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"Eighteenth-Century Italian Draughtsmen": The Metropolitan Museum of Art Bulletin, v. 29, no. 5 (January, 1971)
THE METROPOLITAN MUSEUM OF ART BULLETIN | VOLUME 29 | NUMBER 5

"Eighteenth-Century Italian Draughtsmen"

Boorsch, Suzanne, Anne Palms Chalmers, Colta Feller Ives, John McAndrew, Mary L. Myers, and Victor Wiener
1971
60 pages
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"Twenty-four Picturesque Ideas of the Flight into Egypt"
Colta Feller Ives

"Eighteenth-Century Italian Prints"
Victor Wiener

"Venetian Book Design in the Eighteenth Century"
Anne Palms Chalmers

"Grand Occasions"
Mary L. Myers and Suzanne Boorsch

"Venice as It Was, and Must Be"
John McAndrew

"The Eighteenth Century in Italy: Drawings from New York Collections, III"
Jacob Bean

Giovanni Domenico Tiepolo
ca. 1750
Multiple artists/makers
ca. 1742
Giovanni Domenico Tiepolo
Giovanni Battista Tiepolo
1750–1780
Marco Alvise Pitteri
Giovanni Battista Piazzetta
1742
Giovanni Antonio Faldoni
Parmigianino (Girolamo Francesco Maria Mazzola)
1724
John Baptist Jackson
Parmigianino (Girolamo Francesco Maria Mazzola)
1731
Heroic Landscape with Watering Place, Riders, and Obelisk, John Baptist Jackson  British, Woodcut
John Baptist Jackson
Marco Ricci
1744
Michele Marieschi
Carlo Orsolini
1741
Canaletto (Giovanni Antonio Canal)
Joseph Smith
1735–46
A three-arched portico with an open lantern hanging at center, a triumphal arch and ruins of a classical temple in the background, from 'Views' (Vedute altre prese da i luoghi altre ideate da Antonio Canal), Canaletto (Giovanni Antonio Canal)  Italian, Etching; second state of three
Canaletto (Giovanni Antonio Canal)
Joseph Smith
1735–46
Multiple artists/makers
Rome, 1767
The Round Tower, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi  Italian, Etching, engraving, sulphur tint or open bite, burnishing; first state of four (Robison)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
The Triumphal Arch, from "Grotteschi" (Grotesques), Giovanni Battista Piranesi  Italian, Etching, engraving, drypoint, burnishing; first state of five (Robison)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1748
Giovanni Battista Piranesi
ca. 1750
The Temple of Vespasian and Titus (Veduta del Tempio di Giove Tonante), Giovanni Battista Piranesi  Italian, etching
Giovanni Battista Piranesi
ca. 1756
Giovanni Battista Piranesi
ca. 1775
Giovanni Battista Piranesi
ca. 1766
Hadrian's Villa: The Piazza d'Oro (Piazza of Gold) (Veduta degli Avanzi della Circonferenza delle antiche Fabbriche di una delle Piazze della Villa Adriana oggidi chiamata Piazza d'oro), Giovanni Battista Piranesi  Italian, etching
Giovanni Battista Piranesi
ca. 1776
The Well, from "Carceri d'invenzione" (Imaginary Prisons), Giovanni Battista Piranesi  Italian, Etching, engraving, scratching, burnishing, lavis; first state of six (Robison)
Giovanni Battista Piranesi
Giovanni Bouchard
ca. 1749–50
Prison Scene, Francesco Piranesi  Italian, Etching
Francesco Piranesi
Giovanni Battista Piranesi
n.d.
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