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7,704 results for embroidery

Image for The Materials and Techniques of English Embroidery of the Late Tudor and Stuart Eras
Embroidered works of this period are distinguished by their great expressiveness, which resulted in part from an inventive use of luxury goods.
Image for Textile Production in Europe: Embroidery, 1600–1800
Essay

Textile Production in Europe: Embroidery, 1600–1800

October 1, 2003

By Melinda Watt

Embroiderers have almost complete freedom to create either linear patterns or flowing pictorial compositions; the needle and thread are not bound by a geometric foundation, as on a loom.
Image for English Embroidery of the Late Tudor and Stuart Eras
While this skill is traditionally associated with femininity and the education of young girls, it was in fact practiced by both men and women, children and adults, paid professionals and talented amateurs.
Image for The Decoration of Men's Fashion in Eighteenth-Century France
editorial

The Decoration of Men's Fashion in Eighteenth-Century France

June 3, 2015

By Kirstin Purtich

Former Intern Kirstin Purtich discusses the ways in which menswear became more elaborate and customizable in eighteenth-century Paris.
Image for _Tatreez_ in Time
editorial

Tatreez in Time

July 26, 2024

By Wafa Ghnaim

The memory, meaning, and makers of Palestinian embroidery.
Image for Conserving the Saint Martin Series: Technical Analysis of Fifteenth-Century Embroideries
Assistant Conservator Giulia Chiostrini analyzes a collection of embroidered roundels now on view in Scenes from the Life of St. Martin: Franco-Flemish Embroidery from the Met Collection.
Image for American Needlework in the Eighteenth Century
Essay

American Needlework in the Eighteenth Century

October 1, 2003

By Amelia Peck

These small bits of embroidered cloth are often all that remains to testify to the otherwise unrecorded lives of their makers.
Image for The Artist Project: Njideka Akunyili Crosby
Artist Njideka Akunyili Crosby reflects on Georges Seurat's _Embroidery; The Artist's Mother_ in this episode of The Artist Project.
Image for Crib of the Infant Jesus

Date: 15th century
Accession Number: 1974.121a–d

Image for Pair of side chairs

Attributed to Thomas How (British, active 1710–33)

Date: ca. 1724–36
Accession Number: 64.101.936, .937

Image for Sconce (one of a pair)

Date: ca. 1720
Accession Number: 64.101.1012

Image for Sconce (one of a pair)

Date: ca. 1720
Accession Number: 64.101.1011

Image for Armchair (bergère) (part of a set)

Jean-Baptiste-Claude Sené (1748–1803)

Date: ca. 1788
Accession Number: 41.205.2

Image for Daybed (Lit de repos or sultane) (part of a set)

Jean-Baptiste-Claude Sené (1748–1803)

Date: 1788
Accession Number: 41.205.1

Image for Armchair (Fauteuil à la reine) (one of a pair) (part of a set)

Georges Jacob (French, Cheny 1739–1814 Paris)

Date: ca. 1780–85
Accession Number: 58.75.25

Image for Small settee (Marquise) (part of a set)

Georges Jacob (French, Cheny 1739–1814 Paris)

Date: ca. 1785
Accession Number: 58.75.27

Image for Mirror with Jael and Barak

Date: 1672
Accession Number: 39.13.2a

Image for Seasons and Elements (Summer) (set of four)

Possibly after a design by Charles Le Brun (French, Paris 1619–1690 Paris)

Date: ca. 1683
Accession Number: 46.43.2