![The Metropolitan Museum Journal, v. 25 (1990)](https://cdn.sanity.io/images/cctd4ker/production/b36a357ee900ebe4104a035a92c58f8c65a59dda-250x305.jpg?w=3840&q=75&fit=clip&auto=format)
"The Conservation of the Seehof Furniture"
Kathryn Gill
![Headshot of Jack Soultanian](https://cdn.sanity.io/images/cctd4ker/production/7c67bfa6be37db3847bb5a6af79bc7b4de17fec2-2010x2680.jpg?w=3840&q=75&fit=clip&auto=format)
Jack Soultanian
Jack Soultanian specializes in the examination and treatment of European sculpture. He holds an MA in art history and an advanced certificate in conservation from the Institute of Fine Arts at New York University. Prior to his arrival at The Met in 1986, he held the position of chief conservator at the Isabella Stewart Gardner Museum in Boston. He was for twenty-five years adjunct professor at New York University’s Conservation Center and acts as consultant conservator at Villa La Pietra, Sir Harold Acton’s Florence residence bequeathed to the University where, in addition to the care of the sculpture collections in the Villa, he continues student training.
Selected publications
Castelnuovo-Tedesco, Lisbeth, and Jack Soultanian. Italian Medieval Sculpture in The Metropolitan Museum of Art and The Cloisters. New York: The Metropolitan Museum of Art, 2010.
Riccardelli, Carolyn, Jack Soultanian, Michael Morris, Lawrence Becker, George Wheeler, and Ronald Street. “The Treatment of Tullio Lombardo’s Adam: A New Approach to the Conservation of Monumental Marble Sculpture.” Metropolitan Museum Journal 49 (2014): 49–116.
Soultanian, Jack, Antoine M. Wilmering, Mark D. Minor and Andrew Zawacki, “The Conservation of the Minbar from the Kutubiyya Mosque.” In The Minbar from the Kutubiyya Mosque. New York: The Metropolitan Museum of Art (1998): 67–84.
Antoine M. Wilmering
Met Art in Publication
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