Inrō in the Shape of a Leather Tobacco Case (Tabakoire) with Flowering Plum

Attributed to Matsuda Sukenaga Japanese

On view at The Met Fifth Avenue in Gallery 199

Inrō are small, light, tightly nested boxes worn hanging from a man’s obi sash, as a Japanese kimono had no pockets. The term’s literal meaning, "seal basket," probably refers to an early function, but later they held small amounts of medicine. Once they became fashion items, inrō were carefully selected according to the season or occasion and coordinated with the attached ojime (sliding bead) and netsuke (toggle) as well as with the kimono and obi. Moore and his team surely studied the rich motifs and sophisticated production methods of the inrō he collected.


The rare, early example in tortoiseshell was made at the beginning of the Edo period, when inrō were first developed. Several others from the seventeenth to the eighteenth century represent the early history and the high point of the object.

Inrō in the Shape of a Leather Tobacco Case (Tabakoire) with Flowering Plum, Attributed to Matsuda Sukenaga (Japanese, 1800–1871), Inrō: carved wood with lacquer imitating leather; gilded metal clasp; ojime: patinated metal bead; netsuke: Chinese boy (karako) with mask on shishi lion; carved wood, Japan

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