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806 results for rococo jewelry

Image for American Rococo
Essay

American Rococo

October 1, 2003

By Morrison H. Heckscher

The Rococo crossed the Atlantic via three principal means: engraved designs in print series and books, imported objects, and immigrant artisans.
Image for Fatimid Jewelry
Essay

Fatimid Jewelry

February 1, 2018

By Courtney A. Stewart

Opulent jewels in the Fatimid period were worn by both men and women, and likely served more than just an ornamental purpose.
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video

Connections: Jewelry

February 14, 2011

By Debbie T. Kuo

Departmental administrator Debbie Kuo, jewelry designer, talks about her favorite pieces of jewelry from The Met collection.
Image for Turkmen Jewelry
Essay

Turkmen Jewelry

August 1, 2011

By Department of Islamic Art

Turkmen silver jewelry carried deep symbolic meanings and often marked an individual’s passage from one stage of life to another.
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Essay

Hellenistic Jewelry

April 1, 2007

By Colette Hemingway and Séan Hemingway

A wide variety of jewelry types were produced in the Hellenistic period-earrings, necklaces, pendants, pins, bracelets, armbands, thigh bands, finger rings, wreaths, diadems, and other elaborate hair ornaments.
Image for Nineteenth-Century American Jewelry
Essay

Nineteenth-Century American Jewelry

October 1, 2004

By Beth Carver Wees

Like domestic silver, jewelry is both utilitarian and a distinct marker of social status.
Image for Rococo and the (Disney) Renaissance
editorial

Rococo and the (Disney) Renaissance

February 18, 2022

By Rachel High

Curator Wolf Burchard and producer Don Hahn explore how 18th-century European decorative arts inspired Walt Disney.
Image for Remarkable Berber Jewelry at The Met
editorial

Remarkable Berber Jewelry at The Met

December 4, 2017

By Courtney A. Stewart

Senior Research Assistant Courtney Stewart has been deep in The Met's storage vaults studying the Berber jewelry from Morocco and Algeria.
Image for Metropolitan Jewelry
This beautiful volume takes readers on a very special tour of The Metropolitan Museum of Art, highlighting wonderful pieces of jewelry from ancient and modern cultures in every part of the world. Of special interest are the fabulous objects that appear in paintings and other works of art. Jewel-studded gowns; glittering Renaissance brooches; an Egyptian beaded collar; a portrait of Saint Eligius, patron saint of goldsmiths, as he weighs a gold wedding band; and a portrait of Empress Eugénie wearing her famous pearls are among the featured works from the Museum's vast collections. Necklaces, earrings, rings, and bracelets abound in this lively book, but also included are objects of religious significance, military honors, and other kinds of personal decoration. The jewelry pieces that survive offer a magical sense of the people who wore them and of the world they inhabited. The captions relate anecdotes concerning the artists and wearers and describe the history and style of the jewelry pictured. Art historians, jewelry makers, graphic and theatrical designers, and anyone who wears, collects, or admires magnificent jewelry will be fascinated by the sumptuous array in this book.
Image for Chatelaine

Date: 1750–60
Accession Number: 35.102a–h

Image for Rococo Revival Parlor

The Richard and Gloria Manney John Henry Belter Rococo Revival Parlor presents a sumptuous mid-nineteenth-century parlor characteristic of affluent homes in the United States. It features furniture by one of the most innovative and virtuosic American cabinetmakers of the period in a room whose architectural elements are from the double parlor of a Classical Revival style villa built around 1850 in Astoria, Queens, for a prosperous businessman named Horace Whittemore (1813–1871).

Image for Cabinet with personifications of the Five Senses

Date: third quarter 17th century
Accession Number: 29.23.1

Image for Verplanck Room

The furniture, paintings, and ceramics in this pre-Revolutionary room, on view at The Met, all belonged to Samuel Verplanck (1739–1820), a member of an influential New York City family, and his Dutch-born wife, Judith Crommelin Verplanck (d. 1803).

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Art

Brooch

Tiffany & Co. (1837–present)

Date: 1854–70
Accession Number: 2000.564.1

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Tiffany & Co. (1837–present)

Date: 1854–70
Accession Number: 2000.564.2a, b

Image for Joaillerie: Album of Jewelry Designs, Page 10

Anonymous, French , 18th century

Date: 1770 or after
Accession Number: 32.129(11)

Image for Joaillerie: Album of Jewelry Designs, Page 11

Anonymous, French , 18th century

Date: 1770 or after
Accession Number: 32.129(12)

Image for Joaillerie: Album of Jewelry Designs, Page 5

Anonymous, French , 18th century

Date: 1770 or after
Accession Number: 32.129(6)

Image for Joaillerie: Album of Jewelry Designs, Page 7

Anonymous, French , 18th century

Date: 1770 or after
Accession Number: 32.129(8)