Staten Island and the Narrows, From Fort Hamilton, New York
In this picturesque scene, New Yorkers enjoy the vista of Staten Island in the background, seen across the ship-filled waterway, called "The Narrows." Ships and sailboats make their way on the narrow stretch of water -- an indication that New York City is a bustling port. Along the road between the shore and the walls of Fort Hamilton, a horse-drawn carriage approaches, while two other carriages are in the middle distance. Beneath the image, there is a key identifying the three forts depicted: Fort Richmond on Staten Island (left), Fort Lafayette on a small island (center), and Fort Hamilton (right), thereby acknowledging America's military history. The artist Frances Palmer has created a captivating panorama that would appeal to both urban and country collectors.
Nathaniel Currier, who established a successful New York-based lithography firm in 1835, produced thousands of hand-colored prints in various sizes that together create a vivid panorama of mid-to-late nineteenth century American life. Expansion led, in 1857, to a business partnership with James Merritt Ives (1824–1895), a skilled accountant, who was the brother-in-law of Nathaniel's brother Charles. People eagerly acquired Currier & Ives lithographs, such as those featuring spectacular American landscapes, or rural and city views, hunting and fishing scenes, domestic life and numerous other subjects, as an inexpensive way to decorate their homes or business establishments.
Frances (Fanny) Palmer immigrated to New York from England in 1844. Already an accomplished artist and printmaker, Fanny and her husband Seymour operated a small print-shop in lower Manhattan until 1849, when the couple moved to Brooklyn. Nathaniel Currier began to buy print designs from Palmer around this time, and she became a staff artist for Currier & Ives after 1857. As a designer able to transfer images to lithographic stones for printing, Palmer produced more than 200 prints for the firm and today is regarded as a leading woman lithographer of the period. Although it was unusual for a woman to achieve such prominence in a printing firm, Palmer filled an important role for Currier and Ives firm, as she created the firm's best landscapes and most engaging scenes of daily life.
Nathaniel Currier, who established a successful New York-based lithography firm in 1835, produced thousands of hand-colored prints in various sizes that together create a vivid panorama of mid-to-late nineteenth century American life. Expansion led, in 1857, to a business partnership with James Merritt Ives (1824–1895), a skilled accountant, who was the brother-in-law of Nathaniel's brother Charles. People eagerly acquired Currier & Ives lithographs, such as those featuring spectacular American landscapes, or rural and city views, hunting and fishing scenes, domestic life and numerous other subjects, as an inexpensive way to decorate their homes or business establishments.
Frances (Fanny) Palmer immigrated to New York from England in 1844. Already an accomplished artist and printmaker, Fanny and her husband Seymour operated a small print-shop in lower Manhattan until 1849, when the couple moved to Brooklyn. Nathaniel Currier began to buy print designs from Palmer around this time, and she became a staff artist for Currier & Ives after 1857. As a designer able to transfer images to lithographic stones for printing, Palmer produced more than 200 prints for the firm and today is regarded as a leading woman lithographer of the period. Although it was unusual for a woman to achieve such prominence in a printing firm, Palmer filled an important role for Currier and Ives firm, as she created the firm's best landscapes and most engaging scenes of daily life.
Artwork Details
- Title: Staten Island and the Narrows, From Fort Hamilton, New York
- Artist: Frances Flora Bond Palmer (American (born England), Leicester 1812–1876 New York)
- Publisher: Lithographed and published by Currier & Ives (American, active New York, 1857–1907)
- Date: 1861
- Medium: Hand-colored lithograph
- Dimensions: Image: 14 11/16 × 20 3/16 in. (37.3 × 51.2 cm)
Image and text: 16 3/8 × 20 3/16 in. (41.6 × 51.3 cm)
Sheet: 22 in. × 27 13/16 in. (55.9 × 70.7 cm) - Classification: Prints
- Credit Line: The Edward W. C. Arnold Collection of New York Prints, Maps and Pictures, Bequest of Edward W. C. Arnold, 1954
- Object Number: 54.90.780
- Curatorial Department: Drawings and Prints
More Artwork
A slider containing 5 items.
Press the down key to skip to the last item.
Press the down key to skip to the last item.
Multiple artists/makers
1866
Frances Flora Bond Palmer
Nathaniel Currier
1849–56
Frances Flora Bond Palmer
Nathaniel Currier
1849–56
Frances Flora Bond Palmer
Nathaniel Currier
1849
Frances Flora Bond Palmer
Nathaniel Currier
1849–56
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.