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The Metropolitan Museum of Art Bulletin, v. 23, no. 10 (June, 1965)

THE METROPOLITAN MUSEUM OF ART BULLETIN | VOLUME 23 | NUMBER 10

The Metropolitan Museum of Art Bulletin, v. 23, no. 10 (June, 1965)

Forsyth, William H., Thomas P. F. Hoving, Carmen Gómez-Moreno, Vera K. Ostoia, and Bonnie Young

1965

37 pages

This title is out of print.

Download PDF (12.06 MB)

Table of contents

About the authors

"Italian Romanesque Sculpture"
Thomas P. F. Hoving

"The Doorway of San Leonardo al Frigido"
Carmen Gómez-Moreno

"A Saint on a Holy-Water Font"
Bonnie Young

"'To Represent What Is as It Is'"
Vera K. Ostoia

"The Sangemini Doorway"
William H. Forsyth

Met Art in Publication

Fragment of a Figure, Marble (Carrara marble), Italian — Fragment of a Figure
Italian
ca. 1225

Crowned Head of a Woman, Marble (Lunense marble from Carrera), traces of lapis lazuli and lead, South Italian — Crowned Head of a Woman
South Italian
ca. 1270

Seated Figure (Prophet or Apostle), Master of Santa Maria la Bianca Italian, Marble (Carrara marble) with lead and serpentine inlay, Italian — Seated Figure (Prophet or Apostle)
ca. 1200

Lion, from a Doorway, Limestone (Red limestone), North Italian — Lion, from a Doorway
North Italian
early 13th century

Portal from the Church of San Leonardo al Frigido, Biduinus Italian, Marble (Carrara marble), Italian — Portal from the Church of San Leonardo al Frigido
ca. 1175

Holy-water Font, Guglielmus Italian, Marble (Carrara marble), Italian — Holy-water Font
ca. 1160–65

Capital with Four Heads, Limestone, Italian — Capital with Four Heads
Italian
ca. 1225–50

Doorway from the Church of San Nicolò, San Gemini, Marble (Lunense marble from Carrara), Central Italian — Doorway from the Church of San Nicolò, San Gemini
Central Italian
carved 1000s, assembled 1100s or 1200s

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