Puiforcat's name is synonymous with Art Deco glamour; even in his day, the important French silversmith was renowned for the elegant, often mathematical simplicity of his geometric forms and the unexpected combination of flawless metalwork with brilliantly polished hardstones, semiprecious stones, or glass.
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Credit Line:Purchase, Edward C. Moore Jr. Gift, 1925
Accession Number:25.230.3
Inscription: Signed (bottom, incised): JeAn e. PUIFORCAt
Marking: (bottom, stamped): EP (within a lozenge divided by a spindle); (stamped): [assay mark: canceled head of Minerva within an octagon]; (bottom, stamped): 7677 / 185
the designer, Paris (until 1925; sold to MMA)
New York. The Metropolitan Museum of Art. "Selection Three: Twentieth-Century Art," October 22, 1985–January 26, 1986, no catalogue.
Roslyn Harbor, N. Y. Nassau County Museum of Art. "Reflections of Opulence: Art Nouveau to Art Deco," May 13–August 5, 2001, unnumbered cat. (p. 61).
New York. The Metropolitan Museum of Art. "Art Deco Paris," June 8, 2004–February 6, 2005, no catalogue.
New York. The Metropolitan Museum of Art. "Masterpieces of French Art Deco," August 4, 2009–January 23, 2011, no catalogue.
Yvanhoé Rambosson. "Le XIIIe Salon des Artistes Décorateurs." Art et décoration 41 (March 1922), pp. 97–128.
Gaston Varenne. "Jean Puiforcat, orfèvre." Art et décoration 47 (January 1925), pp. 1–11.
Françoise de Bonneville. Jean Puiforcat. Paris, 1986, p. 76 (service illustrated).
R. Craig Miller. Modern Design in The Metropolitan Museum of Art 1890–1990. New York, 1990, ill. p. 163 (color).
Gérard Mabille et al. Exposition Puiforcat: Puiforcat orfèvre, la maîtrise de l'argent. Exh. cat., Tokyo Metropolitan Teien Art Museum. Tokyo, 2002, p. 131.
Gail S. Davidson. "Perfection: Jean E. Puiforcat's Designs for Silver." Magazine Antiques 163 (January 2003), pp. 174–83.
Jared Goss. French Art Deco. New York, 2014, pp. 172–73, 260–61, no. 47f, ill. (color).
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