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  • Metropolitan Museum Exhibitions Create $593 Million Economic Impact for New York

    Sunday, November 22, 2009, 5:00 a.m.

    (New York, November 23, 2009)—The Metropolitan Museum's summer 2009 opening of its New American Wing, along with the concurrent presentation of three highly acclaimed and widely attended special exhibitions—Roxy Paine on the Roof: Maelstrom; Francis Bacon: A Centenary Retrospective; and The Model as Muse: Embodying Fashion—generated $593 million in spending by regional, national, and foreign tourists to New York, according to a visitor survey the Museum released today. Using the industry standard for calculating tax revenue impact, the study found that the direct tax benefit to the City and State from out-of-town visitors to the Museum totaled some $59.3 million. (Study findings are attached.)

  • Metropolitan Museum Celebrates the Holidays by Opening on "Holiday Monday" December 28

    Sunday, November 22, 2009, 5:00 a.m.

    The Metropolitan Museum of Art will be open to the public on Monday, December 28 (the Monday between Christmas and New Year's Day), as part of the Museum's popular "Holiday Mondays" program. The Museum will open the doors of its main building this winter and spring on three additional major Monday holidays: January 18 (Martin Luther King Jr. Day), February 15 (Presidents' Day), and May 31 (Memorial Day).

  • Last Chance!
    Vermeer's Masterpiece "The Milkmaid"
    Watteau, Music, and Theater
    Roxy Paine on the Roof: "Maelstrom"
    Close at Metropolitan Museum on Sunday, November 29

    Wednesday, November 18, 2009, 5:00 a.m.

    Vermeer's Masterpiece "The Milkmaid"
    On the occasion of the 400th anniversary of Henry Hudson's historic voyage from the Netherlands to New York, the Rijksmuseum in Amsterdam has sent The Milkmaid, perhaps the most admired painting by the Dutch artist Johannes Vermeer (1632–1675), to the Metropolitan Museum. The exhibition marks the first time that The Milkmaid has traveled to the U.S. since 1939, and also features all five paintings by Vermeer from the Metropolitan's collection and works by other Dutch masters.

  • "Watteau and Words: A Reading of French Poetry" by Philippe de Montebello at The Metropolitan Museum of Art

    Monday, October 12, 2009, 4:00 a.m.

    Philippe de Montebello, Director Emeritus of The Metropolitan Museum of Art, and currently the Fiske Kimball Professor in the History of Culture and Museums, Institute of Fine Arts, New York University, returns to the Museum for his first public appearance there since last fall, to offer "Watteau and Words: A Reading of French Poetry" on Thursday, November 19, 2009, at 6:00 p.m. The event will take place in the Museum's Grace Rainey Rogers Auditorium in conjunction with Watteau, Music, and Theater, an exhibition presented in honor of Mr. de Montebello, who stepped down from his 31-year directorship of the Museum on December 31, 2008.

  • American Stories Exhibition to Open on Columbus Day "Met Holiday Monday"

    Monday, October 5, 2009, 4:00 a.m.

    The public's first opportunity to visit the landmark exhibition American Stories: Paintings of Everyday Life 1765-1915 at The Metropolitan Museum of Art will be October 12 (Columbus Day), the next "Met Holiday Monday." Met Holiday Mondays are extra public viewing days that take place on the Mondays of major holiday weekends, when historically the Museum has been closed.

  • Robert Frank's Groundbreaking Photographs Featured in Major Exhibition Marking 50th Anniversary of His Book The Americans

    Wednesday, September 30, 2009, 4:00 a.m.

    The 50th anniversary of the publication of The Americans, Robert Frank's ground-breaking book of black-and-white photographs, will be celebrated with the major exhibition Looking In: Robert Frank's The Americans, on view at The Metropolitan Museum of Art September 22, 2009–January 3, 2010. Robert Frank is one of the great living masters of photography, and his seminal book The Americans captured a culture on the brink of social upheaval. The exhibition traces the artist's process of creating this once-controversial suite of photographs, which grew out of several cross-country road trips in 1955 and 1956. Born in Switzerland in 1924, Frank was an outsider encountering much of America for the first time; he discovered its power, its vastness, and—at times—its troubling emptiness. Although Frank's depiction of American life was criticized when the book was released in the U.S. in 1959, The Americans soon became recognized as a masterpiece of 20th-century art. Looking In: Robert Frank's The Americans features all 83 photographs from his original book. Remarkably, the exhibition at the Metropolitan will be the first time that this body of work is presented in its entirety to a New York audience.

  • "The Enchantress of Florence: A Conversation With Salman Rushdie" on Visual Imagary in his Recent Novel at The Metropolitan Museum of Art on Tuesday, October 6, 2009, at 6:00 p.m.

    Wednesday, September 23, 2009, 4:00 a.m.

    Salman Rushdie's latest novel, The Enchantress of Florence, brings together Florentine Italy and Mughal India, and the cultures that lie between them, in a tale that has been described as a "sumptuous mixture of history and fable." On Tuesday, October 6, 2009, at 6:00 p.m., the Metropolitan Museum of Art Concerts & Lectures series will present a conversation with the author and three art historians – Carmen Bambach, Curator of Drawings and Prints, and Navina Haidar Haykel, Associate Curator of Islamic Art, both of the Museum; and David Roxburgh, Prince Alwaleed Bin Talal Professor of Islamic Art History at Harvard University – to explore major themes and visual imagery in his novel.

  • Director Thomas P. Campbell Announces New Senior Staff Appointments at Metropolitan Museum

    Monday, September 7, 2009, 4:00 a.m.

    (New York, September 8, 2009)—Thomas P. Campbell, Director of The Metropolitan Museum of Art, today announced four major senior staff appointments:

  • Musical Heritage of China Celebrated in Metropolitan Museum Exhibition Opening September 5

    Thursday, September 3, 2009, 4:00 a.m.

    The Metropolitan Museum of Art will present an exhibition celebrating the musical heritage of China – one of the oldest continuously documented traditions with roots reaching back more than 8,000 years – beginning September 5. Featuring some 60 objects and illustrations – drawn largely from the Museum's collections of Asian art and musical instruments – Silk and Bamboo: Music and Art of China will reveal the dynamic interplay of cultures, the continuity of musical practice, and the diversity of China's musical traditions from the fifth century B.C. to the present.

  • SCHEDULE OF EXHIBITIONS
    MAY 2009–APRIL 2010

    Tuesday, July 14, 2009, 4:00 a.m.

    EDITORS PLEASE NOTE: Information provided below is subject to change. To confirm scheduling and dates, call the Communications Department at (212) 570-3951. CONTACT NUMBER FOR USE IN TEXT IS (212) 535-7710.

  • Japanese Mandalas on View at Metropolitan Museum through November 29

    Sunday, June 28, 2009, 4:00 a.m.

    An impressive group of Japanese mandalas—graphic depictions of the Buddhist universe and its myriad realms and deities—are featured in an exhibition on view at The Metropolitan Museum of Art through November 29. Showcasing more than 60 magnificent works—painting, sculpture, drawing, metalwork, stoneware, textile, and lacquer—drawn from major museums and collections in the United States, Japanese Mandalas: Emanations and Avatars illustrates the exceptional and complex world of Esoteric Buddhist art in Japan. Highlights of the exhibition include a set of monumental 13th-century mandalas on loan from the Brooklyn Museum—this pair was selected by the Japanese government to be conserved in Japan. Displayed in tandem with iconographic drawings that explain the character and placement of the deities, the mandalas introduce viewers to the supreme Buddha Dainichi Nyorai, the principal buddha of Japanese Esoteric Buddhism, and his innumerable emanations and avatars across the Buddhist cosmos.

  • Metropolitan Museum's Costume Institute Explores Role of Fashion Models as Muses of Recent Eras

    Monday, June 22, 2009, 4:00 a.m.

    The Model as Muse: Embodying Fashion, the spring 2009 exhibition organized by The Costume Institute of The Metropolitan Museum of Art, explores the reciprocal relationship between high fashion and evolving ideals of beauty, focusing on iconic fashion models in the latter half of the 20th century and their roles in projecting, and sometimes inspiring, the fashion of their respective eras. The exhibition is on view at the Metropolitan from May 6 through August 9, 2009.

  • Rarely Seen Medieval Drawings on View in New Exhibition at Metropolitan Museum

    Tuesday, June 16, 2009, 4:00 a.m.

    With strokes of genius, artists in the Middle Ages explored the medium of drawing, creating a rich panoply of works ranging from spontaneous sketches to powerful evocations of spirituality and intriguing images of science and the natural world. Opening June 2 at The Metropolitan Museum of Art, Pen and Parchment: Drawing in the Middle Ages is the first museum exhibition to examine in depth the achievements of the medieval draftsman. Through some 50 examples created in settings as diverse as a ninth-century monastery and the 14th-century French court, the presentation considers the aesthetics, uses, and techniques of medieval drawings, mastered by artists working centuries before the dawn of the Renaissance. Works from the collection of the Metropolitan Museum are displayed along with important loans from American and European museums, and the great national, university, and monastic libraries of Europe. Many of these manuscripts are so highly prized that they have never before been lent outside of their home countries.

  • Roxy Paine Creates Monumental Sculpture for 2009 Installation of Metropolitan Museum's Roof Garden

    Monday, May 25, 2009, 4:00 a.m.

    Conceptual artist Roxy Paine (American, b. 1966) has created a site-specific installation for the 2009 season of The Metropolitan Museum of Art's Iris and B. Gerald Cantor Roof Garden, the most dramatic outdoor space for sculpture in New York City. Roxy Paine on the Roof: Maelstrom features a 130-foot-long by 45-foot-wide stainless-steel sculpture, Maelstrom (2009), that encompasses the nearly 8,000-square-foot Roof Garden, and is the largest sculpture to have been installed on the roof of the Metropolitan. Set against, and in dialogue with, the greensward of Central Park and its architectural backdrop, this swirling entanglement of stainless- steel pipe showcases the work of an artist keenly interested in the interplay between the natural world and the built environment, as well as the human desire for order amid nature's inherently chaotic processes.

  • Afghanistan's Dazzling National Treasures—Hidden for 25 Years—Presented at Metropolitan Museum

    Monday, May 18, 2009, 4:00 a.m.

    Ancient Afghanistan—located at the crossroads of major trade routes, where it attracted invading armies and nomadic migrations—was home to some of the most complex, rich, and original civilizations on the continent of Asia. Opening at The Metropolitan Museum of Art this summer, the traveling exhibition Afghanistan: Hidden Treasures from the National Museum, Kabul, celebrates the country's unique role, as both the recipient of diverse cultural elements and the creator of distinctive styles of art from the Bronze Age into the Kushan period. The presentation also commemorates the heroic rescue of Afghanistan's national treasures long thought to have been destroyed. The exhibition features a rich selection of artworks from four archaeological sites. All works belong to the National Museum of Afghanistan in Kabul. Highlights include gold vessels from the Bronze Age Tepe Fullol hoard; superb works and architectural elements from the Hellenistic city of Aï Khanum; sculptural masterpieces in ivory, plaster medallions, bronzes, and Roman glass from Begram; and extraordinary turquoise-encrusted gold jewelry and ornaments from the nomadic tombs at Tillya Tepe.

  • Spectacular French Bronzes on View at Metropolitan Museum in Exhibition Spanning Renaissance and Age of Enlightenment

    Thursday, April 30, 2009, 4:00 a.m.

    Beginning in the 16th century, a tradition of bronze sculpture developed in France that was influenced by achievements of the Italian Renaissance, while manifesting its own distinct refinement and force. Even though French bronzes were among the glories of royal châteaux, including Versailles, and were collected eagerly by connoisseurs, they have received relatively little scrutiny from scholars. Cast in Bronze: French Sculpture from Renaissance to Revolution, on view at The Metropolitan Museum of Art, brings together a large number of spectacular bronzes and is the first exhibition to address this subject in 40 years.

  • Message from James R. Houghton, Chairman, Board of Trustees, The Metropolitan Museum of Art - February 2009

    Monday, April 27, 2009, 4:00 a.m.

    (February 2009)—A special message from Board of Trustees Chairman James R. Houghton regarding the Museum's continued commitment to its mission during the ongoing global fiscal crisis: Message from James R. Houghton (PDF)

  • Francis Bacon's Provocative Works Featured in Major Retrospective Opens May 20 at Metropolitan Museum

    Sunday, April 26, 2009, 4:00 a.m.

    The first major New York exhibition in 20 years devoted to Francis Bacon (British, 1909–1992)—one of the most important painters of the 20th century—will be presented at The Metropolitan Museum of Art from May 20 through August 16, 2009. Marking the 100th anniversary of the artist's birth, Francis Bacon: A Centenary Retrospective will bring together the most significant works from each period of the artist's remarkable career. Drawn from public and private collections around the world, this landmark exhibition will consist of some 65 paintings, complemented by never-before-seen works and archival material from the Francis Bacon Estate, which will shed new light on the artist's career and working practices. The Metropolitan Museum is the sole U.S. venue of the exhibition tour.

  • "Pictures Generation" of New York Contemporary Artists Featured in Spring Metropolitan Museum Exhibition

    Sunday, April 19, 2009, 4:00 a.m.

    The first major museum exhibition to focus on the highly influential group of New York artists known as the "Pictures Generation" will be presented at The Metropolitan Museum of Art from April 21 through August 2, 2009. The Pictures Generation, 1974–1984 will trace the development of one of the most important art movements of the last quarter of the 20th century, which included some of the key figures in contemporary art: Robert Longo, Cindy Sherman, Richard Prince, Sherrie Levine, David Salle, Matt Mullican, Jack Goldstein, James Welling, and Troy Brauntuch. The "Pictures Generation" worked in all mediums—photography chief among them—to explore how images shape our perceptions of ourselves and the world. Drawing from the Museum's collection as well as from public and private collections, the exhibition will feature more than 160 works by 30 artists, including photographic works by Barbara Kruger, Laurie Simmons, James Casebere, Allan McCollum, Sarah Charlesworth, and Louise Lawler, and film and video by Ericka Beckman, Michael Smith, and Dara Birnbaum. The exhibition will also examine the pivotal roles played by lesser-known artists such as Paul McMahon and Michael Zwack.

  • Masterpieces of African and Oceanic Art from Barbier-Mueller Museum on View This Summer at Metropolitan Museum

    Tuesday, March 31, 2009, 4:00 a.m.

    An exhibition featuring exceptional works of African and Oceanic sculpture selected from the extensive holdings of the Barbier-Mueller Museum in Geneva, one of Europe's preeminent private collections of non-Western art, will go on view at The Metropolitan Museum of Art on June 2. Presenting more than 35 works—most never before seen in the United States—African and Oceanic Art from The Barbier-Mueller Museum, Geneva: A Legacy of Collecting will explore the wide spectrum of artistic creativity from two distinct regional traditions that have profoundly influenced world art.