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677 results for caravaggio

Image for Caravaggio (Michelangelo Merisi) (1571–1610) and His Followers
Caravaggio pushed the figures up against the picture plane and used light to enhance the dramatic impact and give the figures a quality of immediacy.
Image for Caravaggio's Final Days
editorial

Caravaggio's Final Days

June 22, 2017

By Keith Christiansen

Curator Keith Christiansen outlines the intriguing series of events that comprise the final years of Caravaggio's life.
Image for The Artist's Presence, from Caravaggio to Hitchcock
editorial

The Artist's Presence, from Caravaggio to Hitchcock

June 2, 2017

By Keith Christiansen

Curator Keith Christiansen discusses possible reasons as to why Caravaggio, Rembrandt, and Hitchcock inserted themselves into their work.
Image for Caravaggio and Depicting Darkness at Noon
editorial

Caravaggio and Depicting Darkness at Noon

April 24, 2017

By Keith Christiansen

Curator Keith Christiansen considers whether the pervasive darkness in two of Caravaggio's late works should be viewed as metaphorical or as an expression of the artist's tortured life.
Image for Valentin de Boulogne: Beyond Caravaggio
Following Caravaggio's death in 1610, the French artist Valentin de Boulogne (1591-1632) emerged as one of the great champions of naturalistic painting. The eminent art historian Roberto Longhi honored him as "the most energetic and passionate of Caravaggio's naturalist followers." In Rome, Valentin—who loved the tavern as much as the painter's pallette—fell in with a rowdy confederation of artists but eventually received commissions from some of the city's most prominent patrons. It was in this artistically rich but violent metropolis that Valentin created such masterworks as a major altarpiece in Saint Peter's Basilica and superb renderings of biblical and secular subjects—until his tragic death at the age of forty-one cut short his ascendant career. With discussions of nearly fifty works, representing practically all of his painted oeuvre, Valentin de Boulogne: Beyond Caravaggio explores both the the artist's superlative depictions of daily life and the tumultuous context in which they were produced. Essays by a team of international scholars consider his key attributions to European painting, his devotion to everyday objects and models from life, his technique of staging pictures with the immediacy of unfolding drama, and his place in the pantheon of French artists. An extensive chronology surveys the rare extant documents that chronicle his biography, while individual entries help situate his works in the contexts of his times. Rich with incident and insight, and beautifully illustrated in Valentin's complex, suggestive paintings, Valentin de Boulogne: Beyond Caravaggio reveals a seminal artist, a practitioner of realism in the seventeenth century who prefigured the naturalistic modernism of Gustave Courbet and Edouard Manet two centuries later.
Image for What Is in a Gesture?
editorial

What Is in a Gesture?

March 28, 2017

By Keith Christiansen

Curator Keith Christiansen analyzes a hand gesture Caravaggio depicted in one of his late masterpieces, The Denial of Saint Peter.
Image for The Denial of Saint Peter

Caravaggio (Michelangelo Merisi) (Italian, Milan or Caravaggio 1571–1610 Porto Ercole)

Date: 1610
Accession Number: 1997.167

Image for The Musicians

Caravaggio (Michelangelo Merisi) (Italian, Milan or Caravaggio 1571–1610 Porto Ercole)

Date: 1597
Accession Number: 52.81

Image for The Holy Family with the Infant Saint John the Baptist

Caravaggio (Michelangelo Merisi) (Italian, Milan or Caravaggio 1571–1610 Porto Ercole)

Date: early 1600s
Accession Number: L.1998.71

Image for Christ on the Cross

Cecco del Caravaggio (Francesco Buoneri) (born ca. 1588/90–after 1620)

Date: ca. 1615–20
Accession Number: 2024.359

Image for The Martyrdom of Saint Ursula

Caravaggio (Michelangelo Merisi) (Italian, Milan or Caravaggio 1571–1610 Porto Ercole)

Date: 1610
Accession Number: SL.32.2017.1.1

Image for The Fortune-Teller

Georges de La Tour (French, Vic-sur-Seille 1593–1652 Lunéville)

Date: probably 1630s
Accession Number: 60.30

Image for Portrait of Caravaggio, turned to the right and looking at his reflection in a mirror

Henri Simon Thomassin (French, Paris 1687–1741)

Date: 1707–41
Accession Number: 60.708(103)

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