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"French Prints in the Era of Impressionism and Symbolism": The Metropolitan Museum of Art Bulletin, v. 46, no. 1 (Summer, 1988)

THE METROPOLITAN MUSEUM OF ART BULLETIN | VOLUME 46 | NUMBER 1

"French Prints in the Era of Impressionism and Symbolism"

Ives, Colta Feller

1988

56 pages

This title is out of print.

Download PDF (30.29 MB)

About the authors

Colta Ives

Met Art in Publication

Olympia (published plate), Edouard Manet French, Etching; second state of six — Olympia (published plate)
1867

Sazai Hall at the Temple of the Five Hundred Arhats (Gohyaku Rakanji Sazaidō), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), Katsushika Hokusai Japanese, Woodblock print; ink and color on paper, Japan — Sazai Hall at the Temple of the Five Hundred Arhats (Gohyaku Rakanji Sazaidō), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
ca. 1830–32

The Races, Edouard Manet French, Lithograph on chine collé; third state of three — The Races
1865–72, published 1884

Berthe Morisot (in Black), Edouard Manet French, Lithograph on chine collé; second state of two — Berthe Morisot (in Black)
Multiple artists/makers
1872–74, published 1884

Marie Dihau (1843–1935), Edgar Degas French, Oil on canvas — Marie Dihau (1843–1935)
1867–68

The Jet Earring, Edgar Degas French, Monotype printed in black ink on white wove paper — The Jet Earring
1876–77

Mademoiselle Bécat at the Café des Ambassadeurs, Paris, Edgar Degas French, Lithograph; only state — Mademoiselle Bécat at the Café des Ambassadeurs, Paris
1877–78

The Fireside, Edgar Degas French, Monotype in black ink on white heavy laid paper — The Fireside
ca. 1876–77

After the Bath III, Edgar Degas French, Lithograph (transfer and crayon); first state of two — After the Bath III
1891–92

After the Bath III, Edgar Degas French, Lithograph, transfer, and crayon; second state of two, printed on cream, textured, laid paper — After the Bath III
1891–92

After the Bath (large version), Edgar Degas French, Lithograph, transfer, and crayon on laid paper; fifth (final) state — After the Bath (large version)
1891–92

The Woods at L'Hermitage, Pontoise, Camille Pissarro French, Softground etching, aquatint, and drypoint on china paper; sixth state (per Shapiro) — The Woods at L'Hermitage, Pontoise
1879

Armor, Odilon Redon French, Charcoal and conté crayon — Armor
1891

Day (Le Jour), from the series, Dreams (Songes), plate VI, Odilon Redon French, Lithograph on chine collé; only state — Day (Le Jour), from the series, Dreams (Songes), plate VI
1891

Auricular Cell (Cellule Auriculaire), from "L'Estampe Originale", Odilon Redon French, Lithograph on chine collé — Auricular Cell (Cellule Auriculaire), from "L'Estampe Originale"
Multiple artists/makers
1893–94

The Celestial Art, Odilon Redon French, Lithograph — The Celestial Art
1894

The Joys of Brittany, from the "Volpini Suite: Dessins lithographiques", Paul Gauguin French, Zincograph on chrome yellow wove paper; first edition — The Joys of Brittany, from the "Volpini Suite: Dessins lithographiques"
1889

Ia Orana Maria (Hail Mary), Paul Gauguin French, Oil on canvas — Ia Orana Maria (Hail Mary)
1891

Delightful Land, Paul Gauguin French, Woodcut printed in color on wove paper, lined in silk — Delightful Land
1893–94

Spirit of the Dead Watching (Manao Tupapau), from "L'Estampe Originale", Paul Gauguin French, Zincograph — Spirit of the Dead Watching (Manao Tupapau), from "L'Estampe Originale"
April–June 1894

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