Armchair

Attributed to Workshop of Duncan Phyfe American, born Scotland

On view at The Met Fifth Avenue in Gallery 738

The plush high back with crotch-veneered tablet and sweeping scrolled arms of this sleek, mahogany chair illustrate the Phyfe workshop’s experimentation with variations of French fauteuils. The Phyfes’ inspiration may have emerged from the popular designs by Pierre de la　Mésangère in his serial Collection de Meubles et Objets de Goût (1820–1831). The armchair bears resemblance to number 638 "Fauteuil de Salon" in volume one of Meubles…(1802-1807) and number 320 "Fauteuil d’Appartament" in volume one (1810-1812). According to family tradition this chair, one of a pair (see 1971.128.1), stood in Duncan Phyfe's house on Fulton Street before descending to his great-granddaughter, Emma Phyfe Purdy (b. 1855), then to subsequent owners.

Armchair, Attributed to Workshop of Duncan Phyfe (American (born Scotland), near Lock Fannich, Ross-Shire, Scotland 1768/1770–1854 New York), Mahogany, cherry, ash, American

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.

Armchair, Attributed to Workshop of Duncan Phyfe (American (born Scotland), near Lock Fannich, Ross-Shire, Scotland 1768/1770–1854 New York), Mahogany, cherry, ash, American
Armchair, Attributed to Workshop of Duncan Phyfe (American (born Scotland), near Lock Fannich, Ross-Shire, Scotland 1768/1770–1854 New York), Mahogany, cherry, ash, American
Armchair, Attributed to Workshop of Duncan Phyfe (American (born Scotland), near Lock Fannich, Ross-Shire, Scotland 1768/1770–1854 New York), Mahogany, cherry, ash, American

This artwork is meant to be viewed from right to left. Scroll left to view more.