

Image for 658 No One At Home Stereopticon Card (H445)
Art

658 No One At Home Stereopticon Card (H445)

American Tobacco Company

Date: 1896
Accession Number: Burdick 5, H445.2