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CONTEMPORARY EGYPTIAN ART AT THE METROPOLITAN MUSEUM OF ART
Sunday, July 18, 1999, 4:00 a.m.
Sculptures by Adam Henein and paintings by Farouk Hosny — both prominent artists working in contemporary Egypt — are the featured works in Farouk Hosny/Adam Henein: Contemporary Egyptian Artists and Heirs to an Ancient Tradition, an exhibition opening at The Metropolitan Museum of Art on September 14, 1999. The exhibition, which features more than 50 sculptures by Henein (of which 44 constitute a single installation) and approximately 34 paintings by Hosny, will remain on view in the Museum's first-floor galleries of Egyptian Art through January 23, 2000.
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DAIDO MORIYAMA: HUNTER
Wednesday, July 7, 1999, 4:00 a.m.
Daido Moriyama: Hunter, a series of 40 vintage prints of postwar Japan by one of its foremost photographers, Daido Moriyama (b.1938), is on view in The Metropolitan Museum of Art's North Mezzanine Gallery, in the Lila Acheson Wallace Wing.
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BARBARA CHASE-RIBOUD: THE MONUMENT DRAWINGS
Monday, June 14, 1999, 4:00 a.m.
Barbara Chase-Riboud: The Monument Drawings, a series of 23 original works by the American artist, novelist, and poet, will be on view in the North Mezzanine Gallery of The Metropolitan Museum of Art's Lila Acheson Wallace Wing.
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GUSTAVE MOREAU: BETWEEN EPIC AND DREAM
Wednesday, May 19, 1999, 4:00 a.m.
To commemorate the 100th anniversary of the death of French artist Gustave Moreau (1826-1898), The Metropolitan Museum of Art is presenting a major exhibition — the largest retrospective of Moreau's work ever shown in the United States — featuring masterpieces from every phase of his distinguished career. Gustave Moreau: Between Epic and Dream includes nearly 175 works — some 40 paintings and 60 watercolors in addition to drawings and preparatory studies, lent primarily from the Musée Gustave Moreau in Paris, with other works drawn from public and private collections in Europe and America.
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ART MUSEUMS, INTERNET, AND NEW TECHNOLOGY TO BE SUBJECT OF MAY 10 PANEL DISCUSSION AT METROPOLITAN MUSEUM
Thursday, April 22, 1999, 4:00 a.m.
A panel of four of the world's most distinguished museum directors will discuss and debate the challenges and opportunities facing museums as computers, the Internet, and other new technologies enter the arts arena. The program will take place on Monday, May 10, at 6:00 p.m. in The Metropolitan Museum of Art's Grace Rainey Rogers Auditorium.
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METROPOLITAN MUSEUM OPENS NEWLY RENOVATED GREEK GALLERIES
Sunday, April 11, 1999, 4:00 a.m.
For more information on the individual galleries, go to:
Greek Art of the Sixth through Fourth Centuries B.C.: Mary and Michael Jaharis Gallery;
Greek Art of the Sixth Century B.C.: Judy and Michael H. Steinhardt Gallery;
Greek Art of the Sixth Century B.C.: The Bothmer Gallery I;
Greek Art of the Fifth Century B.C.: The Bothmer Gallery II;
Greek Art of the Fifth Century B.C.: The Wiener Gallery;
Greek Art of the Fifth and Early Fourth Centuries B.C.: Stavros and Danaë Costopoulos Gallery;
Greek Art of the Fourth Century B.C.: Spyros and Eurydice Costopoulos Gallery
The Metropolitan Museum of Art's extensive collection of ancient Greek art — preeminent in the Western Hemisphere and among the finest in the world — returns to view on April 20, 1999, in a dramatic new presentation in seven large galleries refurbished to their original neoclassical grandeur.
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DEVOTIONS AND DIVERSIONS: PRINTS AND BOOKS FROM THE LATE MIDDLE AGES IN NORTHERN EUROPE
Sunday, January 10, 1999, 5:00 a.m.
Some of the earliest extant northern European prints and books — all from The Metropolitan Museum of Art's exceptional collection of this material — will be presented in Devotions and Diversions: Prints and Books from the Late Middle Ages in Northern Europe , from May 11 through August 29, 1999, in the Museum's Karen B. Cohen Gallery and Charles Z. Offin Gallery. Forty-one German, Netherlandish, and French woodcuts and metalcuts (many of them unique impressions), several Netherlandish woodcut blockbook pages, and about twenty illustrated books, including a number of printed French Books of Hours, will be on view.
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PICASSO: PAINTER AND SCULPTOR IN CLAY
Sunday, January 10, 1999, 5:00 a.m.
More than 170 rarely exhibited unique ceramic works by Pablo Picasso (1881-1973), created by the artist in the South of France primarily from 1947 to 1962, will be on view at The Metropolitan Museum of Art in Picasso: Painter and Sculptor in Clay, from March 3 through June 6, 1999. Although Picasso is acknowledged as one of the most revolutionary artists of this century, with an unquestioned reputation as a painter, sculptor, draftsman, and printmaker, this exhibition is the first large-scale examination of his ceramic oeuvre, which he commenced at the age of 66. Intimately related in theme and subject matter to Picasso's art in other media, the subjects of these works range from still lifes to bullfights and include a lively cast of characters: a mistress and a wife, lovers and clowns, dancers and musicians, centaurs and fauns, as well as birds and fish. These join many sculpted and painted ceramics that celebrate the female form — nude and clothed, standing and seated.
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THE NATURE OF ISLAMIC ORNAMENT PART III: GEOMETRIC PATTERNS
Sunday, January 10, 1999, 5:00 a.m.
The third in a four-part series on Islamic ornament dating from the 9th to the 18th century, The Nature of Islamic Ornament, Part III: Geometric Patterns will open on March 17, 1999. Some 25 objects that feature predominantly geometric decoration, drawn from the Metropolitan Museum's own collection — including illuminated manuscripts, rugs, carved and inlaid woodwork, and pottery — reflect the variety of production of Islamic art and the wide range of application of geometric patterns.
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GUARDIANS OF THE LONGHOUSE: ART IN BORNEO
Sunday, January 10, 1999, 5:00 a.m.
The first American exhibition devoted exclusively to the Kenyah-Kayan art of central Borneo will open at The Metropolitan Museum of Art on April 13, 1999. With loans from museums and private collectors nationwide, Guardians of the Longhouse: Art in Borneo will feature more than 60 works exploring the theme of the supernatural and physical defense of the longhouse community in Kenyah-Kayan art. Dating from the classic period of Borneo art, from the late 19th to the early 20th century, works in the exhibition — many of which have never been displayed before — range from robust wooden figures and architectural sculpture to delicately carved items of personal adornment.