On loan to The Met The Met accepts temporary loans of art both for short-term exhibitions and for long-term display in its galleries.

Welcoming Descent of the Bodhisattva Miroku, Buddha of the Future

Inscription traditionally attributed to Emperor Fushimi Japanese

On view at The Met Fifth Avenue in Gallery 223

In the 1300s in Japan, most people believed they lived in the End Times (mappō), during which Buddhist teachings could not be taught or heard, and calamities were more severe and frequent. This image shows the widely worshipped deity Miroku, a benevolent bodhisattva, who, according to scripture, resides in the same cosmic realm from which the historical Buddha came to this world. One day Miroku will be reborn here as the next Buddha, bringing about an age of spiritual renewal.

For this image of Miroku, the painter used the most brilliant, and costly, materials available: green malachite, blue azurite, and multiple types of gold on finest silk. To describe the robes and halo, he applied countless impossibly tiny strips of cut gold leaf, a technique called kirikane that is a hallmark of Japanese Buddhist paintings of this period.

This work is on view for rotations 3 and 4.

Welcoming Descent of the Bodhisattva Miroku, Buddha of the Future, Inscription traditionally attributed to Emperor Fushimi (Japanese, 1265–1317; reigned 1287–98)), Hanging scroll; ink, color, gold paint (kindei), and cut gold leaf (kirikane) on silk, Japan

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.