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SCHEDULE OF EXHIBITIONS
SEPTEMBER 2009– AUGUST 2010
Tuesday, January 26, 2010, 5:00 a.m.
EDITORS PLEASE NOTE: Information provided below is subject to change.
To confirm scheduling and dates, call the Communications Department at (212) 570-3951.
CONTACT NUMBER FOR USE IN TEXT IS (212) 535-7710.
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Statement by The Metropolitan Museum of Art on Accident Involving Picasso's The Actor
Saturday, January 23, 2010, 5:00 a.m.
(New York, January 24, 2010)— An important painting by Pablo Picasso was accidentally damaged in the galleries of The Metropolitan Museum of Art Friday afternoon, January 22. A visitor attending a class lost her balance, falling onto Picasso's The Actor, a large, Rose-period painting that was painted in winter 1904-1905. The accident resulted in an irregular vertical tear of about six inches in length in the lower right-hand corner.
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First Exhibition Ever Devoted to Bronzino at Metropolitan Museum
Thursday, January 21, 2010, 5:00 a.m.
The Drawings of Bronzino, the first exhibition ever dedicated to Agnolo Bronzino (1503-1572), brings together nearly all of the 61 known drawings by, or attributed to, the great Florentine court artist of the Medici. On view at The Metropolitan Museum of Art from January 20 through April 18, 2010, the exhibition features drawings of extraordinary beauty and rarity which are seldom on public view, and draws loans from major museums and private collections within Europe and North America, including the Galleria degli Uffizi, Musée du Louvre, British Museum, Royal Library of Windsor Castle, Ashmolean Museum, Kupferstich-Kabinett Dresden, and Staatliche Museen Berlin.
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Romare Bearden's The Block and Related Drawings On View at Metropolitan Museum Beginning January 15
Thursday, January 14, 2010, 5:00 a.m.
Romare Bearden's vibrant mural-size tableau The Block (1971) and related sketches and photographs will be featured at The Metropolitan Museum of Art beginning January 15, 2010, in a small installation of works from the collection. The Block, an ambitious 18-foot-long collage, celebrates the Harlem neighborhood in New York City that nurtured and inspired so much of the artist's life and work. Romare Bearden (1911–1988) is best known for the colorful cut-paper collages that he began making in the 1960s. Elaborate works such as The Block (1971) elevated this genre to a major art form through its unusual materials, expressionist color, abstracted forms, flattened shapes and spaces, and shifts in perspective and scale—all the while maintaining focus on the human narrative being told within a single city block.
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METROPOLITAN MUSEUM CONCERTS
FEBRUARY 2010
Thursday, January 7, 2010, 5:00 a.m.
PianoForte Continues with Peter Orth, Rafal Blechacz, and
Till Fellner's Beethoven Sonata Cycle;
Perlman Music Program Presents New Work by D. Edward Davis;
Steve Ross and the Pacifica Quartet Return
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Meissen Snuffbox Returned to Heirs of Munich-based Art Gallery
Tuesday, January 5, 2010, 5:00 a.m.
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Installation of Contemporary Aboriginal Painting Opens at Metropolitan Museum
Sunday, January 3, 2010, 5:00 a.m.
An installation of 14 bold and colorful paintings created by contemporary Aboriginal Australian artists will go on view at The Metropolitan Museum of Art on December 15. Drawn from a U. S. private collection, Contemporary Aboriginal Painting from Australia will provide an introduction to Aboriginal painting, which has become Australia's most celebrated contemporary art movement and has attained prominence within the international art world. The installation will present works created primarily over the past decade by artists from the central desert, where the contemporary painting movement began, and from adjoining regions, to which the movement spread. The works on view—all of which have never before been on public display—will feature paintings by prominent artists, including some of the founders of the contemporary movement, as well as emerging figures. This is the first presentation of contemporary Australian Aboriginal painting to be held at the Metropolitan Museum.
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Metropolitan Museum Celebrates 35th Anniversary of Packard Collection Acquisition
Sunday, January 3, 2010, 5:00 a.m.
In 1975, The Metropolitan Museum of Art acquired, by gift and purchase, more than 400 works of Japanese art from collector Harry G. C. Packard (1914-1991). This daring acquisition instantly transformed the Museum into an institution with one of the finest collections of its kind in the West, comprised of encyclopedic holdings from the Neolithic period through the 19th century.
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Exhibition Featuring Musical Instruments of Pacific Islands Goes on View at Metropolitan Museum
Sunday, January 3, 2010, 5:00 a.m.
Sounding the Pacific: Musical Instruments of Oceania, the first exhibition devoted to the subject ever mounted by an art museum, will open at The Metropolitan Museum of Art on November 17. Featuring more than 50 outstanding works—including percussion, wind, and string instruments and forms unique to the Pacific—the exhibition will explore not only the diverse forms of Oceanic musical instruments but also the many different roles they play, or played, in Pacific cultures, from announcing the onset of war, to embodying the voices of supernatural beings or softly enticing a lover. Drawn primarily from the Museum's collection, the exhibition will showcase the objects that were created and used from the early 19th to the late 20th century in all five regions of Oceania: Melanesia, Polynesia, Micronesia, Australia, and Island Southeast Asia. The works on view include instruments ranging from small flutes and ocarinas used for private entertainment or courtship, to massive slit gongs played in performances for entire communities, in which the thundering beats can carry for miles.
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Rare North Italian Renaissance Drawings Featured in New Installation at Metropolitan Museum
Sunday, January 3, 2010, 5:00 a.m.
North Italian Drawings, 1410–1550: Selections from the Robert Lehman Collection and the Department of Drawings and Prints, on view from November 3, 2009–January 31, 2010, features 31 exceedingly rare drawings from The Metropolitan Museum of Art's Robert Lehman Collection, with an additional nine chosen from the Department of Drawings and Prints. The installation showcases a period in Italian art that saw the emergence of drawing as an essential tool for artists and includes a selection of works that illustrate the versatility of the medium over more than a century. Drawings from the later 15th century show how artists used the medium to work out elaborate, multi-figured compositions, and several works from the 16th century reveal the close relationship between drawing and painting.