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Image for Monte Albán
Essay

Monte Albán

October 1, 2001

By Department of Arts of Africa, Oceania, and the Americas

Although never as large or powerful as the city of Teotihuacan, Monte Albán apparently had peaceful relations with its central Mexico neighbor.
Image for Monte Albán: Sacred Architecture
Essay

Monte Albán: Sacred Architecture

October 1, 2001

By Department of Arts of Africa, Oceania, and the Americas

[Building L] served as a powerful reminder of Monte Albán’s authority to residents of the valley and to visitors from the farthest reaches of Mesoamerica.
Image for Claude Monet (1840–1926)
Essay

Claude Monet (1840–1926)

October 1, 2004

By Laura Auricchio

Monet found subjects in his immediate surroundings, as he painted the people and places he knew best.
Image for Monte Albán: Stone Sculpture
Essay

Monte Albán: Stone Sculpture

October 1, 2001

By Department of Arts of Africa, Oceania, and the Americas

Many rulers are named in the hieroglyphic inscriptions that appear on the carvings; the inscriptions too detail the very competitive nature of Oaxaca society at the time.
Image for Exploring Late Monet with Art Historian Kathryn Calley Galitz
Editor Pac Pobric interviews art historian Kathryn Calley Galitz about Monet's late work and the evolution of his style.
Image for The Master of Monte Oliveto (active about 1305–35)
Essay

The Master of Monte Oliveto (active about 1305–35)

November 1, 2009

By Emma Kronman

On close examination, viewers will instantly recognize how evocative and emotional [the Master of Monte Oliveto’s] pictures can be even when they have been copied from earlier prototypes.
Image for Auguste Rodin and Claude Monet: The Pursuit of Nature
editorial

Auguste Rodin and Claude Monet: The Pursuit of Nature

December 27, 2017

By Alison Hokanson

Assistant Curator Alison Hokanson discusses the ways in which Auguste Rodin and Claude Monet pursued similar depictions of nature.
Image for _Manet/Degas_: A Podcast
audio

Manet/Degas: A Podcast

December 8, 2023

By Ashley E. Dunn and Stephan Wolohojian

Explore the legacy of Manet and Degas’s complicated relationship.
Image for Becoming Monet
video

Becoming Monet

October 13, 2017
The avant-garde artists who became known as the Impressionists transformed painting in late nineteenth-century France. In this series, art historian Kathryn Calley Galitz presents new currents in Impressionist scholarship, from the origins of the style along the Normandy coast in the 1860s to in-depth explorations of some of the movement's less familiar but no less important artists.
Image for Camille Monet (1847–1879) on a Garden Bench

Claude Monet (French, Paris 1840–1926 Giverny)

Date: 1873
Accession Number: 2002.62.1

Image for Garden at Sainte-Adresse

Claude Monet (French, Paris 1840–1926 Giverny)

Date: 1867
Accession Number: 67.241

Image for Bridge over a Pond of Water Lilies

Claude Monet (French, Paris 1840–1926 Giverny)

Date: 1899
Accession Number: 29.100.113

Image for Morning on the Seine near Giverny

Claude Monet (French, Paris 1840–1926 Giverny)

Date: 1897
Accession Number: 56.135.4

Image for Houses on the Achterzaan

Claude Monet (French, Paris 1840–1926 Giverny)

Date: 1871
Accession Number: 1975.1.196

Image for Rouen Cathedral: The Portal (Sunlight)

Claude Monet (French, Paris 1840–1926 Giverny)

Date: 1894
Accession Number: 30.95.250

Image for Spring (Fruit Trees in Bloom)

Claude Monet (French, Paris 1840–1926 Giverny)

Date: 1873
Accession Number: 26.186.1

Image for Haystacks (Effect of Snow and Sun)

Claude Monet (French, Paris 1840–1926 Giverny)

Date: 1891
Accession Number: 29.100.109

Image for The Four Trees

Claude Monet (French, Paris 1840–1926 Giverny)

Date: 1891
Accession Number: 29.100.110

Image for The Manneporte (Etretat)

Claude Monet (French, Paris 1840–1926 Giverny)

Date: 1883
Accession Number: 51.30.5