Illustrated by works on view in World War I and the Visual Arts, Assistant Curator Allison Rudnick explores the many uses of printed propaganda during World War I.
Art historian Robert Storr moderates a discussion with artists Sue Coe, Suzanne McClelland, and James Siena about the artistic influence of the First World War.
Among the most influential and best-known American sculptors of the nineteenth century, Hiram Powers enjoyed international recognition for marbles executed in the prevailing Neoclassical style.
The terrible contest proceeded erratically; just as the soldiers learned to fight this war in the field, so the photographers improvised their reports.
Guest author Magdalyn Asimakis explores the artistic practice of Théophile-Alexandre Steinlen, one of the artists featured in the exhibition World War I and the Visual Arts.
