
Metropolitan Museum Studies in Art, Science, and Technology
Director's Foreword
Thomas P. Campbell
Acknowledgments
The Practice of Objects Conservation in The Metropolitan Museum of Art (1870–1942)
Lawrence Becker and Deborah Schorsch
Twelfth-Century French Polychrome Sculpture in The Metropolitan Museum of Art: Materials and Techniques
Lucretia Kargère and Adriana Rizzo
Evidence for the Use of Azurite and Natural Ultramarine Pigments in Ancient Egypt
Ann Heywood
Technical Study of Three Allegorical Paintings by Paolo Veronese: "The Choice between Virtue and Vice, Wisdom and Strength," and "Mars and Venus United by Love"
Dorothy Mahon, Silvia A. Centeno, Mark T. Wypyski, Xavier F. Salomon, and Andrea Bayer
Compositional Study of Medieval Islamic Enameled Glass from The Metropolitan Museum of Art
Mark T. Wypyski
Piece-Molding Casting: A Chinese Tradition for Fourth- and Fifth-Century Bronze Buddha Images
Donna Strahan
Petrographic and Mineralogical Analysis of the Casting Core of a Chinese Bronze "Buddha Maitreya"
Federico Carò
Manuscript Guidelines
Met Art in Publication
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Citation
———. 2010b. Metropolitan Museum Studies in Art, Science and Technology. New York, New York: Metropolitan Museum of Art.