Die Belles Heures von Jean de France, Duc de Berry

The Limbourg Brothers Franco-Netherlandish

1405–1408/1409

On view at The Met Cloisters in Gallery 13

Die Belles Heures (Schönen Stunden), ein privates Gebetbuch, war das erste mehrerer prächtiger Manuskripte, die bei den Gebrüdern Limbourg von Jean de Berry in Auftrag gegeben wurden. Es ist vielleicht das einzige tatsächlich vollständige und stilistisch kongruente Gebetbuch aus der umfangreichen Bibliothek des Herzogs mit seinen 94 ganzseitigen und 54 Spaltenillustrationen. Hier ist das Wunder von Sankt Nikolaus abgebildet, der Seereisende rettet. Unter Verwendung einer phosphoreszierenden Palette hat der Künstler hier runde italienisch beeinflusste Figuren mit einer detaillierten nordischen Naturvision in Einklang gebracht.

The Belles Heures of Jean de France, duc de Berry, The Limbourg Brothers (Franco-Netherlandish, active France, by 1399–1416), Tempera, gold, and ink on vellum, French — Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

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Folio 30r, The Annunciation

Folio exlibris recto

Folio 2v, January

Folio 13r, December: Slaughtering a Boar - Capricorn

Folio 15r, Saint Catherine in Her Study

Folio 15v, Saint Catherine Refuses to Worship the Idol

Folio 17r, Saint Catherine Tied to a Column

Bifolium 17v-18r, Saint Catherine; Empress Faustina Beheaded

Folio 18v, Angels Destroy the Wheels of Knives

Folio 20r, Angels Carry the Body of Saint Catherine to Mount Sinai

Folio 20v

Folio 24 verso and 25 recto

Folio 37v, text

Folio 41 verso 42 recto

Folio 42v, The Visitation

Folio 48v, The Nativity

Folio 52r, The Annunciation to the Shepherds

Folio 54v, The Adoration of the Magi

Folio 57r, The Presentation in the Temple

Folio 57 verso 58 recto

Folio 59v, The Massacre of the Innocents

Folio 63r, The Flight into Egypt

Folio 65 verso and 66 recto

Folio 72r, David Flees from Absalom

Bifolium: 73-74r - Great Litany Process - End of the Plague

Folio 77v, text

Folio 80r, Descent from the Cross

Folio 83 verso 84 recto

Folio 90r, text

Folio 96v, Bishop Hugh Receiving Bruno and his Companions

Folio 91v, The Trinity; The Duchess in Prayer

Folio 91v, detail, The Duchess of Berry in Prayer

Folio 95r, The Burial of Diocrès

Folio 99r, Cemetery

Bifolium: 110-111r - Text

Bifolium: 118-119r - Text

Bifolium: 126-127r - Text

Folio 131v, The Mocking of Christ

Folio 132, The Flagellation

Folio 133r, text

Folio 134 verso 135 recto

Folio 135v, Christ before Pilate

Folio 136r, Pilate Offers to Release Christ

Folio 136v, text

Folio 138r, Pilate Washes His Hands

Folio 142 recto 143 verso

Bifolium: 150-151r - Text

Bifolium 158v-159r, Saint John the Baptist; Saint John the Evangelist

Folio 163r, Saint Vincent Cast to the Beasts

Folio 163v, Saint Clement Cast into the Sea

Folio 164v, Saint Eustace Loses his Sons

Folio 166 verso 167 recto

Folio 167r, Saint George Slaying the Dragon

Folio 169r, Saint Martin and the Beggar

Folio 170r, Saint Anthony of Padua Stills a Storm

Folio 170v, text

Folio 173r, Saint Louis before Damietta

Folio 183r, Saint Jerome Studying Classical Philosophers

Folio 184r, Saint Jerome is Ordained as a Cardinal

Folio 184v, Saint Jerome in a Woman's Dress

Bifolium: 185-186r - Saint Jerome Contemplates the Holy Sepulchre - Saint Jerome is Tempted by Dancing Girls

Folio 187r, The Lion finds the Missing Ass

Folio 187v, Saint Jerome Translating the Bible

Folio 189v, The Sick Attending the Funeral of Saint Jerome

Folio 191r, Saint Paul the Hermit Sees a Christian Tempted

Folio 192r, Saint Anthony Receives Directions from a Satyr

Folio 193v, Lions Help Saint Anthony Bury Saint Paul

Folio 194v, The Death of Saint Anthony

Folio 198 verso 199 recto

Folio 206 verso 207 recto

Folio 211r, John the Baptist in the Wilderness

Bifolium: 214-215r - Text - Death of Simon Magus, the duke's arms

Folio 218v, text

Folio 221r, detail, Mass for All Souls

Folio 220 verso 221 recto

Folio 221r, Mass for All Souls

Folio 223r

Folio 223v, The Duke on a Journey

Folio 223v, detail, The Duke on a Journey

Bifolium: 224-225r - Text

Detail view of Mary Magadalene weeping at the base of the cross, which is streaked in bright red blood

What We Do Not Know about The Crucifixion of Stefano da Verona

Curator Keith Christiansen explores the mixture of French and Italian painting styles that influenced artistic production in fifteenth-century Milan, and the impact of this cross-cultural approach on the work of Stefano da Verona.

An alabaster alterpiece from the archbishop's chapel at Saragossa

Wise Women: Images of Saint Thecla and Saint Catherine

Curator Barbara Drake Boehm looks at medieval representations of martyrs Saint Thecla and Saint Catherine in honor of their autumn feast days.

Hans Baldung Grien's Martyrdom of Saint Lawrence

Broken Bodies: Violence in Art and Game of Thrones

Curator Barbara Drake Boehm looks at medieval representations of martyrs Saint Bartholomew and Saint Lawrence in honor of their August feast days.

Become a Work of Art for Halloween!

Skyla Choi, MuSe intern for Media Production & Online Features, shares inspiration from The Met collection for Halloween costumes, masks, and props!

Detail of man with moldboard plow from the recent, extraordinary Cloisters acquisition, Simon Bening's Book of Hours

Harrow and Fallow

Managing Horticulturist Caleb Leech discusses how medieval agriculturists approached soil management.

Purple irises (left) and yellow Narcissus flowers (right)

Here I Sette My Thynge to Sprynge

Managing Horticulturist Caleb Leech discusses the significance of the start of spring both at The Cloisters and in the medieval calendar.

The teen prodigies behind this groundbreaking 15th century French picture book

"In the center of the book, they're struggling with their compositional arrangements, but as they progress, they become incredibly inventive."

Black and white photograph of chief librarian Ken Soehner standing in an aisle in the library filled with books

Connections: Books

Chief librarian Ken Soehner on his favorite depictions of books.

Today in Met History: June 12

Eighty-five years ago today, on June 12, 1925, The Metropolitan Museum of Art purchased a collection of medieval sculpture and architectural fragments from George Grey Barnard (1863–1938), a prominent American sculptor and collector. This acquisition formed the nucleus of what would become The Cloisters, the branch of the Museum located in Northern Manhattan and devoted to the art and architecture of medieval Europe.

The Medieval Garden Enclosed—Pigs and Pannage

Deirdre Larkin, managing horticulturist of The Met Cloisters, discusses the origins of pannage, the practice of bringing pigs to the wood to forage, and its significance in medieval art and life.