Self-portrait of Richard Parkes Bonington
Frédéric Villot French
After Richard Parkes Bonington British
Sitter Richard Parkes Bonington British
Not on view
Resting his head in his hand, a pose typically associated with melancholy, the young painter Bonington peers out from the shadows in this moody portrait based on a brown wash drawing dated 1825–26 (British Museum). Villot executed the print at the same time as one after an early portrait of his close friend Delacroix. The two portraits commemorate a time when these young leaders of the Romantic school worked in close proximity in a shared studio in Paris. Villot's use of the roulette tool produced rich black tones enhancing the chiaroscuro of the composition.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
