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The Volcano at Night

Jules Tavernier American, born France

Not on view


Tavernier’s volcano paintings display a fusion of European and American landscape traditions, characterized by scenic depictions of the natural world in turbulence or grandeur, often with an element of potential danger for heightened drama. Awe-inspiring natural phenomena rendered with established painterly conventions—such as the shadow-cast moon and gurgling lava here—implied divinity in nature. This artistic approach became associated with the quest to claim regions considered by settlers to be uncharted territories, despite the long-standing and continued presence of Indigenous peoples in those places. A volcano image like this operated in multiple ways: as a demonstration of the goddess Pele’s magnificence; as a form of scientific inquiry during a time of colonial imperialism; and as a type of American romantic landscape focused on westward expansion.

—Healoha Johnston (Native Hawaiian)

The Volcano at Night, Jules Tavernier (American (born France), Paris 1844–1889 Honolulu, Hawaii), Oil on canvas, American

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