This work unites various public figures with the major financial establishments of the day, suggesting the close relationship between politics and big business in New York. The reimagined facade of the New York Stock Exchange pays homage to President Franklin D. Roosevelt and the financial leaders Bernard Baruch, John D. Rockefeller, and J. P. Morgan. Perhaps as a warning against the temptations of earthly riches and power, Stettheimer adds a group of Salvation Army workers. The artist also depicts herself; she offers a bouquet of flowers to the brightly gilded sculpture of George Washington outside the former Subtreasury Building.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Artwork Details
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title:The Cathedrals of Wall Street
Artist:Florine Stettheimer (American, Rochester, New York 1871–1944 New York, New York)
Date:1939
Medium:Oil on canvas
Dimensions:60 × 50 in. (152.4 × 127 cm)
Classification:Paintings
Credit Line:Gift of Ettie Stettheimer, 1953
Accession Number:53.24.2
Inscription: Signed, dated, and inscribed (streamers of bouquet, lower right): To George Washington from Florine / St / 1939
the artist, New York (1939–d. 1944); her sister, Ettie Stettheimer, New York (1944–53; her gift to MMA)
Museum of Modern Art, New York. "Florine Stettheimer," October 1–November 17, 1946, unnumbered cat. (p. 48; as "Cathedrals of Wall Street," lent by Miss Ettie Stettheimer, New York).
Poughkeepsie, N. Y. Vassar College Art Gallery. "Florine Stettheimer," January 1949, no catalogue.
Dallas Museum for Contemporary Arts. "Laughter in Art," November 5, 1958–January 6, 1959, no catalogue [on view through December 1958].
New York. Gallery of Modern Art. "About New York, Night and Day 1915–1965," October 19–November 15, 1965, unnumbered cat. (p. 25).
New York. The Metropolitan Museum of Art. "The 10s, the 20s, the 30s: Inventive Clothes, 1909–1939," December 13, 1973–September 3, 1974, not in catalogue.
Institute of Contemporary Art, Boston. "Florine Stettheimer: Still Lifes, Portraits and Pageants, 1910 to 1942," March 4–April 27, 1980, no. 31 (as "Cathedrals of Wall Street").
New York. The Metropolitan Museum of Art. "New York City," January 12–July 1, 1990, no catalogue.
New York. The Metropolitan Museum of Art. "14 Americans," July 16, 1990–January 2, 1991, no catalogue.
New York. The Metropolitan Museum of Art. "American Painting: 1905–1950," April 19–October 7, 1991, no catalogue.
New York. Whitney Museum of American Art. "Florine Stettheimer: Manhattan Fantastica," July 13–November 5, 1995, unnumbered cat. (p. 30; as "Cathedrals of Wall Street").
Roslyn Harbor, N. Y. Nassau County Museum of Art. "Reginald Marsh and Infamous New York," February 19–May 14, 2006, unnumbered cat. (p. 35).
Henry McBride. "Florine Stettheimer: A Reminiscence." View 5 (October 1945), p. 15.
Henry McBride. Florine Stettheimer. Exh. cat., Museum of Modern Art. New York, 1946, pp. 48, 55, ill.
Edward Alden Jewell. "Stettheimer Art in Memorial Show." New York Times (October 2, 1946), p. 27.
"Florine." New Yorker 22 (October 5, 1946), p. 27.
Betty Burroughs. "Of Art and Artists: Florine Stettheimer. By Henry McBride." New York Times (April 20, 1947), p. BR16.
Esther I. Seaver. "Florine Stettheimer and the Gay Twenties." Wadsworth Atheneum Bulletin (January 1948), p. 1.
Parker Tyler. Florine Stettheimer: A Life in Art. New York, 1963, pp. 17, 46, 52, 59, 68, 72, 77–78, 105, 107, 109, 137–38, 144, 152, 181, 184–85, ill. opp. p. 154 (color).
Anthony Bower. "Florine Stettheimer." Art in America 52, no. 2 (April 1964), p. 90, ill. p. 93 (color).
Barbara Zucker. "An 'Autobiography of Visual Poems'." Art News 76 (February 1977), pp. 71–72.
Hilton Kramer. "Art View: Florine Stettheimer's Distinctive Vision of Society." New York Times (March 16, 1980), p. D42.
Linda Nochlin. "Florine Stettheimer: Rococo Subversive." Art in America 68 (September 1980), pp. 73, 75–78, 81, 83 n. 30, fig. 23 (color), dates it about 1939, surmising that it was finished after the inscribed date.
Andy Warhol and Pat Hackett. POPism: The Warhol '60s. New York, 1980, p. 16.
Elisabeth Sussman. Florine Stettheimer: Still Lifes, Portraits and Pageants, 1910 to 1942. Exh. cat., Institute of Contemporary Art, Boston. [Boston], 1980, unpaginated, no. 31.
Charlotte Streifer Rubinstein. American Women Artists from Early Indian Times to the Present. Boston, 1982, p. 194.
Thomas Bender. New York Intellect: A History of Intellectual Life in New York City, from 1750 to the Beginnings of Our Own Time. New York, 1987, pp. 327–38.
Mark Lancaster. "Andy Warhol Remembered." Burlington Magazine 131 (March 1989), p. 200.
Donald Goddard. American Painting. New York, 1990, p. 178.
Eleanor Heartney. "Looking at Art. Florine Stettheimer: Saints, Esthetes, and Hustlers." Art News 90 (May 1991), p. 95.
Jerry Saltz. "Notes on a Painting. Twilight of the Gods: Florine Stettheimer's 'Cathedrals of Art,' 1942." Arts Magazine 66 (March 1992), p. 22.
Barbara Bloemink. Friends and Family: Portraiture in the World of Florine Stettheimer. Exh. cat., Katonah Museum of Art. Katonah, N. Y., 1993, pp. 16–17.
C. N. "Art Between the Wars. 'Friends and Family: Portraiture in the World of Florine Stettheimer'." Women Artists News Book Review 19 (Spring 1994), p. 35.
Elisabeth Sussman inFlorine Stettheimer: Manhattan Fantastica. Exh. cat., Whitney Museum of American Art. New York, 1995, pp. 50, 52, 62, 141, ill. pp. 30 (color), 51 (installation photo, the artist's studio).
Barbara Bloemink inFlorine Stettheimer: Manhattan Fantastica. Exh. cat., Whitney Museum of American Art. New York, 1995, p. 90.
Linda Nochlin inFlorine Stettheimer: Manhattan Fantastica. Exh. cat., Whitney Museum of American Art. New York, 1995, pp. 107–14, 116 n. 30.
Roberta Smith. "Extreme Artifice Directly From Life (in New York Between the Wars)." New York Times (July 21, 1995), p. C18.
Barbara Bloemink. The Life and Art of Florine Stettheimer. New Haven, 1995, pp. 168, 183, 214, 217–18, 221, 250 n. 40, p. 279 n. 44, fig. 118 (color).
Roger Kimball. "Florine Stettheimer at the Whitney." Modern Painters 8 (Autumn 1995), p. 98.
Jed Perl. "Jazz Age Pastoral." New Republic 213 (October 2, 1995), p. 42.
Mario Naves. "Art: 'Florine Stettheimer: Manhattan Fantastica'." New Criterion 14 (September 1995), pp. 48, 50–51.
Hilton Kramer. "Critic's Notebook: Stettheimer Primer." Art & Antiques 18 (September 1995), p. 86.
Stephen May. "Florine Stettheimer: Whitney Museum of American Art." Art News 94 (November 1995), p. 244.
John Loughery. "American Treasures: Whistler, Stettheimer, Scully." Hudson Review 48 (Winter 1996), p. 652.
Ann Lee Morgan. "Florine Stettheimer." Art Journal 55 (Summer 1996), p. 93.
Trevor Winkfield. "Very Rich Hours." Art in America 84 (January 1996), p. 66.
Barbara Haskell. The American Century: Art and Culture, 1900–1950. Exh. cat., Whitney Museum of American Art. New York, 1999, p. 137.
Nancy Mowll Mathews. "Review: 'The Life and Art of Florine Stettheimer'; 'Florine Stettheimer: Manhattan fantastica'." Woman's Art Journal 20 (Spring/Summer 1999), p. 56.
David Jacobson. "Review of Books: Operatic Modernism." Art in America 87 (September 1999), p. 37.
Cécile Whiting. "Decorating with Stettheimer and the Boys." American Art 14 (Spring 2000), pp. 40–41, 43.
Pamela Wye. "Florine Stettheimer: Eccentric Power, Invisible Tradition." M / E / A / N / I / N / G: An Anthology of Artists' Writings, Theory, and Criticism. Ed. Susan Bee and Mira Schor. Durham, N.C., 2000, p. 382.
Helen Langa. "Review. Recent Feminist Art History: An American Sampler." Feminist Studies 30 (Fall 2004), p. 716.
Klaus-Dieter Gross. "Four Saints in Three Arts: V. Thomson's, G. Stein's, and F. Stettheimer's Portraits of Each Other." AAA: Arbeiten aus Anglistik und Amerikanistik 29, no. 2 (2004), p. 212 n. 14.
H. Alexander Rich. "Rediscovering Florine Stettheimer (Again): The Strange Presence and Absence of a New York Art World Mainstay." Woman's Art Journal 32 (Fall/Winter 2011), pp. 24–25, fig. 3.
Lara Susan Kuykendall. "'By Popular Demand': The Hero in American Art, c. 1929–1945." PhD diss., University of Kansas, 2011, pp. 14, 18–20, 27–29, 40–43, fig. 1-1, dates it 1938–40.
Katherine Hoffman. Alfred Stieglitz: A Legacy of Light. New Haven, 2011, p. 183.
Jarrett Earnest. "Florine Stettheimer—Hieroglyphs of Pleasure." brooklynrail.org. March 2012.
Megan Brandow-Faller. "Feminine Vessels: The Ceramic Sculpture of Vally Wieselthier." Woman's Art Journal 35 (Fall/Winter 2014), p. 35 n. 6.
Karin Althaus and Susanne Böller inFlorine Stettheimer. Ed. Matthias Mühling, Karin Althaus, and Susanne Böller. Exh. cat., Städtische Galerie im Lenbachhaus und Kunstbau. Munich, 2014, pp. 34, 36, fig. 21 (in the artist's studio, 1944).
Karin Althaus inFlorine Stettheimer. Ed. Matthias Mühling, Karin Althaus, and Susanne Böller. Exh. cat., Städtische Galerie im Lenbachhaus und Kunstbau. Munich, 2014, pp. 63–64, 72, fig. 47 (color).
Emmelyn Butterfield-Rosen inFlorine Stettheimer. Ed. Matthias Mühling, Karin Althaus, and Susanne Böller. Exh. cat., Städtische Galerie im Lenbachhaus und Kunstbau. Munich, 2014, fig. 71 on p. 115 (in the artist's studio, 1944).
Jutta Koether inFlorine Stettheimer. Ed. Matthias Mühling, Karin Althaus, and Susanne Böller. Exh. cat., Städtische Galerie im Lenbachhaus und Kunstbau. Munich, 2014, pp. 164, 166.
Richard Meyer. "Changing Partners: Richard Meyer on 'Reimagining Modernism' at the Met." Artforum 54 (November 2015), p. 146.
Roberta Smith. "A Trans-Atlantic View of Modernism." New York Times (January 9, 2015), p. C30.
Holland Cotter. "Got an Hour? The Met in 4 Morsels." New York Times (December 9, 2016), p. C25.
Stephen Brown inFlorine Stettheimer: Painting Poetry. Exh. cat., Jewish Museum, New York. New York, 2017, p. 40, ill. p. 126 (color).
Lucy Ives. "The Repatriation of F$." Art in America 105 (September 2017), pp. 96, 100, ill. p. 95 (color).
Joan Snyder. "Florine Stettheimer's 'Cathedrals' Paintings." The Artist Project: What Artists See When They Look at Art. Ed. Chris Noey. New York, 2017, p. 214, ill. (color detail, installation view).
Roberta K. Tarbell. "'Florine Stettheimer: Painting and Poetry'; 'Marguerite Zorach: An Art-Filled Life'." Woman's Art Journal 39, no. 1 (2018), pp. 46, 48 n. 7.
Barbara Bloemink. "Florine Stettheimer for the Twenty-First Century: Moving Beyond the Marginalizing Myths." Florine Stettheimer: New Directions in Multimodal Modernism. Ed. Irene Gammel and Suzanne Zelazo. Toronto, 2019, pp. 24–25, 36–37.
Irene Gammel and Chelsea Olsen. "Configuring a Feminist Sisterhood: The Case of Ettie's Memorializing." Florine Stettheimer: New Directions in Multimodal Modernism. Ed. Irene Gammel and Suzanne Zelazo. Toronto, 2019, p. 94.
Patricia Allmer. "Temporalities: Stettheimer's Baroque Modernism." Florine Stettheimer: New Directions in Multimodal Modernism. Ed. Irene Gammel and Suzanne Zelazo. Toronto, 2019, p. 106.
Jason Wang. "Miss Flutterby: Florine Stettheimer's Dispassionate Flâneuse and Subversive Urban Consumer." Florine Stettheimer: New Directions in Multimodal Modernism. Ed. Irene Gammel and Suzanne Zelazo. Toronto, 2019, pp. 211, 214–15, 218–19, fig. 10.3 (color).
Irene Gammel and Suzanne Zelazo. "'An Opera to be Sung': Intermediality and the Making of 'Four Saints in Three Acts'." Florine Stettheimer: New Directions in Multimodal Modernism. Ed. Irene Gammel and Suzanne Zelazo. Toronto, 2019, p. 242.
Georgiana Uhlyarik. "Curating Florine Stettheimer: Reflections on an Exhibition." Florine Stettheimer: New Directions in Multimodal Modernism. Ed. Irene Gammel and Suzanne Zelazo. Toronto, 2019, p. 270 n. 28.
Barbara Bloemink. Florine Stettheimer: A Biography. Munich, 2021, pp. 273, 276, 293, 348, 350, 352–54, 374, 379, 381, 387, 415 nn. 35, 44, figs. 114 and 119 (in the artist's studio), 117 (color).
Helen A. Cooper. "Celebrating and Satirizing New York's Aesthetes." Wall Street Journal (April 10–11, 2021), p. C20.
Consider how artists convey personality in nonfigural portraits and the relationship between visual and verbal expression by looking at a painting by Charles Demuth in the Museum's Modern and Contemporary galleries and through a portrait-making activity in the classroom.
Ellsworth Kelly (American, Newburgh, New York 1923–2015 Spencertown, New York)
1977
Resources for Research
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Met's engagement with art from 1890 to today includes the acquisition and exhibition of works in a range of media, spanning movements in modernism to contemporary practices from across the globe.
