Jeanne d'Evreux, Queen of France (by 1328–d. 1371) ; bequeathed to Charles V, King of France (1371–d. 1380) ; bequeathed to Charles VI, King of France (from 1380) ; Jean, Duke of Berry d. 1416 (listed in inventories from 1401–d.1416) ; Louis-Jules de Châtelet and Christine de Gleseneuve, Bar, France (ca. 1618–before 1672) ; Adolphe Carl Rothschild, Château de Pregny, Geneva (until d. 1900) ; bequeathed to his wife, Caroline Julie Anselme Rothschild 1830–1907 (1900–d. 1907) ; bequeathed to Baron Maurice Edmond Charles de Rothschild 1881–1957, Paris (1909–collection looted by Nazi officials January 1941) ; stored in Neuschwanstein Castle, Füssen, Germany (inventory no. R.1052) ; recovered in 1945 and restituted to Baron Maurice Edmond Charles de Rothschild 1881–1957, Château de Pregny, Geneva (1948–54) ; [ Rosenberg and Stiebel, Inc., New York (sold 1954)]

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Bibliothèque nationale de France. "La Librairie de Charles V," October–December 1968.

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Chicago. Art Institute of Chicago. "The Middle Ages: Treasures from The Cloisters and The Metropolitan Museum of Art," May 16, 1970–July 5, 1970.

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Pavillon de Marsan, Palais du Louvre. "Les Fastes du Gothique: Le Siècle de Charles V," October 1981–January 1982.

J. Paul Getty Museum. "Prayerbook for a Queen: The Hours of Jeanne d'Evreux," April 7–July 5, 1998.

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Guiffrey, Jean. Inventaires de Jean duc de Berry (1401-1416). Vol. 2. Paris: Ernest Leroux, 1894. no. 171, p. 32; no. 1078, p. 275.

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Randall, Richard Jr. "Frog in the Middle." The Metropolitan Museum of Art Bulletin, n.s., 16, no. 10 (June 1958). pp. 271, 274–275.

Winternitz, Emanuel. "Bagpipes for the Lord." The Metropolitan Museum of Art Bulletin, n.s., 16, no. 10 (June 1958). pp. 276–286.

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Freeman, Margaret B. "The Annunciation from a Book of Hours for Charles of France." The Metropolitan Museum of Art Bulletin, n.s., 19, no. 4 (December 1960). p. 109, fig. 5.

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Freeman, Margaret B. "A Shrine for a Queen." The Metropolitan Museum of Art Bulletin, n.s., 21, no. 10 (June 1963). p. 332, fig. 8.

Lyna, F. "De Jean Pucelle à Jerome Bosch." Scriptorium 17 (1963). p. 313.

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Bainton, Roland Herbert. The Horizon History of Christianity. New York: American Heritage Publishing Co., 1964. p. 201.

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Meiss, Millard. French Painting in the Time of Jean de Berry: The Late Fourteenth Century and the Patronage of the Duke. Volume 2, Plates. London: Phaidon Press, 1967. fig. 250, 335–38, 342.

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Sandler, Lucy Freeman. "A Follower of Jean Pucelle in England." The Art Bulletin 52, no. 4 (December 1970). pp. 366, 369, fig. 1–3.

Deuchler, Florens. "Looking at Bonne of Luxembourg's Prayer Book." The Metropolitan Museum of Art Bulletin, n.s., 29, no. 6 (February 1971). pp. 269, 274, fig. 2, 11.

Deuchler, Florens. "Jean Pucelle: Facts and Fictions." The Metropolitan Museum of Art Bulletin, n.s., 29, no. 6 (February 1971). p. 255, fig. 3.

Flinn, Elizabeth H. "A Magnificent Manuscript: A Historical Mystery." The Metropolitan Museum of Art Bulletin, n.s., 29, no. 6 (February 1971). pp. 257–260, fig. 1–2, 4.

Hoffeld, Jeffrey M. "An Image of St. Louis and the Structuring of Devotion." The Metropolitan Museum of Art Bulletin, n.s., 29, no. 6 (February 1971). pp. 261–266, fig. 1–11.

Wright, Georgia Sommers. "The Tomb of Saint Louis." Journal of the Warburg and Courtauld Institutes 34 (1971). pp. 66–67, fig. 20b.

Deuchler, Florens. "The Cloisters: Ein Museum für mittelalterliche Kunst in New York." Du 32, no. 2 (1972). p. 112.

Randall, Lilian M. C. "Games and the Passion in Pucelle's Hours of Jeanne d'Évreux." Speculum 47, no. 2 (April 1972). pp. 246–57, fig. 1–2.

Simson, Otto von. Das Mittelalter II: das Hohe Mittelalter. Propyläen Kunstgeschichte, Vol. 6. Berlin: Propyläen Verlag, 1972. p. 134, fig. 104.

Meiss, Millard. French Painting in the Time of Jean de Berry: The Limbourgs and their Contemporaries. Volume 1, Text. New York: G. Braziller, 1974. pp. 70, 107, 157, 276, 458 n. 305, 460 n. 342, 479 n. 107.

Meiss, Millard. French Painting in the Time of Jean de Berry: The Limbourgs and their Contemporaries. Volume 2, Illustrations. New York: G. Braziller, 1974. fig. 890.

Grössinger, Christa. "English Misericords of the Thirteenth and Fourteenth Centuries and Their Relationship to Manuscript Illuminations." Journal of the Warburg and Courtauld Institutes 38 (1975). p. 105, fig. 17d.

Husband, Timothy B., and Jane Hayward, ed. The Secular Spirit: Life and Art at the End of the Middle Ages. New York: The Metropolitan Museum of Art, 1975. p. 228.

Raggio, Olga, ed. Patterns of Collecting: Selected Acquisitions, 1965-1975; Explanatory Texts. New York: The Metropolitan Museum of Art, 1975. p. 18.

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Harthan, John. Books of Hours and Their Owners. London: Thames and Hudson, 1977. pp. 40–41, 44.

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Lacaze, Charlotte. The "Vie de St. Denis" Manuscript (Paris, Bibliotheque nationale, Ms. fr. 2090-2092). New York and London: Garland Publishing, Inc., 1979. pp. 205, 226, 246, 366, fig. 157, 158, 178, 181, 183, 202, 211, 228.

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White, John. Duccio: Tuscan Art and the Medieval Workshop. New York: Thames and Hudson, 1979. p. 170, fig. 127.

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Grimme, Ernst Günther. Die Geschichte der abendländischen Buchmalerei. Cologne: DuMont Buchverlag, 1980. pp. 150–52, fig. 51.

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Cazelles, Raymond. Illuminations of Heaven and Earth: the Glories of the Très Riches Heures du duc de Berry. New York: H. N. Abrams, 1988. p. 203.

Camille, Michael. The Gothic Idol: Ideology and Image-Making in Medieval Art. Cambridge: Cambridge University Press, 1989. pp. 208–209, fig. 112.

Forsyth, William Holmes. "Popular Imagery in a Fifteenth-Century Burgundian Creche." Metropolitan Museum Journal 24 (1989). pp. 124, fig. 14.

Krieger, Michaela. "Die 'Heures de Jeanne d'Evreux' und das Pucelle Problem." Wiener Jahrbuch für Kunstgeschichte 42 (1989). pp. 101–132, fig. 1–9, ill. pp. 269–272, 278.

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Avrin, Leila. Scribes, Script and Book: the Book Arts from Antiquity to the Renaissance. London: British Library, 1991. p. 256, pl. 220.

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Das Stundenbuch der Jeanne d'Evreux / The Hours of Jeanne d'Evreux / Le Livre d'Heures de Jeanne d'Evreux: Facsimile. Lucerne: Faksimile Verlage Luzern, 2000.

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