Théâtre Italien

Eugène Delacroix French
 Printer Charles Motte French

Not on view

Published in the new liberal daily "Le Miroir," this satirical lithograph holds up the Théâtre Italien in Paris, embodied here by the composer Gioacchino Rossini, as an admirable exemplar of the modern. His pockets stuffed with scores, Rossini adopts a stable, wide-legged stance as he balances his three best-known characters: Figaro, Rosina, and Othello. The commentary that accompanied the print poked fun at Delacroix for publishing it anonymously, while complimenting his drawing as one of "uncommon boldness" that was "biting and witty."

Théâtre Italien, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), Lithograph; only state

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.

Théâtre Italien, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), Lithograph; only state
Théâtre Italien, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), Lithograph; only state

This artwork is meant to be viewed from right to left. Scroll left to view more.