Mandalas: Mapping The Buddhist Art of Tibet

Behrendt, Kurt with essays by Christian Luczanits and Amy Heller and an interview with Tenzing Rigdol
2024
256 pages
175 illustrations
9.5 x 10.75 in
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A mandala is a diagram of the universe—a map of true reality intended to provide a focus for Buddhist religious practice and inspire the devout. This book highlights the distinctive Tibetan approach to creating mandalas, exploring how it crossed over from India into Tibet, and how continuous exchanges of art and ideas between the two cultures, led by monks and spiritual teachers, gave rise to a uniquely Tibetan style of Buddhist imagery. Featuring more than one hundred paintings, sculptures, and ritual objects, this superbly illustrated volume reflects the dazzling complexities of the Tibetan imagery that has provided a foundation for mandalas through the centuries. Most notably, a mesmerizing installation by the Tibetan American artist Tenzing Rigdol (b. 1982), specially created for the accompanying exhibition and published here for the first time, offers contemporary audiences a way of interrogating and understanding their world and underscores how this ancient tradition remains a vibrant living practice.

Portrait of The Great Teacher Marpa, Bronze inlaid with copper and silver; gold plugs, Tibet
Tibet
17th century
Rkangling, bone, copper, Tibetan
Tibetan
late 19th–early 20th century
Damaru, Skull, cloth, wax, Tibetan
Tibetan
19th century
Buddha Shakyamuni, Brass with colored pigments, Central Tibet
Central Tibet
12th century
Buddha with Bodhisattvas Padmapani and Vajrapani 

, Fired clay, molded and polychromed, Tibet
Tibet
ca. 10th century
The Bodhisattva Manjushri as a Youth, Copper alloy, Nepal, Kathmandu Valley
Nepal, Kathmandu Valley
10th century
Buddha Amoghasiddhi with Eight Bodhisattvas, Distemper on cloth, Central Tibet
Central Tibet
ca. 1200–50
Green Tara Dispensing Boons to Ecstatic Devotees: Folio from a Manuscript of the Ashtasahasrika Prajnaparamita (Perfection of Wisdom)

, Mahavihara Master, Opaque watercolor on palm leaf, India, West Bengal or Bangladesh
Mahavihara Master
early 12th century
Twenty-One Emanations of the Goddess Tara, Stone with polychrome, Tibet
Tibet
14th century
Portrait of the Indian Monk Atisha, Distemper and gold on cloth, Tibet
Tibet
early to mid-12th century
Portrait of Shakyashribhadra with His Life Episodes and Lineage, Distemper on cloth, Tibet
Tibet
early to mid-14th century
Leaves from an Ashtasahasrika Prajnaparamita Sutra, Mahavihara Master, Ofpaque watercolor, black carbon-based ink, and mineral- and vegetable-based pigments on palm leaf, India, West Bengal or Bangladesh
Mahavihara Master
early 12th century
Leaves from an Ashtasahasrika Prajnaparamita Sutra, Mahavihara Master, Opaque watercolor, black carbon-based ink, and mineral- and vegetable-based pigments on palm leaf, India, West Bengal or Bangladesh
Mahavihara Master
early 12th century
Leaves from an Ashtasahasrika Prajnaparamita Sutra, Mahavihara Master, Opaque watercolor, black carbon-based ink, and mineral- and vegetable-based pigments on palm leaf, India, West Bengal or Bangladesh
Mahavihara Master
early 12th century
Leaves from an Ashtasahasrika Prajnaparamita Sutra, Mahavihara Master, Opaque watercolor, black carbon-based ink, and mineral- and vegetable-based pigments on palm leaf, India, Bengal or Bangladesh
Mahavihara Master
early 12th century
Fragmentary Leaf from an Ashtasahasrika Prajnaparamita Sutra, Unidentified Artist, Kashmiri, Gold, lapis lazuli, cinnabar, indigo, and orpiment pigments and black ink on paper, Kashmir or western Tibet
Unidentified
12th century
Fragmentary Leaf from an Ashtasahasrika Prajnaparamita Sutra, Unidentified Artist, Kashmiri, Gold, lapis lazuli, cinnabar, indigo, and orpiment pigments and black ink on paper, Kashmir or western Tibet
Unidentified
12th century
Fragmentary Leaf from an Ashtasahasrika Prajnaparamita Sutra, Unidentified Artist, Kashmiri, Gold, lapis lazuli, cinnabar, indigo, and orpiment pigments and black ink on paper, Kashmir or western Tibet, 12th century
Unidentified
12th century
Cover for an Ashtasahasrika Prajnaparamita Sutra, Ink and color on wood, with metal insets, Nepal, Kathmandu Valley
Nepal, Kathmandu Valley
10th–11th century
Pair of Manuscript Covers Illustrating Sadaprarudita’s Self-Sacrifice, Distemper on wood, Nepal, Kathmandu Valley
Nepal, Kathmandu Valley
12th century
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Behrendt, Kurt. Mandalas: Mapping The Buddhist Art of Tibet. The Metropolitan Museum of Art, 2024.