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34 results for hepplewhite

Image for Art and Society of the New Republic, 1776–1800
Essay

Art and Society of the New Republic, 1776–1800

October 1, 2004

By David Jaffee

In addition to portraits, status symbols included sets of silver or porcelain for the service of tea, hot chocolate, and coffee.
Image for The American Wing at The Metropolitan Museum of Art
With 524 plates, 251 in full color The American Wing of the Metropolitan Museum is the home of America's most important and wide-ranging collection of the painting, sculpture, and decorative arts that have flourished in this country since our earliest days. Now for the first time the treasures of the collection are presented in a book that encompasses and celebrates the richness of our visual heritage. Here, brilliantly photographed and discussed, are: Seventeen of the famous period rooms, authentic settings that give us a vivid sense of the changing styles of American life, from the Hart Room—the hall of a house built in Ipswich, Massachusetts, before 1674—to the living room of the Little house, a Minneapolis residence completed by Frank Lloyd Wright in 1914. Furniture of four centuries—an enormous variety of forms and designs at once functional and decorative, from the cupboards, chests, and chairs carved by anonymous seventeenth-century artisans, through the pre-Revolutionary styles of Queen Anne and Chippendale ... the graceful Sheraton, Hepplewhite, and Duncan Phyfe pieces produced during the Federal era ... New England timepieces ... Shaker and folk-art furniture ... examples of the Greek Revival of the mid-nineteenth century and the Rococo, Gothic, and other revivals that followed... to the innovative designs of Stickley, Wright, and Tiffany. Lamps, dishes, vessels, and ornamental pieces wrought of many different materials: stoneware; Rookwood and other pottery; porcelain; silver, including the work of Paul Revere; pewter; and glass from the studios of L. C. Tiffany and other masters. Paintings, prints, drawings, and watercolors, from the naive masterpieces of itinerant portraitists to the great canvases of West, Copley, Stuart, and the Peales ... the romantic vistas of Cole, Inness, Church, and Heade ... the vastly popular prints of Currier and Ives ... the individualistic visions of Homer, Whistler, Eakins, and Sargent ... and works by such twentieth-century figures as Sloan, Glackens, and Davies. Throughout the book, the informative text provides discussions of the artists and craftsmen represented, together with historical, social, and aesthetic commentaries that further enrich this magnificent panorama of the arts Americans have lived with since our beginnings.
Image for English Ornament Prints and Furniture Books in Eighteenth-Century America
Essay

English Ornament Prints and Furniture Books in Eighteenth-Century America

October 1, 2003, revised April 1, 2018

By Peter M. Kenny and Morrison H. Heckscher

The books ran the gamut from princely folio size to pocket handbook, but most were modest volumes intended to guide tradesmen in constructing fashionable furniture.
Image for American Federal-Era Period Rooms
Essay

American Federal-Era Period Rooms

November 1, 2009

By Matthew Thurlow

While the interpretation of American Neoclassicism differed from one Atlantic coast city to the next, it typically drew from common sources.
Image for Easy chair

Date: 1810–15
Accession Number: 31.53.3

Image for The Cabinet-Maker and Upholsterer's Guide; Or, Repository of Designs for Every Article of Household Furniture

A. Hepplewhite & Co. (British, 18th century)

Date: 1897 [copy of 1794 original]
Accession Number: 52.519.187

Image for Benkard Room

This parlor comes from a house built in Petersburg, Virginia, in 1811, but prominently features furniture made in New York City from the same period. Like the nearby Baltimore and Haverhill Rooms, the Benkard Room exemplifies the popularity of Robert and James Adam's Neoclassical taste in the young United States.

Image for Baltimore Room

The Baltimore Room comes from a townhouse for the Baltimore, Maryland, merchant and shipowner Henry Craig. Although it served as the Craig family's parlor, the Museum has furnished the space as a dining room since the American Wing opened in 1924.

Image for Haverhill Room

The Haverhill Room is the formal parlor (now furnished as a bedroom) from a house that originally belonged to James Duncan Jr. (1756–1822). Its interior represents the Neoclassical style of architecture that prevailed during the early 1800s and provides an appropriate backdrop for the American Wing's strong collection of New England furniture of this era.

Image for Side Chair

Attributed to Samuel McIntire (1757–1811)

Date: 1794–99
Accession Number: 62.16

Image for Armchair

Date: 1805–15
Accession Number: 1978.401

Image for Dressing table

Date: 1800–1810
Accession Number: 10.125.153

Image for Armchair

Designed by Francis H. Bacon (1856–1940)

Date: 1886–88
Accession Number: 1993.75