In 1345 the Beguines (a religious order of lay women) of Saint Catherine at Diest paid two pounds for this sculpture, which originally stood on the high altar of the church. A copy remains there today.
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From the Beguinage of Saint Catherine, Diest, Belgium; Count Hector Economos, Paris; [ Arnold Seligman, Rey & Co., New York (sold 1924)]
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Didier, Robert. "Sculptures mosanes et marbres blancs au XIVe siècle." In Foire des antiquaires de Belgique. Brussels: Chambre Royale des Antiquaires de Belgique, 1990. n.p.
Schmidt, Gerhard. Gotische Bildwerke und ihre Meister. Vienna: Böhlau Verlag, 1992. p. 98, n. 49.
Didier, Robert. La Sculpture Mosane du XIVe Siècle. Monographies (Musée des arts anciens du Namurois), Vol. 2. Namur: Société Archéologique de Namur, 1993. pp. 24, 42, 46–48, 52, 57 n. 8, fig. 67.
Gillerman, Dorothy. Gothic Sculpture in America: Volume 2, The Museums of the Midwest. Turnhout: Brepols, 2001. p. 365.
Wixom, William D. "Medieval Sculpture at the Metropolitan: 800 to 1400." The Metropolitan Museum of Art Bulletin, n.s., 62, no. 4 (2005). p. 42.
Little, Charles T., ed. Set in Stone: The Face in Medieval Sculpture. New York, New Haven, and London: The Metropolitan Museum of Art, 2006. p. 95.
Didier, Robert. "La Vierge 'Aynard' à Bruges, Beauneveu, la sainte Catherine de Courtrai et des sculptures brugeoises." Handelingen Genootschap "Société d'Emulation" Brugge 142, no. 2 (2009). p. 15.
Suckale, Robert. "Datierungsfragen sind Verständnisfragen: Zur Einordnung der Kölner Domchorstatuen." In Die Chorpfeilerfiguren des Kölner Domes, edited by Klaus Hardering. Kölner Domblatt 77. Cologne: Verlag Kölner Dom, 2012. p. 277, fig. 19.
Kunz, Tobias. "Importation de matériau ou migration transalpine? La Vierge pisane conservée au Bode-Museum de Berlin et le problème des Madones mosanes en marbre." In Les transferts artistiques dans l'Europe gothique: Repenser la circulation des artistes, des œvres, des thèmes et des savoir-faire (XIIe-XVIe siècle), edited by Jacques Dubois, Jean-Marie Guillouët, and Benoît van den Bossche. Paris: Picard, 2014. pp. 251–63, fig. 5.
Kunz, Tobias. Bildwerke nördlich der Alpen 1050 bis 1380: Kritischer Bestandskatalog. Berlin: Michael Imhof, 2014. p. 284.
Warren, Jeremy. Medieval and Renaissance Sculpture in the Ashmolean Museum: Volume 2, Sculptures in Stone, Clay, Ivory, Bone and Wood. Oxford: Ashmolean Museum, 2014. p. 693.
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