Senior Research Assistant Courtney Stewart has been deep in The Met's storage vaults studying the Berber jewelry from Morocco and Algeria.

Departmental administrator Debbie Kuo, jewelry designer, talks about her favorite pieces of jewelry from The Met collection.

Turkmen silver jewelry carried deep symbolic meanings and often marked an individual’s passage from one stage of life to another.

A wide variety of jewelry types were produced in the Hellenistic period-earrings, necklaces, pendants, pins, bracelets, armbands, thigh bands, finger rings, wreaths, diadems, and other elaborate hair ornaments.

Like domestic silver, jewelry is both utilitarian and a distinct marker of social status.

This beautiful volume takes readers on a very special tour of The Metropolitan Museum of Art, highlighting wonderful pieces of jewelry from ancient and modern cultures in every part of the world. Of special interest are the fabulous objects that appear in paintings and other works of art. Jewel-studded gowns; glittering Renaissance brooches; an Egyptian beaded collar; a portrait of Saint Eligius, patron saint of goldsmiths, as he weighs a gold wedding band; and a portrait of Empress Eugénie wearing her famous pearls are among the featured works from the Museum's vast collections. Necklaces, earrings, rings, and bracelets abound in this lively book, but also included are objects of religious significance, military honors, and other kinds of personal decoration. The jewelry pieces that survive offer a magical sense of the people who wore them and of the world they inhabited. The captions relate anecdotes concerning the artists and wearers and describe the history and style of the jewelry pictured. Art historians, jewelry makers, graphic and theatrical designers, and anyone who wears, collects, or admires magnificent jewelry will be fascinated by the sumptuous array in this book.

Opulent jewels in the Fatimid period were worn by both men and women, and likely served more than just an ornamental purpose.

Digital Editor Pac Pobric introduces a new Heilbrunn Timeline of Art History essay on the defining characteristics of Fatimid jewelry.

Marshall and Marilyn R. Wolf discuss their passion for nineteenth- and twentieth-century Turkmen jewelry and decorative objects.