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Met Exhibition to Present the Harlem Renaissance as the First African American–led Movement of International Modern Art
February 25–July 28, 2024
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(March 27, 2000) — The Metropolitan Museum of Art today named Michael Belkin to the post of Chief Technology Officer, effective April 24.
This press kit for Masterpieces of Japnaese Art from the Mary Griggs Burke Collection includes a general release about the exhibition, immediately following, as well as these four releases, to which you can link by clicking on their titles:
A figure sculpted in central Africa's rainforest to determine guilt or innocence, a maternity image made by an Igbo potter to enable a woman to conceive children, and a set of dice carved to decide the destiny of a Shona chief will be among the works featured in Art and Oracle: Spirit Voices of Africa, on view at The Metropolitan Museum of Art from April 26 through July 30, 2000. Throughout history and around the world, peoples have sought the intervention of divine powers to understand their fate, and this exhibition will demonstrate the dynamic relationship between ritual practice and creative expression through some 200 artifacts from more than 50 African cultures.
The Mongolian horse — a small, tireless, and agile animal that was instrumental to the movement of the Mongol armies across Central Asia — has also come to symbolize the introduction of new cultures and traditions to the eastern Islamic world. The depiction of horses in Islamic art — both realistic and symbolic — will be examined in the exhibition Riding across Central Asia: Images of the Mongolian Horse in Islamic Art, which will open at The Metropolitan Museum of Art on April 26.
Nineteenth–century American artists regarded "ideal themes" — those inspired by mythology, history, and literature — as the most challenging and venerable in the hierarchy of genres. Such subjects provided an opportunity for sculptors to demonstrate their familiarity with allegorical, historical, and literary topics, their skill at incorporating identifying attributes into their compositions, and frequently also their expertise in rendering the nude.
(New York, March 15, 2000) — The Metropolitan Museum of Art today named Sally Pearson to the post of General Manager of Merchandise and Retail, effective April 3. She will be recommended for election to the additional post of Museum Vice President at the next meeting of the Executive Committee of the Board of Trustees in April. Ms. Pearson will assume responsibility for the management and marketing of the Museum shops, mail order, and wholesale businesses, and will also concentrate on building the sale of Museum merchandise on the Metropolitan's Web site (www.metmuseum.org).
This press kit for Painters in Paris: 1895-1950 includes a general release about the exhibition, immediately following, as well as a statement from Aetna, the exhibition's sponsor.
More that two dozen museum curators, distinguished scholars and celebrity speakers — discussing such diverse topics Africa's Muses, Painters in Paris, Fireworks, and Elvis in History — are featured in The Metropolitan Museum of Art's Spring 2000 lecture series. Many of the lectures are presented in conjunction with exhibitions on view at the Museum, others focus on art and architecture around the world, and some are music-related.
Roman Egypt Mummy Portraits Dating and Styles Early European Interest in Mummy Portraits
(New York, February 9, 2000)—Yale University Press will become the exclusive worldwide distributor of scholarly publications and exhibition catalogues published by The Metropolitan Museum of Art, effective in May 2000. The Museum currently issues around 20 to 25 such publications per year, and in the new arrangement, Yale University Press will also be responsible for the distribution of nearly 150 of the Museum's previously published titles.