Art for the Christian Liturgy in the Middle Ages

Because of their sacred function, liturgical objects were often crafted of the most precious materials.
A slider containing 24 items.
Press the down key to skip to the last item.
Polycandelon with Crosses, Copper alloy, Byzantine
Byzantine
500–700
The Attarouthi Treasure, Silver, silver-gilt, Byzantine
Byzantine
500–650
Circular Box (Pyxis) with the Women at Jesus' Tomb, Elephant ivory with metalwork and paint, Byzantine
Byzantine
500s
Situla (Bucket for Holy Water), Elephant ivory with gilded copper-alloy mounts and foil inlays, Carolingian
Carolingian
860–880
Processional Cross, Silver, silver-gilt, Byzantine
Byzantine
ca. 1000–1050
Processional Cross, Silver, partially gilt on wood core, carved gems, jewels, Spanish
Spanish
ca. 1150–75
Tip of a Pointer, Cloisonné enamel, gold, Byzantine
Byzantine
1080–1150
Panel with Byzantine Ivory Carving of the Crucifixion, Silver-gilt with pseudo-filigree, glass, crystal, and sapphire cabochons, ivory on wood support, Byzantine (ivory); Spanish (setting)
Byzantine (ivory); Spanish (setting)
10th century (ivory); late 11th century (setting)
The Cloisters Cross, Walrus ivory, British
British
ca. 1150–60
Segment of a Crozier Shaft, Elephant ivory, North Spanish
North Spanish
late 12th century
Jaharis Byzantine Lectionary, Tempera, gold, and ink on parchment; leather binding, Byzantine
Byzantine
ca. 1100
Stole with the Martyrdom of St. Catherine, Silk with linen underlay, German
German
ca. 1200
Double-Sided Ivory Liturgical Comb with Scenes of Henry II and Thomas Becket, Elephant ivory, British
British
ca. 1200–1210
Head of a Crozier with a Serpent Devouring a Flower, Copper: formed, engraved, chased, scraped, stippled, and gilt; champlevé enamel: medium and light blue, light green, yellow, red, and white; glass cabochons, French
French
ca. 1200–1220
Chrismatory, Copper: engraved, chased, and gilt; champlevé enamel: lapis and lavender blue, turquoise, light and dark green, red, and white, French
French
ca. 1200–1220
Chalice, Brother Bertinus, Silver and silver gilt, Northern European
Brother Bertinus
1222
Evangelists Mark and Luke, Gilded copper and glass, French
French
ca. 1220–30
Chalice, Silver, gilded silver, niello, and jewels, German
German
ca. 1230–50
Paten, Silver, partly gilt; niello, jewels, German
German
ca. 1230–50
Straw, Silver, partly gilt; niello, jewels, German
German
ca. 1230–50
Manuscript Leaf with Initial M, from a Missal, Tempera and gold on parchment, French
French
ca. 1290
Chasuble (Opus Anglicanum), Silver and silver-gilt thread and colored silks in underside couching, split stitch, laid-and-couched work, and raised work, with pearls on velvet, British
British
ca. 1330–50
Chalice of Peter of Sassoferrato, Silver-gilt, translucent enamels, Italian
Italian
ca. 1341–42
Chalice, Silver, silver gilt, translucent enamels, Catalan
Catalan
ca. 1380–90

The term liturgy refers to the rites and ceremonies prescribed by the Eastern and Western Church for communal worship. The central focus of the liturgy is the Eucharist, in which Christians take consecrated wine and bread in commemoration of the Last Supper and Christ’s death. While liturgical practices were codified gradually over several centuries and varied locally, eucharistic vessels for the bread and wine, the paten, and the chalice remained indispensable (); (); (); (). The liturgy in both the Eastern and Western Church necessitated a variety of additional objects such as books, often richly decorated (), for prayers, music, and Old and New Testament readings () ; crosses for the altar and to be carried in procession (); () ; censers for the burning of incense; and lighting devices for the sanctuary ().

Because of their sacred function, liturgical objects were often crafted of the most precious materials. In a written account of Justinian’s famed sixth-century church of Hagia Sophia in Constantinople, one author tells of hundreds of vessels and furnishings made of pure gold with pearls and precious stones. Emulating the splendors of Byzantium in his lavish commissions for the royal abbey church of Saint-Denis, north of Paris, Abbot Suger exclaimed in the 1140s:

If golden pouring vessels, golden vials, golden little mortars used to serve … to collect the blood of goats or calves, how much more must golden vessels, precious stones, and whatever is most valued … be laid out … for the reception of the blood of Christ! Surely, neither we nor our possessions suffice for this service.


Contributors

Department of Medieval Art and The Cloisters, The Metropolitan Museum of Art

October 2001


Further Reading

Lasko, Peter. Ars Sacra, 800–1200. 2d ed. New Haven: Yale University Press, 1994.

McLachlan, Elizabeth Parker. "Liturgical Vessels and Implements." In The Liturgy of the Medieval Church, edited by Thomas J. Heffernan and E. Ann Matter, pp. 369–429. Kalamazoo: Medieval Institute Publications, Western Michigan University, 2001.


Citation

View Citations

Department of Medieval Art and The Cloisters. “Art for the Christian Liturgy in the Middle Ages.” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/litu/hd_litu.htm (October 2001)