A gem of analog animation, George Griffin’s "Head" (1975) offers a delightfully snarky and clever self-portrait of the artist as a not-so-young man, undone by his own cartoon surrogate. The filmmaker combines a number of animation techniques, including flipbooks, stop-motion, and altered documentary footage, often within the same frame. Its structure is discontinuous, non-narrative; its focus, self-referential; its aim, to re-examine the pioneering trickfilm processes of Émile Cohl with contemporary wit and irony. An example of the experimental spirit of independent animation of the 1970s. Music by Fred Israel.
Learn more about the work of George Griffin at http://www.geogrif.com
As part of The Met’s 150th anniversary in 2020, each month we will release three to four films from the Museum’s extensive moving-image archive, which comprises over 1,500 films, both made and collected by the Museum, from the 1920s onward. This includes rarely seen artist profiles and documentaries, as well as process films about art-making techniques and behind-the-scenes footage of the Museum.
New films every week: https://www.metmuseum.org/150/from-the-vaults
Learn more about the series here: https://www.metmuseum.org/blogs/now-at-the-met/2020/from-the-vaults-film-archive
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Head, 1975—A Short Film by George Griffin
A gem of analog animation, George Griffin’s Head offers a delightfully snarky and clever self-portrait of the artist as a not-so-young man, undone by his own cartoon surrogate.
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