Louis Comfort Tiffany and Laurelton Hall: An Artist's Country Estate

Louis Comfort Tiffany and Laurelton Hall: An Artist's Country Estate

Frelinghuysen, Alice Cooney, with contributions by Elizabeth Hutchinson, Julia Meech, Jennifer Perry Thalheimer, Barbara Veith, and Richard Guy Wilson
2006
276 pages
350 illustrations
Metropolitan Chapter of the Victorian Society in America, Exhibitions & Catalogues Award, Winner (2008)
Decorative Arts Society Charles F. Montgomery Award, Winner (2006)
View More Publication Info

Laurelton Hall, Louis Comfort Tiffany's extraordinary country estate in Oyster Bay, New York, represents the height of his artistic endeavors. Tiffany (1848–1933) built Laurelton between 1902 and 1905, carefully controlling every aspect of the estate's design, from the architecture and interiors of the main house to the gardens, fountains, pools, and numerous outbuildings on the grounds. He filled the house with hundreds of his best glass vases, pottery, and enamelware, installed many of his most significant leaded-glass windows, and displayed objects from his personal collections of Islamic, Asian, and Native American art. Bedazzled visitors called the estate "an Arabian Nights' dream."

Tiffany's grand country estate became an educational enterprise in 1918. When he established a residency program that brought young artists to Laurelton Hall, not to receive any formal instruction but to be inspired by the estate's setting, vistas, interiors, and works of art. The program continued after Tiffany's death, but the costs of maintaining Laurelton were such that in 1946 the contents of the house were put up for auction, and in 1949 the house and acreage were sold. In 1957 Laurelton was destroyed in a fire.

This volume, which accompanies a major exhibition at The Metropolitan Museum of Art, examines Laurelton Hall in all its aspects. The authors trace innovations and precedents in Tiffany's designs for his earlier residences and re-create in detail Laurelton's architecture and interiors, Tiffany's "museum" of his own work, and the passion he shared with many of his contemporaries for collecting Asian and Native American art. Surviving artworks and salvaged architectural components from Laurelton are illustrated in magnificent, newly commissioned color photography. The book offers an unprecedented portrait of the unique and marvelous place that was Laurelton Hall—a place where visitors stepped into and inhabited a work of art.

Met Art in Publication

Vase, Louis C. Tiffany  American, Favrile glass, American
Louis C. Tiffany
ca. 1910
Bowl, Louis C. Tiffany  American, Enamel on copper, American
Louis C. Tiffany
1898–1902
Bowl, Louis C. Tiffany  American, Enamel on copper, American
Louis C. Tiffany
1898–1902
Bowl, Louis C. Tiffany  American, Enamel on copper, American
Louis C. Tiffany
1898–1902
Window, Louis C. Tiffany  American, Leaded glass, American
Louis C. Tiffany
ca.1880
Chest, Wood; inlaid with mother-of-pearl
18th century
Louise Tiffany, Reading, Louis C. Tiffany  American, Pastel on buff colored wove paper, American
Louis C. Tiffany
1888
Design drawing of flower buds and seedpods of floral capitals from loggia, Laurelton Hall, Lenox, Incorporated  American, Watercolor, graphite, and ink on paper, American
Lenox, Incorporated
ca. 1900–1915
Design drawing of of lotus blossom of floral capital from loggia, Laurelton Hall, Lenox, Incorporated  American, Watercolor, graphite, and ink on paper, American
Lenox, Incorporated
ca. 1900–1915
Design drawing of peony blossom of floral capital from loggia, Laurelton Hall, Lenox, Incorporated  American, Watercolor, graphite, and ink on paper, American
Lenox, Incorporated
ca. 1900–1915
Design drawing of of poppy blossom of floral capital from loggia, Laurelton Hall, Lenox, Incorporated  American, Watercolor, graphite, and ink on paper, American
Lenox, Incorporated
ca. 1900–1915
Design drawing of magnolia blossom of floral capital from loggia, Laurelton Hall, Lenox, Incorporated  American, Watercolor, graphite, and ink on paper, American
Lenox, Incorporated
ca. 1900–1915
Tiles, Louis C. Tiffany  American, Favrile glass, American
Louis C. Tiffany
ca. 1905
Architectural Elements from Laurelton Hall, Oyster Bay, New York, Louis C. Tiffany  American, Limestone, ceramic, and Fravrile glass, American
Louis C. Tiffany
ca. 1905
Snake Charmer at Tangier, Africa, Louis C. Tiffany  American, Oil on canvas, American
Louis C. Tiffany
1872
Vase, Louis C. Tiffany  American, Favrile glass, American
Louis C. Tiffany
ca. 1897
Vase, Louis C. Tiffany  American, Favrile glass, American
Louis C. Tiffany
ca. 1910
Vase, Louis C. Tiffany  American, Favrile glass, American
Louis C. Tiffany
ca. 1906
Vase, Louis C. Tiffany  American, Favrile glass, American
Louis C. Tiffany
ca. 1897
Vase, Louis C. Tiffany  American, Favrile glass, American
Louis C. Tiffany
ca. 1912
Showing 20 of 47

Citation

View Citations

———. 2006. Louis Comfort Tiffany and Laurelton Hall: An Artist’s Country Estate [Exhibition, Metropolitan Museum of Art, New York, November 21, 2006-May 20, 2007]. New York New Haven (Conn.): Metropolitan museum of art Yale university press.