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Medieval Art and The Cloisters
Four provenance researchers at The Met present case studies that convey the diverse and often complicated nature of their work.
Lucian Simmons, Christine E. Brennan, Gloria de Liberali, Riva Arnold, and Jennifer Day
April 9
A roundtable discussion explores gender presentation, the history of fashion, and mockery in medieval depictions of Saint Jerome.
Nancy Thebaut, Jesse Darling, Ayla Lepine, and Clovis Maillet
March 24
Spectrum of Desire co-curators Melanie Holcomb and Nancy Thebaut discuss sensuality and sexuality in Medieval art.
Lina Palazzo
March 18
The poet Mary Szybist reflects on the embrace between Mary and Elizabeth in this sculptural representation of the Visitation.
Mary Szybist
January 29
The author of After Sappho offers a queer feminist reading of Eve and the serpent, reimagining sin as likeness, desire, and bodies transcending gender and species.
Selby Wynn Schwartz
January 9
Discover how American sculptor George Grey Barnard’s fascination with medieval European art inspired an enterprising collection and the eventual foundation of The Met Cloisters.
Shirin Fozi and Julia Perratore
November 13, 2025
Five case studies for select recent acquisitions demonstrate the varied and complex nature of provenance research at The Met.
Lucian Simmons, Maya Muratov, Christine E. Brennan, Ria Breed, Anne Dunn-Vaturi, Michael Seymour, and Mary Chan
April 8, 2025
A new opera at The Met Cloisters reinterprets the Mexican writer’s magnum opus.
Emery Kerekes
January 23, 2025
Explore how artists across time and place have contemplated the afterlife.
Andrea Myers Achi and Akili Tommasino
May 17, 2024
Why were gold coins used as jewelry throughout the Byzantine Empire?
Stephanie Caruso
January 23, 2024