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Ultra-Violet Rays cover

Ultra-Violet Rays and Their Use in the Examination of Works of Art

Rorimer, James J.
1931
156 pages
80 illustrations
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This book is the outcome of experiments in the examination of works of art under ultra-violet rays, conducted in the Museum in the late 1920s by James J. Rorimer. One of the first publications to provide an introduction to this method of accessing the condition and age of a work of art, Ultra-Violet Rays and Their Use in the Examination of Works of Art includes images of of several different objects in the Met's collection across cultures and media displayed under ultra-violet light.

Plaque with the Descent from the Cross, Elephant ivory, whale bone, traces of paint, and gilding, French
French
ca. 1320–40
Head of a marble kore, Marble, Greek
Greek
6th century BCE
Marble statue of Diogenes, Marble, Roman
Roman
Double Capital with Masks and Birds, White marble, French
French
ca. 1140–60
Panel from the Tomb of Don Garcia Osorio, Alabaster, Spanish
Spanish
16th century
Renaissance-style portrait of a youth, Marble, probably Italian
probably Italian
19th century
Panel with John the Baptist and other saints, Elephant ivory, European (Byzantine style)
European (Byzantine style)
19th century
Carved Figure, Ivory, China
China
15th century
Carved Figure, Ivory, China
China
15th century
Bodhisattva Guanyin, Ivory, China
China
16th century
Jug, Rose factory, Tin-glazed earthenware, Dutch, Delft
Rose factory
ca. 1700
Pair of reclining cows, Tin-glazed earthenware, Dutch, Delft
Dutch, Delft
18th century
Textile Fragment, Silk; lampas
15th century
Textile Fragment, Silk; lampas
15th century
Fragment of Chasuble, Silk; lampas
15th century
Fragment, Cotton and wool, Southern German
Southern German
16th century
The Little Horse, Albrecht Dürer  German, Engraving
Albrecht Dürer
1505
Night Rain at the Double-Shelf Stand, from the series Eight Parlor Views (Zashiki hakkei), Suzuki Harunobu  Japanese, Woodblock print (first edition); ink and colors on paper, medium-sized print (chuban), Japan
Suzuki Harunobu
ca. 1766
Young Woman Riding a Carp, Suzuki Harunobu  Japanese, Woodblock print (nishiki-e); ink and color on paper, Japan
Suzuki Harunobu
1760s
Mosque Lamp for the Mausoleum of Amir Aydakin al-'Ala'i al-Bunduqdar, Glass; blown, folded foot, applied handles, enameled, and gilded
shortly after 1285
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