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Textiles of Late Antiquity

Textiles of Late Antiquity

Stauffer, Annemarie, with essays by Marsha Hill, Helen C. Evans, and Daniel Walker
1995
48 pages
50 illustrations
11 x 11 in
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Annemarie Stauffer

Marsha Hill

Marsha is an art historian and Egyptologist with an MA and PhD from the Institute of Fine Arts. She specializes in ancient Egyptian sculpture, with particular interests in metal sculpture and donation practices, art and culture of the first millennium BCE, and sculpture from Tell el-Amarna, where she is a member of the field expedition. She curated Gifts for the Gods: Images from Ancient Egyptian Temples in 2007–08, was the lead curator of the 2016 installation of the Ptolemaic Galleries, has worked on many department exhibitions and installations, and has taught frequently. Currently she is working on a book on excavated sculpture from Amarna, and on a collection of studies in metal sculpture.

Selected publications
Headshot of Helen C. Evans

Helen C. Evans

Helen C. Evans oversaw the installation of the Mary and Michael Galleries of Byzantine Art, the first galleries of Byzantine art in a major encyclopedic museum. Her groundbreaking exhibitions include (1997), (2004), (2012), and (2018). She is a former head of The Met’s Forum of Curators, Conservators and Research Scientists and a Fellow of the Medieval Academy of America. She is a past President of both the International Center of Medieval Art (ICMA) and the Association of Art Museum Curators (AAMC). In 2020, the Armenian General Benevolent Union established the Helen C. Evans Scholarship for students studying Armenian art, art history, and the early church.

Selected publications

Met Articles by Helen C. Evans

Met Publications by Helen C. Evans

Daniel S. Walker

Roundel with Mounted Horseman Spearing a Lion, Silk; twill weave (?)
probably 7th–8th century
Roundel with Mounted Warriors and a Lion, Linen; plain weave, embroidered in silk
probably 6th–7th century
Textile Fragment with a Leaf, Wool, linen; plain weave, tapestry weave
4th century
Hanging with Polychrome Columns
, Linen, wool; tapestry weave
5th–6th century
Hanging with Polychrome Columns, Linen, wool
5th–6th century
Fragment of a Hanging with Haloed Figure, Linen
5th century
Fragment of a Cover or Blanket with Interlace Square, Wool, linen; plain weave, tapestry weave, weft loop weave
4th–5th century
Fragment of a Hanging with an Interlace Band, Linen, wool
5th–6th century
Coptic Textile Fragment with Image of a Goddess, Linen, wool; plain weave, weft-loop pile
late 3rd–4th century
Tabula (Square) with the Head of Spring, Linen, wool
5th–7th century
Panel with the Triumph of Dionysos, Wool, linen; tapestry weave
4th–6th century
Fragment with the Triumph of Dionysos and the Labors of Herakles, Wool, linen; plain weave, tapestry weave
4th–6th century
Square with Putti in a Nilotic Landscape, Linen, wool; plain weave, tapestry weave
4th–5th century
Square with Bucolic Landscape, Linen, wool; plain weave, tapestry weave
4th–6th century
Ornamental Band with Nilotic Elements, Wool, linen; plain weave, tapestry weave
6th–7th century
Roundel with Putto and Horse, Linen, wool; plain weave, tapestry weave
probably 7th century
Cuff Band with Bust of a Female, Linen, wool; tapestry weave
late 7th–9th century
Square with Warrior, Wool, linen; plain weave, tapestry weave
5th–6th century
Square with Warrior, Wool, linen; plain weave, tapestry weave
5th–6th century
Square with Quail, Wool, linen; plain weave, tapestry weave
probably 5th century
Showing 20 of 68

View Citations

Stauffer, Annemarie. 1995. Textiles of Late Antiquity. New York: Metropolitan Museum of Art.